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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

7408 results from this resource . Displaying 301 to 320

a standing John Chrysostom holding a book. 3 full-page miniatures in colours and gold of standing saints holding a book (ff. 5v, 23v, 47v). Large headpieces in gold and colours with foliate or braided patterns. Endpiece in brown and red

or blue. Diagrams in red or brown. Polychronicon to the year 1352, with table Added, near comtemporary text (ff. 238v-239v). John Macclesfield, in 1416-1417: inscription (f. 6v).John Hunt: 18th-century inscription (f. 2). W. Ford: his note about the manuscript pasted

initials in red with penwork decoration, a few also with black penwork decoration. Small simple letters in red. Homilies on John (index In Ioannem), imperfect 16th-century (?) note of 8 missing leaves (f. 330v; see also ff. 10v, 12v).? Thomas

depicting Sir John Mandeville as a witness to the earth-dwelling people of Tracoda Island, and the idol-worship of the dog-headed "Cynocephales" on Nacumera Island. Written in a Norfolk dialect. Combination of the beginning of text B with the end of

one of the foundation collections of the British Library. Text page with cadels John Merylynch John Merelynch The Oriel Master Martinus Polanus (index Martin of Troppau) (d. 1278), John Merelynch, Richard Ledrede, bishop of Ossory Glastonbury England, W. (Glastonbury ?)

Text page of John Skelton's 'On the Death of the Earl of Northumberland', with calligraphic letters and decorated ascenders. Part 1 includes two works by John Lydgate, the Troy Book, a translation from Historia destructionis Troiae of Guido delle Colonne,

depicting Sir John Mandeville setting out on his adventures. Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle, 1986).Made in a vertical quarto shape, perhaps for travel or for carrying:

in the land of Prester John ("Ind"). Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle, 1986).Made in a vertical quarto shape, perhaps for travel or for carrying: see Scott

in the lands of Prester John, and the keepers of orchards with fruit that brings long life. Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle, 1986).Made in a vertical

version (the Surtees Psalter version) Inscription 'Will (?) Bonnell' (f. 1v).John Fauntleroy: inscription in calligraphy (f. 1*); inscription (f. 1); 'John Fauntlero' (f. [101v].Bought by the British Museum in 1836, using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis

the Prologue: Sir John Mandeville sets off on his travels to Jerusalem and beyond. Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle, 1986).Made in a vertical quarto shape, perhaps

depicting Sir John Mandeville as a witness to foreign marvels, here: the city of Constantinople Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle, 1986).Made in a vertical quarto shape,

Sir John Mandeville meditates on the Church of St. Nicholas in Bethlehem, where the Virgin Mary milked her overflowing breasts onto red marble stones. Written in a Norfolk dialect. Combination of the beginning of text B with the end of

depicting Sir John Mandeville witnessing the griffins of Bacharia. Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle, 1986).Made in a vertical quarto shape, perhaps for travel or for carrying:

gold and silver, before the beginning of John. The shelfmark 'AII' and the title on the fore-edge in Latin in black ink and '3' on the top edge of the leaves. Matthew and Mark were presumably 'AI'. 4 full-page frames

Dorothie, née Leuenthorp: inscribed with their names (f. 286v; see Wright 1972).Other inscriptions include 'John Martant', 16th century (ff. 144, 180), and 'John Thomsyn' and 'John Thomsun Symond, late 16th-early 17th century (ff. 165v, 284v).John Somers, 1st baron Somers (b.

par la grace de dieu Roy de france et de naur(?)' (f. 1). John Callander (b. 1721 or after, d. 1789), antiquary: given by him to John MacGouan, F. R. S. (inscription, f. 1v).Charles Burney (b. 1757, d. 1817), D.D.,

at the beginning of John Capgrave's Life of Catherine. 1 large initial in red with pen-flourishing in brown (f. 1). Smaller initials in plain red. Capital letters highlighted in red. The Life of Catherine (ff. 1-117v), etc. Table for Easter

penwork decoration at the beginning of John Koukouzeles's Anagrammatismoi. Musical notation (with neumes). Foliate pink headpiece (f. 11). Small red or pink initials, some with penwork decoration. Anagrammatismoi for the principal feasts, and hymns, tropes, and other theological miscellanea ?

and decorated initial in John Chrysostom's Commentary in Matthaeum. ff. 1, 8, 137-138, and 180-187 are replacements in a 13th- (?) century hand. 3 pink foliate headpieces and large decorated pink initials (ff. 138v, 180v, and 187v) added in the

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 28 September 2021), https://www.manuscriptsonline.org/search/results?ac=f&ct=lm&ft=t&kw=john&sdf=1350&st=300