• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• Decorated initial with anthropomorphic design., Gospel Lectionary

Musical notation (ecphonetic).Contents:Daily readings in John (ff. 1-65v);Saturday-Sunday readings in Matthew (ff. 66v-103);Saturday-Sunday readings in Luke (ff. 104-143);Saturday-Sunday readings in Mark (ff. 143v-187);Holy Week readings (ff. 187v-245v);Synaxarion (ff. 246-359).f. 66 is a blank leaf.The portrait of Luke has been misbound;

• Evangelist portrait of Matthew as a scribe, in colours and gold., Gospel Lectionary

colours and gold. Musical notation (ecphonetic).Contents:Daily readings in John (ff. 1-65v);Saturday-Sunday readings in Matthew (ff. 66v-103);Saturday-Sunday readings in Luke (ff. 104-143);Saturday-Sunday readings in Mark (ff. 143v-187);Holy Week readings (ff. 187v-245v);Synaxarion (ff. 246-359).f. 66 is a blank leaf.The portrait of Luke

• Headpiece with geometric and foliate decoration and inscribed with title in coloured display capitals, and decorated initial 'T'., Gospel Lectionary, imperfect

Headpiece with geometric and foliate decoration and inscribed with title in coloured display capitals, and decorated initial 'T'. Missing leaves at the beginning and after ff. 1, 23, 36, 135, 197, 219.Pericopes arranged according to the ecclesiastical calendar. Headpieces

• Two-page bas-de-page scene of jousting with lades watching., Guiron le Courtois (index Palamedes, Meliadus)

Two-page bas-de-page scene of jousting with lades watching. Contains the first part of the romance of Guiron le Courtois (also known as Meliadus or Palamedes). It ends with Meliadus' reluctance to support Arthur in his battle against Claudas (Lathuliere,

• Detail of a miniature of kings playing a board game., Guiron le Courtois (index Palamedes, Meliadus)

Detail of a miniature of kings playing a board game. Contains the first part of the romance of Guiron le Courtois (also known as Meliadus or Palamedes). It ends with Meliadus' reluctance to support Arthur in his battle against

• Inscription recording that the manuscript was given by John Whethamstede, abbot of St. Albans to the priory of Redburn, reading, 'Hunc librum providit venerabilis / pater dompnus Ioh[ann]es Wheth[a]mstede / abbas monasterii s[an]c[t]i Albani sacre theo/logie professor prioratui Redburne et / monachis ibidem cursum capientib[us]/ quem qui alienaverit anathema sit'; with the title 'Sacrilogiu[m] guidonis abb[at]is sive / speculu[m] leganda[rum].', Sanctilogium

manuscript was given by John Whethamstede, abbot of St. Albans to the priory of Redburn, reading, 'Hunc librum providit venerabilis / pater dompnus Ioh[ann]es Wheth[a]mstede / abbas monasterii s[an]c[t]i Albani sacre theo/logie professor prioratui Redburne et / monachis ibidem cursum

• Decorated initial 'R'(egistrum) with penwork decoration of leaves, at the beginning of the cartulary of John Blaunchard., Cartulary of John Blaunchard

6v, 7, 12v). Spaces for initials left blank from ff. 45-47 and f. 62 to the end. Cartulary of John Blaunchard John Blaunchard, archdeacon of Worcester (reigned 1371-1383), relating to the manor of Barford St Martin, Wiltshire.William George Richard Stanley

• Decorated initial 'R'(egistrum) with penwork decoration of leaves, at the beginning of the cartulary of John Blaunchard., Cartulary of John Blaunchard

6v, 7, 12v). Spaces for initials left blank from ff. 45-47 and f. 62 to the end. Cartulary of John Blaunchard John Blaunchard, archdeacon of Worcester (reigned 1371-1383), relating to the manor of Barford St Martin, Wiltshire.William George Richard Stanley

• Detail of a miniature of John., Bible historiale complétée moyenne (the 'Bible Historiale of John the Good')

in gold and blue with blue and red pen-flourishing. Bible historiale complétée moyenne (the 'Bible Historiale of John the Good') John II (John the Good) (b. 1319, d. 1364), king of France (1350-1364), made for him and seized by the

• Detail of a miniature of John asleep, with a cup, and behind him, a lion-like beast with crowned horns., Bible historiale complétée moyenne (the 'Bible Historiale of John the Good')

in gold and blue with blue and red pen-flourishing. Bible historiale complétée moyenne (the 'Bible Historiale of John the Good') John II (John the Good) (b. 1319, d. 1364), king of France (1350-1364), made for him and seized by the

• Detail of a miniature of John with an eagle, his symbol., Bible historiale complétée moyenne (the 'Bible Historiale of John the Good')

in gold and blue with blue and red pen-flourishing. Bible historiale complétée moyenne (the 'Bible Historiale of John the Good') John II (John the Good) (b. 1319, d. 1364), king of France (1350-1364), made for him and seized by the

• Detail of a bas-de-page scene of a man shooting at a bird, with an owl at the top of the tree., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

University of Paris (f. 4). John Batayle, a canon of St Bartholomew's at Smithfield, mentioned among other canons in a clerical subsidy roll of 1379 and named in a will of 1382, made by John Chyshull, another canon of St