• Inscription stating that the manuscript was given to the St Augustine's Abbey, Canterbury, by king Æthelstan, reading 'hunc codicem Ædelstan rex devota / mente Dorobernensi tribuit eccl[esi]e / beato Augustino dicate et quisquis / hoc legerit omnipotenti pro eo pro/que suis fundat preces.', Gospels

spectral comparator, 10th century (see Keynes, 1985, pp. 167-69).Inscribed, 'Diamate', and 'Umfridus me fecit', 14th century (f. 3).Thomas Lee, John Birchyton, John Hinstyde [or Lynstyde], inscribed with their names, 15th century (f. 8v).N. Hersth, inscribed with his name, 15th century.John

• Decorated initial 'I'(nitium) with interlaced and zoomorphic ornament, at the beginning of Mark., Gospels

spectral comparator, 10th century (see Keynes, 1985, pp. 167-69).Inscribed, 'Diamate', and 'Umfridus me fecit', 14th century (f. 3).Thomas Lee, John Birchyton, John Hinstyde [or Lynstyde], inscribed with their names, 15th century (f. 8v).N. Hersth, inscribed with his name, 15th century.John

• Decorated initial 'L'(iber) with display script, at the beginning of Matthew., Gospels

spectral comparator, 10th century (see Keynes, 1985, pp. 167-69).Inscribed, 'Diamate', and 'Umfridus me fecit', 14th century (f. 3).Thomas Lee, John Birchyton, John Hinstyde [or Lynstyde], inscribed with their names, 15th century (f. 8v).N. Hersth, inscribed with his name, 15th century.John

• Decorated initial 'X'(PI] at the beginning of Matthew 1:18., Gospels

spectral comparator, 10th century (see Keynes, 1985, pp. 167-69).Inscribed, 'Diamate', and 'Umfridus me fecit', 14th century (f. 3).Thomas Lee, John Birchyton, John Hinstyde [or Lynstyde], inscribed with their names, 15th century (f. 8v).N. Hersth, inscribed with his name, 15th century.John

• Decorated initial 'M'(arcus) with interlaced and zoomorphic ornament., Gospels

spectral comparator, 10th century (see Keynes, 1985, pp. 167-69).Inscribed, 'Diamate', and 'Umfridus me fecit', 14th century (f. 3).Thomas Lee, John Birchyton, John Hinstyde [or Lynstyde], inscribed with their names, 15th century (f. 8v).N. Hersth, inscribed with his name, 15th century.John

• Decorated initial 'D'(e Iohanne Baptista) with interlaced and zoomorphic ornament., Gospels

spectral comparator, 10th century (see Keynes, 1985, pp. 167-69).Inscribed, 'Diamate', and 'Umfridus me fecit', 14th century (f. 3).Thomas Lee, John Birchyton, John Hinstyde [or Lynstyde], inscribed with their names, 15th century (f. 8v).N. Hersth, inscribed with his name, 15th century.John

• Decorated initial 'Q'(uoniam) with display script, at the beginning of Luke., Gospels

spectral comparator, 10th century (see Keynes, 1985, pp. 167-69).Inscribed, 'Diamate', and 'Umfridus me fecit', 14th century (f. 3).Thomas Lee, John Birchyton, John Hinstyde [or Lynstyde], inscribed with their names, 15th century (f. 8v).N. Hersth, inscribed with his name, 15th century.John

• Historiated initial 'T'(his) of Henry VII, enthroned with crowned sceptre, giving the manuscript to the monks of Westminster and John Islip, Abbot of Westminster, with a full bar border with the arms of England., Quadripartite Indenture for Henry VII's Chapel

sceptre, giving the manuscript to the monks of Westminster and John Islip, Abbot of Westminster, with a full bar border with the arms of England. The original chemise binding is of burgundy velvet (outside) and pinkish gold damask (inside). One

• Detail of an historiated initial 'T'(his) of Henry VII, enthroned with crowned sceptre, giving the manuscript to the monks of Westminster and John Islip, Abbot of Westminster., Quadripartite Indenture for Henry VII's Chapel

crowned sceptre, giving the manuscript to the monks of Westminster and John Islip, Abbot of Westminster. The original chemise binding is of burgundy velvet (outside) and pinkish gold damask (inside). One large tassel remains on the top left corner in

• Historiated initial 'L'(egendas) of Guido de Castris as a Benedictine abbot with a book and crosier, with a partial border containing two fighting men, at the beginning of the prologue., Sanctilogium

or hybrids, at the beginning of books. Initials in red with purple pen-flourishing, or in blue with red pen-flourishing. Sanctilogium John Whethamstede, abbot of St. Albans (1420-1440 and 1452-1464), given by him to the Benedictine priory of St Amphibaldus in

• Text page with the explicit of Guido de Castris's Sanctilogium., Sanctilogium

or hybrids, at the beginning of books. Initials in red with purple pen-flourishing, or in blue with red pen-flourishing. Sanctilogium John Whethamstede, abbot of St. Albans (1420-1440 and 1452-1464), given by him to the Benedictine priory of St Amphibaldus in

• Illuminated initial 'A'(dventus) at the beginning of book 14., Sanctilogium

or hybrids, at the beginning of books. Initials in red with purple pen-flourishing, or in blue with red pen-flourishing. Sanctilogium John Whethamstede, abbot of St. Albans (1420-1440 and 1452-1464), given by him to the Benedictine priory of St Amphibaldus in

• Illuminated initial 'P'(rima) at the beginning of book 11., Sanctilogium

or hybrids, at the beginning of books. Initials in red with purple pen-flourishing, or in blue with red pen-flourishing. Sanctilogium John Whethamstede, abbot of St. Albans (1420-1440 and 1452-1464), given by him to the Benedictine priory of St Amphibaldus in

• Text page with rubric, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

• Text page, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left