• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• Decorated initial with anthropomorphic design., Gospel Lectionary

Musical notation (ecphonetic).Contents:Daily readings in John (ff. 1-65v);Saturday-Sunday readings in Matthew (ff. 66v-103);Saturday-Sunday readings in Luke (ff. 104-143);Saturday-Sunday readings in Mark (ff. 143v-187);Holy Week readings (ff. 187v-245v);Synaxarion (ff. 246-359).f. 66 is a blank leaf.The portrait of Luke has been misbound;

• Evangelist portrait of Matthew as a scribe, in colours and gold., Gospel Lectionary

colours and gold. Musical notation (ecphonetic).Contents:Daily readings in John (ff. 1-65v);Saturday-Sunday readings in Matthew (ff. 66v-103);Saturday-Sunday readings in Luke (ff. 104-143);Saturday-Sunday readings in Mark (ff. 143v-187);Holy Week readings (ff. 187v-245v);Synaxarion (ff. 246-359).f. 66 is a blank leaf.The portrait of Luke

• Headpiece with geometric and foliate decoration and inscribed with title in coloured display capitals, and decorated initial 'T'., Gospel Lectionary, imperfect

Headpiece with geometric and foliate decoration and inscribed with title in coloured display capitals, and decorated initial 'T'. Missing leaves at the beginning and after ff. 1, 23, 36, 135, 197, 219.Pericopes arranged according to the ecclesiastical calendar. Headpieces

• Colophon: ‘scriptus per manum Guillelmi dicti du Stiphel de Britania pro venerabili et religioso viro domino Utredo Dunelmensi monacho ac sancte sacre pagine doctore. Anno domini millesimo ccco/ octuagesimo primo vicesimo sexto die mensis augusti. In fincal’, and, in the lower margin, the signature ‘G. du Stiphel’., Historiae ecclesiasticae

Historiae ecclesiasticae Written by William of Stiphel for Utredo de Boldon (d. 1397), prior of the Benedictine priory of St John the Baptist and St Godric at Finchale, England, a cell of Durham Cathedral priory (inscription, f. 89v: ‘scriptus per

• Miniature depicting God in heaven telling Joshua, with attendants, to lead the Israelites over the river Jordan to the promised land. Illuminated initial 'A'(pres) at beginning of the Book of Joshua. Decoration extends into a partial border. Instructional drawing at the lower part of the folio., Old Testament (index Bible)

Charles V; also one of the scribes of a Bible Historiale, BL, Royal 19 D II, written for Charles' father, John II. (Rouse and Rouse 2000, I, 270-73). Henri de Trévou Master of the Policratique Master of the Coronation of

• Miniature of King David playing the harp. Illuminated initial 'L'(ome) at beginning of Psalm One. Decoration extends into a partial border., Old Testament (index Bible)

Charles V; also one of the scribes of a Bible Historiale, BL, Royal 19 D II, written for Charles' father, John II. (Rouse and Rouse 2000, I, 270-73). Henri de Trévou Master of the Policratique Master of the Coronation of

• Miniature depicting God in heaven telling Moses (with horns), Aaron (a bishop with crozier and mitre), and an attendant, all standing before an altar, to instruct the Children of Israel in proper forms of sacrifice. Illuminated initial 'A'(pres) begins Leviticus Chapter One., Old Testament (index Bible)

Charles V; also one of the scribes of a Bible Historiale, BL, Royal 19 D II, written for Charles' father, John II. (Rouse and Rouse 2000, I, 270-73). Henri de Trévou Master of the Policratique Master of the Coronation of

• Miniature depicting God in heaven telling Joshua, with attendants, to lead the Israelites over the river Jordan to the promised land. Illuminated initial 'A'(pres) at beginning of the Book of Joshua., Old Testament (index Bible)

Charles V; also one of the scribes of a Bible Historiale, BL, Royal 19 D II, written for Charles' father, John II. (Rouse and Rouse 2000, I, 270-73). Henri de Trévou Master of the Policratique Master of the Coronation of

• Miniature depicting King David playing the harp. Illuminated initial 'L'(ome) at beginning of Psalm One., Old Testament (index Bible)

Charles V; also one of the scribes of a Bible Historiale, BL, Royal 19 D II, written for Charles' father, John II. (Rouse and Rouse 2000, I, 270-73). Henri de Trévou Master of the Policratique Master of the Coronation of

• Detail of a historiated initial 'Y'(maginum) of an altar with statues of the Crucifixion with Mary and John, with the instruction for the illuminator reading 'Fia[n]t ymagi[n]es sup[er] / altare', next to the initial., Omne Bonum (Jacob-Zacharias)

altar with statues of the Crucifixion with Mary and John, with the instruction for the illuminator reading 'Fia[n]t ymagi[n]es sup[er] / altare', next to the initial. The only known, and probably autograph copy of the Omne Bonum of James le

• Four miniatures: 1. the Crucifixion with Mary and John; 2. the Deposition; 3. the Entombment; 4. the Descent into Limbo., Omne Bonum (Absolucio-Circumcisio)

Crucifixion with Mary and John; 2. the Deposition; 3. the Entombment; 4. the Descent into Limbo. The only known, and probably autograph copy of the Omne Bonum of James le Palmer, being a general encyclopaedia arranged in alphabetical order. Bound