• Miniature of the Adoration of the Magi, with a bas-de-page scene of the Crucifixion of Christ and the Dormition of the Virgin., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

Miniature of the Adoration of the Magi, with a bas-de-page scene of the Crucifixion of Christ and the Dormition of the Virgin. The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• Calendar page for January., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

Calendar page for January. The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• Historiated initial 'Q' of Peter, with the descender of the letter composed of a foliate extension of acanthus leaves (centre)., Cutting from a Gradual (sanctorale)

Silvestro dei Gherarducci', in ~Dizionario Biografico dei Miniatori Italiani: Secoli IX-XVI~, ed. by Milvia Bollati (Milano: Bonnard, 2004), p. 939.). John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the

• Miniature of the siege of Meaux and the death of the mayor of the town, at the beginning of chapter 77 of 'John the Good' book, with the signature of Richard duke of Gloucester, future Richard III, 'Richard Gloucestre'., Chroniques de France ou de St Denis (from 1270 to1380)

mayor of the town, at the beginning of chapter 77 of 'John the Good' book, with the signature of Richard duke of Gloucester, future Richard III, 'Richard Gloucestre'. Includes the series of nine miniatures illustrating the visit of the Emperor

• Micrography and decorated ~parashah~ sign at the beginning of ~parashat Noah~ (Gen. 6:9-11:32)., Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

Micrography and decorated ~parashah~ sign at the beginning of ~parashat Noah~ (Gen. 6:9-11:32). Watermark, ff. 1*, [249], [250], of a ~fleur-de-lis~ in a crowned coat of arms and with the monogram 'WR', similar to Edward Heawood, ~Watermarks~ (Monumenta Chartae

• Micrography at Genesis 10., Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

Micrography at Genesis 10. Watermark, ff. 1*, [249], [250], of a ~fleur-de-lis~ in a crowned coat of arms and with the monogram 'WR', similar to Edward Heawood, ~Watermarks~ (Monumenta Chartae Papyraceae Historiam Illustrantia, I) (Hilversum: Paper Publication Society, 1950),

• Micrography at Genesis 15., Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

Micrography at Genesis 15. Watermark, ff. 1*, [249], [250], of a ~fleur-de-lis~ in a crowned coat of arms and with the monogram 'WR', similar to Edward Heawood, ~Watermarks~ (Monumenta Chartae Papyraceae Historiam Illustrantia, I) (Hilversum: Paper Publication Society, 1950),

• Micrography at Genesis 22-23., Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

Micrography at Genesis 22-23. Watermark, ff. 1*, [249], [250], of a ~fleur-de-lis~ in a crowned coat of arms and with the monogram 'WR', similar to Edward Heawood, ~Watermarks~ (Monumenta Chartae Papyraceae Historiam Illustrantia, I) (Hilversum: Paper Publication Society, 1950),