• Illuminated headpiece with foliate decoration and initial at the beginning of John., Four Gospels and Hebrews 12:17-13:25, imperfect (see notes), adapted for liturgical use

and initial at the beginning of John. The volume of which this manuscript was originally a part also contained Metz, Bibliothèque Municipale, MS 4 (destroyed in 1944), which comprised Acts, Catholic and Pauline Epistles, and Hebrews 1:1-12:16. Pink silk endpapers

• Decorated puzzle initial 'Q'(uadam) of the first book of Gregory's Dialogues, with penwork decoration and pen-flourishing, and and pen-flourished border., Dialogues, with alphabetical index

verso) and price ‘25 Gs' (f. 134). ? Price '3: 3: 0' inscribed in ink, f. 133v, lower left corner).? John Brand (b. 1744, d. 1806), antiquary and topographer (inscribed in pencil ‘Gregory the 1st Dialogues, Compleat, Wrote about/ Anno

• Decorated initial with anthropomorphic design., Gospel Lectionary

Musical notation (ecphonetic).Contents:Daily readings in John (ff. 1-65v);Saturday-Sunday readings in Matthew (ff. 66v-103);Saturday-Sunday readings in Luke (ff. 104-143);Saturday-Sunday readings in Mark (ff. 143v-187);Holy Week readings (ff. 187v-245v);Synaxarion (ff. 246-359).f. 66 is a blank leaf.The portrait of Luke has been misbound;

• Evangelist portrait of Matthew as a scribe, in colours and gold., Gospel Lectionary

colours and gold. Musical notation (ecphonetic).Contents:Daily readings in John (ff. 1-65v);Saturday-Sunday readings in Matthew (ff. 66v-103);Saturday-Sunday readings in Luke (ff. 104-143);Saturday-Sunday readings in Mark (ff. 143v-187);Holy Week readings (ff. 187v-245v);Synaxarion (ff. 246-359).f. 66 is a blank leaf.The portrait of Luke

• Headpiece with geometric and foliate decoration and inscribed with title in coloured display capitals, and decorated initial 'T'., Gospel Lectionary, imperfect

Headpiece with geometric and foliate decoration and inscribed with title in coloured display capitals, and decorated initial 'T'. Missing leaves at the beginning and after ff. 1, 23, 36, 135, 197, 219.Pericopes arranged according to the ecclesiastical calendar. Headpieces

• Decorated initial 'R'(egistrum) with penwork decoration of leaves, at the beginning of the cartulary of John Blaunchard., Cartulary of John Blaunchard

6v, 7, 12v). Spaces for initials left blank from ff. 45-47 and f. 62 to the end. Cartulary of John Blaunchard John Blaunchard, archdeacon of Worcester (reigned 1371-1383), relating to the manor of Barford St Martin, Wiltshire.William George Richard Stanley

• Decorated initial 'R'(egistrum) with penwork decoration of leaves, at the beginning of the cartulary of John Blaunchard., Cartulary of John Blaunchard

6v, 7, 12v). Spaces for initials left blank from ff. 45-47 and f. 62 to the end. Cartulary of John Blaunchard John Blaunchard, archdeacon of Worcester (reigned 1371-1383), relating to the manor of Barford St Martin, Wiltshire.William George Richard Stanley

• Detail of a bas-de-page scene of a man shooting at a bird, with an owl at the top of the tree., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

University of Paris (f. 4). John Batayle, a canon of St Bartholomew's at Smithfield, mentioned among other canons in a clerical subsidy roll of 1379 and named in a will of 1382, made by John Chyshull, another canon of St

• Historiated initial 'O' of Romauld enthroned with a bishop saint (probably Augustine) and monastic saints John Gualbert (top right), Maurus and Placidus in Camaldolese habits., Cutting from a Gradual

a bishop saint (probably Augustine) and monastic saints John Gualbert (top right), Maurus and Placidus in Camaldolese habits. Italian cutting.The present initial is boxed with Add. 37472, ff. 1-2, 4-7. To see this initial in the Manuscripts Reading Room order

• Detail of an historiated initial 'A'(pres) of the Emperor John enthroned, with a courtier and a messenger, who points to the lower part of the initial that extends into the margin, where John's knights are assaulting two men., Histoire d'Outremer, continued to 1232

initial 'A'(pres) of the Emperor John enthroned, with a courtier and a messenger, who points to the lower part of the initial that extends into the margin, where John's knights are assaulting two men. 25 historiated initials, with zoomorphic extensions

• Miniature of John, holding a palm, and a crowned elder, from Revelation 7:13; miniature of seven angels with trumpets, and another angel holding a golden cense, from Revelations 8:1-3., Apocalypse (Revelation)

of John, holding a palm, and a crowned elder, from Revelation 7:13; miniature of seven angels with trumpets, and another angel holding a golden cense, from Revelations 8:1-3. Manuscript mentioned in Yates Thompson Appendix 52-54.Glossed French prose.ff. i-iv are paper

• Miniature of an angel showing John a vision of the fall of Babylon, from Revelation 18., Apocalypse (Revelation)

an angel showing John a vision of the fall of Babylon, from Revelation 18. Manuscript mentioned in Yates Thompson Appendix 52-54.Glossed French prose.ff. i-iv are paper flyleaves. 1 large historiated initial, accompanied by a full foliate border, in colours and

• Detail of a miniature of an angel showing John a vision of the fall of Babylon, from Revelation 18., Apocalypse (Revelation)

of an angel showing John a vision of the fall of Babylon, from Revelation 18. Manuscript mentioned in Yates Thompson Appendix 52-54.Glossed French prose.ff. i-iv are paper flyleaves. 1 large historiated initial, accompanied by a full foliate border, in colours

• Miniature of John, holding a palm, and a crowned elder, from Revelation 7:13; miniature of seven angels with trumpets, and another angel holding a golden cense, from Revelations 8:1-3; miniature of the first angel who sounded the trumpet, and hail and fire burning the earth, from Revelation 8:7., Apocalypse (Revelation)

of John, holding a palm, and a crowned elder, from Revelation 7:13; miniature of seven angels with trumpets, and another angel holding a golden cense, from Revelations 8:1-3; miniature of the first angel who sounded the trumpet, and hail and

• Calendar page for January, with marginal scenes, including the water carrier, Aquarius., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

Calendar page for January, with marginal scenes, including the water carrier, Aquarius. The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts

• Double-page with a historiated initial 'A'(d) with a monkey standing on a dog, and full borders, in the Book of Hours., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

Double-page with a historiated initial 'A'(d) with a monkey standing on a dog, and full borders, in the Book of Hours. The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution

• Miniature of the Flight into Egypt, with an historiated initial 'D'(eus) of a mourner, and a bas-de-page scene of the Entombment of Christ, at the beginning of Vespers in the Hours of the Virgin., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

Miniature of the Flight into Egypt, with an historiated initial 'D'(eus) of a mourner, and a bas-de-page scene of the Entombment of Christ, at the beginning of Vespers in the Hours of the Virgin. The manuscript was severely damaged

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in