• Miniature of the Annunciation to the shepherds, with a bas-de-page scene of Christ on the road to Calvary, and marginal scenes of various saints., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

Miniature of the Annunciation to the shepherds, with a bas-de-page scene of Christ on the road to Calvary, and marginal scenes of various saints. The manuscript was severely damaged by flood in 1846; access to it is therefore highly

• Miniature of the Adoration of the Magi, with a bas-de-page scene of the Crucifixion of Christ and the Dormition of the Virgin., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

Miniature of the Adoration of the Magi, with a bas-de-page scene of the Crucifixion of Christ and the Dormition of the Virgin. The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• Calendar page for January., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

Calendar page for January. The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• Micrography and decorated ~parashah~ sign at the beginning of ~parashat Noah~ (Gen. 6:9-11:32)., Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

Micrography and decorated ~parashah~ sign at the beginning of ~parashat Noah~ (Gen. 6:9-11:32). Watermark, ff. 1*, [249], [250], of a ~fleur-de-lis~ in a crowned coat of arms and with the monogram 'WR', similar to Edward Heawood, ~Watermarks~ (Monumenta Chartae

• Micrography at Genesis 10., Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

Micrography at Genesis 10. Watermark, ff. 1*, [249], [250], of a ~fleur-de-lis~ in a crowned coat of arms and with the monogram 'WR', similar to Edward Heawood, ~Watermarks~ (Monumenta Chartae Papyraceae Historiam Illustrantia, I) (Hilversum: Paper Publication Society, 1950),

• Micrography at Genesis 15., Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

Micrography at Genesis 15. Watermark, ff. 1*, [249], [250], of a ~fleur-de-lis~ in a crowned coat of arms and with the monogram 'WR', similar to Edward Heawood, ~Watermarks~ (Monumenta Chartae Papyraceae Historiam Illustrantia, I) (Hilversum: Paper Publication Society, 1950),

• Micrography at Genesis 22-23., Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

Micrography at Genesis 22-23. Watermark, ff. 1*, [249], [250], of a ~fleur-de-lis~ in a crowned coat of arms and with the monogram 'WR', similar to Edward Heawood, ~Watermarks~ (Monumenta Chartae Papyraceae Historiam Illustrantia, I) (Hilversum: Paper Publication Society, 1950),

• Micrography at Genesis 24., Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

Micrography at Genesis 24. Watermark, ff. 1*, [249], [250], of a ~fleur-de-lis~ in a crowned coat of arms and with the monogram 'WR', similar to Edward Heawood, ~Watermarks~ (Monumenta Chartae Papyraceae Historiam Illustrantia, I) (Hilversum: Paper Publication Society, 1950),