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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

482 results from this resource . Displaying 221 to 240

a miniature of John, king of Scotland, being brought before Edward I. Includes the series of nine miniatures illustrating the visit of the Emperor Charles IV to the King of France, Charles V, which occur in only two other copies

Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);

Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);

Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);

Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);

Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);

Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);

Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);

Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);

Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);

Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);

24th year of the reign of Edward III (r. 1327-77) and includes charters dated until at least 1368.Numerous names including John Waleys and William de Wakebrug. For a more detailed list of contents, see ~Catalogue~ 1808. Initials in blue with

an angel showing John a vision of the fall of Babylon, from Revelation 18. Manuscript mentioned in Yates Thompson Appendix 52-54.Glossed French prose.ff. i-iv are paper flyleaves. 1 large historiated initial, accompanied by a full foliate border, in colours and

of an angel showing John a vision of the fall of Babylon, from Revelation 18. Manuscript mentioned in Yates Thompson Appendix 52-54.Glossed French prose.ff. i-iv are paper flyleaves. 1 large historiated initial, accompanied by a full foliate border, in colours

of John, holding a palm, and a crowned elder, from Revelation 7:13; miniature of seven angels with trumpets, and another angel holding a golden cense, from Revelations 8:1-3; miniature of the first angel who sounded the trumpet, and hail and

his eyes, representing the blindness of the Jews to the Christian fulfillment of Old Testament prophecy; miniature of John holding a scroll, in Matfré Ermengau of Béziers's Breviari d'Amour. The text is originally a Provencal poem composed between 1288 and

of John the Baptist, standing on a rock, prophesying to three men of the coming of Christ, in Matfré Ermengau of Béziers's Breviari d'Amour. The text is originally a Provencal poem composed between 1288 and 1292 by Matfré Ermengau of

Miniature of John the Baptist wearing a skin and a mantle and carrying a staff with a disc bearing the Agnus Dei; miniature of John the Baptist baptizing Christ while an angel holds his robe, in Matfré Ermengau of Béziers's

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 2 May 2024), https://www.manuscriptsonline.org/search/results?ac=f&ft=t&kw=john&sdf=1368&sdt=1385&st=220