• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

• Front cover., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

• Beginning of the prologue to John., Four Gospels (the 'Harley Gospels', or 'Codex Harleianus')

the prologue to John. This is source Z in the studies of the Latin New Testament (Wordsworth and White; Bonifatius Fischer). Corrections in a contemporary hand in slanting uncial employ a Greek style of syllabification recalling the method of Victor

• Beginning of the text of John., Four Gospels (the 'Harley Gospels', or 'Codex Harleianus')

the text of John. This is source Z in the studies of the Latin New Testament (Wordsworth and White; Bonifatius Fischer). Corrections in a contemporary hand in slanting uncial employ a Greek style of syllabification recalling the method of Victor

• Miniature of John the Almoner kneeling before the Virgin, with a partial border and a foliate initial 'L'(aint) instead of 'S'., Legenda aurea

of John the Almoner kneeling before the Virgin, with a partial border and a foliate initial 'L'(aint) instead of 'S'. Contains the Golden legend by Iacobus de Voragine translated in c. 1333-1348 by Jean de Vignay as Legende doree, originally

• Miniature of John the Baptist with a partial border and two foliate initials 'I'(ehan)., Legenda aurea

of John the Baptist with a partial border and two foliate initials 'I'(ehan). Contains the Golden legend by Iacobus de Voragine translated in c. 1333-1348 by Jean de Vignay as Legende doree, originally for Jeanne de Bourgogne, queen of France

• Illuminated initials and border at the beginning of the Mass for Trinity Sunday (the first Sunday after Pentecost, which itself occurs on the 50th day after Easter)., Missal, use of Sarum, with a Calendar (ff. 1-6v), imperfect at the end

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Puzzle initial 'E'(xemplum) at the beginning of the Gesta Romanorum., Tabula super methodo fulgentii, Gesta Romanorum (index Deeds of the Romans), Liber de vitiis, various sermons

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Miniature of John with his Evangelist symbol, the eagle., Book of Hours

of John with his Evangelist symbol, the eagle. 3 diptychs of full-page miniatures with foliate borders, in colours and gold, inserted as a separate quire after the calendar (ff. 18v-21). 37 full-page miniatures in semi-grisaille against coloured backgrounds, with large

• Illuminated initials 'T'(he) and 'A'(prentys) with partial foliate bar borders at the opening of the Cook's Tale., The Canterbury Tales

Dorothie, née Leuenthorp: inscribed with their names (f. 286v; see Wright 1972).Other inscriptions include 'John Martant', 16th century (ff. 144, 180), and 'John Thomsyn' and 'John Thomsun Symond, late 16th-early 17th century (ff. 165v, 284v).John Somers, 1st baron Somers (b.

• Detail of a scribal (?) note reading 'Icy commencera le fable de Gamelyn' ('Here will begin Gamelyn's tale')., The Canterbury Tales

Dorothie, née Leuenthorp: inscribed with their names (f. 286v; see Wright 1972).Other inscriptions include 'John Martant', 16th century (ff. 144, 180), and 'John Thomsyn' and 'John Thomsun Symond, late 16th-early 17th century (ff. 165v, 284v).John Somers, 1st baron Somers (b.