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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

1486 results from this resource . Displaying 121 to 140

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

the prologue to John. This is source Z in the studies of the Latin New Testament (Wordsworth and White; Bonifatius Fischer). Corrections in a contemporary hand in slanting uncial employ a Greek style of syllabification recalling the method of Victor

the text of John. This is source Z in the studies of the Latin New Testament (Wordsworth and White; Bonifatius Fischer). Corrections in a contemporary hand in slanting uncial employ a Greek style of syllabification recalling the method of Victor

of John the Almoner kneeling before the Virgin, with a partial border and a foliate initial 'L'(aint) instead of 'S'. Contains the Golden legend by Iacobus de Voragine translated in c. 1333-1348 by Jean de Vignay as Legende doree, originally

of John the Baptist with a partial border and two foliate initials 'I'(ehan). Contains the Golden legend by Iacobus de Voragine translated in c. 1333-1348 by Jean de Vignay as Legende doree, originally for Jeanne de Bourgogne, queen of France

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

d[omi]ni Roberti Steward prioris Elien[sis]'. ff. 1*-2*, 78-79 are parchment leaves from another manuscript.For the text, see Clemens Blume, 'John Hovedens Nachtigallenleid über die Liebe unseres Erlösers und Königs Christus' in ~Hymnologische Beiträge~, 4 vols, ed. by Clemens Blume and

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

Commentary on Revelation, imperfect at the end John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection,

initials. The manuscript includes:St John Chrysostom, 216 letters (ff. 1-102v);Gregorios Mammas, Patriarch of Constantinople, 'Responsio ad epistulam Marci Ephesii' (ff. 104-146v);Commentary on Hosea, including extracts from the Acts of the Third Council (ff. 147-154).Watermark of a cross-bow in circle with

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 28 March 2024), https://www.manuscriptsonline.org/search/results?ac=f&kw=john&sdf=1375&sdt=1405&sr=ci&st=120