• Foliate initial 'D'(omine) with a full border, at the beginning of Psalm 89., Commentary on the Psalms

with human heads. Commentary on the Psalms John Russell, fellow of Merton College, Oxford, and a prebendary of Peterborough Cathedral, author of the ~Proposals for Printing the Holy Bible~, (1721): his initials, 'J[ohn] R[ussell]' and note numbering the manuscript as

• Decorated initial with verse layout., De Consolatione Philosophiae (index Consolation of Philosophy)

Sheldonian, ,1697', but 1698?), II, no. 6411.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, appraised in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 212.Charles

• Text page with inscriptions., De corpore et sanguine Domini

fellow of Corpus Christi College, Oxford: inscribed 'Liber Henrici Iacksoni Oxoniensis, Collegii Corporis Christi, mdc. Maii xxi liberati' (f. 145). John Theyer (bap. 1598, d. 1673), antiquary, included in the catalogue of his library left to his grandson Charles Theyer

• After the last three lines of the poem on the infancy of Christ, the scribe states in red his name, John Archer, a canon of the priory of St. Petroc, Bodwin: 'Quod dominus Johannes architenens canonicus Bodminie et natus in illa. Deo gratias'. The heraldic shield bears a griffin and probably is of Bodmin., The play 'Infantia Salvatoris'

infancy of Christ, the scribe states in red his name, John Archer, a canon of the priory of St. Petroc, Bodwin: 'Quod dominus Johannes architenens canonicus Bodminie et natus in illa. Deo gratias'. The heraldic shield bears a griffin and

• Miniature of John with his Evangelist symbol, the eagle., Book of Hours

of John with his Evangelist symbol, the eagle. 3 diptychs of full-page miniatures with foliate borders, in colours and gold, inserted as a separate quire after the calendar (ff. 18v-21). 37 full-page miniatures in semi-grisaille against coloured backgrounds, with large

• Illuminated initials 'T'(he) and 'A'(prentys) with partial foliate bar borders at the opening of the Cook's Tale., The Canterbury Tales

Dorothie, née Leuenthorp: inscribed with their names (f. 286v; see Wright 1972).Other inscriptions include 'John Martant', 16th century (ff. 144, 180), and 'John Thomsyn' and 'John Thomsun Symond, late 16th-early 17th century (ff. 165v, 284v).John Somers, 1st baron Somers (b.

• Detail of a scribal (?) note reading 'Icy commencera le fable de Gamelyn' ('Here will begin Gamelyn's tale')., The Canterbury Tales

Dorothie, née Leuenthorp: inscribed with their names (f. 286v; see Wright 1972).Other inscriptions include 'John Martant', 16th century (ff. 144, 180), and 'John Thomsyn' and 'John Thomsun Symond, late 16th-early 17th century (ff. 165v, 284v).John Somers, 1st baron Somers (b.

• Illuminated initial 'O'(hateful) with a partial foliate bar border at the beginning of the prologue to the Man of Law's Tale., The Canterbury Tales

Dorothie, née Leuenthorp: inscribed with their names (f. 286v; see Wright 1972).Other inscriptions include 'John Martant', 16th century (ff. 144, 180), and 'John Thomsyn' and 'John Thomsun Symond, late 16th-early 17th century (ff. 165v, 284v).John Somers, 1st baron Somers (b.

• Illuminated initial 'T'(her) with a partial foliate bar border at the beginning of the Clerk's Tale., The Canterbury Tales

Dorothie, née Leuenthorp: inscribed with their names (f. 286v; see Wright 1972).Other inscriptions include 'John Martant', 16th century (ff. 144, 180), and 'John Thomsyn' and 'John Thomsun Symond, late 16th-early 17th century (ff. 165v, 284v).John Somers, 1st baron Somers (b.

• Illuminated initial 'A'(t) with a partial foliate bar border at the beginning of the Squire's Tale., The Canterbury Tales

Dorothie, née Leuenthorp: inscribed with their names (f. 286v; see Wright 1972).Other inscriptions include 'John Martant', 16th century (ff. 144, 180), and 'John Thomsyn' and 'John Thomsun Symond, late 16th-early 17th century (ff. 165v, 284v).John Somers, 1st baron Somers (b.

• Illuminated initial 'L'(ordyngs) with a partial foliate bar border at the beginning of the Pardoner's Tale. ., The Canterbury Tales

Dorothie, née Leuenthorp: inscribed with their names (f. 286v; see Wright 1972).Other inscriptions include 'John Martant', 16th century (ff. 144, 180), and 'John Thomsyn' and 'John Thomsun Symond, late 16th-early 17th century (ff. 165v, 284v).John Somers, 1st baron Somers (b.

• Illuminated initial 'T'(her) with a partial foliate bar border at the beginning of the Prioress's Tale., The Canterbury Tales

Dorothie, née Leuenthorp: inscribed with their names (f. 286v; see Wright 1972).Other inscriptions include 'John Martant', 16th century (ff. 144, 180), and 'John Thomsyn' and 'John Thomsun Symond, late 16th-early 17th century (ff. 165v, 284v).John Somers, 1st baron Somers (b.

• Illuminated initial 'A'(pore) with a partial foliate bar border at the beginning of the Nun's Priest's Tale., The Canterbury Tales

Dorothie, née Leuenthorp: inscribed with their names (f. 286v; see Wright 1972).Other inscriptions include 'John Martant', 16th century (ff. 144, 180), and 'John Thomsyn' and 'John Thomsun Symond, late 16th-early 17th century (ff. 165v, 284v).John Somers, 1st baron Somers (b.

• Pen-flourished initial 'T'(he)., Various religious treatises, including a treatise on faith with an explication of the Apostles' Creed, treatises on the Ten Commandments, the Decalogue, the Lord's Prayer, etc.

the Harley Catalogue.The first section appears to be a copy of John Wycliffe's Pauper Rusticus (also known as the Confessio derelicti pauperis or the Pore Caitif)f. 108 is a parchment flyleaf with a Latin inscription in a cursive hand.Horizontal catchwords.

• Decorated initial 'A'(luredus) with pen-flourishing added by a later hand at the beginning of book 6 of the Polychronicon., Various texts including Dialogus inter Militem et Clericum; Polychronicon (ending with 1357), the Pseudo-Methodius, The Beginning and the End of the World (ff. 21v-23v)

hand at the beginning of book 6 of the Polychronicon. John Trevisa (b. c.1342, d. in or before 1402) completed his translation of the Polychronicon in April 1387. Contains a few diagrams (e.g., f. 128v). Catchwords. Large puzzle initials in

• Initials with pen-flourished decoration., Lanterne of Light, a Lollard text, imperfect

1; see Wright 1972).Henry Gate, c. 1600: his name (original flyleaf after f. 57; see Wright 1972).? John Edwards, 17th-century: the inscription 'John Edwards his writing' (f. 9v).The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl

• Initial 'T'(his gospel) with the rubric, 'Fryday; the Gospel of Mark, viii c[hapter].', Homilies on the Gospels and Epistles, imperfect at the beginning

sorts & conditions, without exception; & his mentioning the Scole of Oxenforde: induce me to believe it might have been John Wycliffe.' Large plain initials in red. Text underlined in red. Homilies on the Gospels and Epistles, imperfect at the

• Decorated initial 'P'(ange) with pen-flourishing and musical notation., Processional, imperfect

Processional, imperfect Added entries included one related to Saint 'Pancracys', ?16th century (f. 171v).John Wigthorps, 16th century: inscribed 'this is John Wigthorps boke...' (f. 97).The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford and

• Three-sided border with large initial 'I'(n)., De planctu naturae (ff. 2-53v), Forma dictandi (ff. 54-66v), Philobiblon (ff. 67-109v), Contra luxuriam (ff. 110-130v), John of Limoges' Sompniale dilucidarium Pharonis (ff. 131-166)

red or blue. Cadels. De planctu naturae (ff. 2-53v), Forma dictandi (ff. 54-66v), Philobiblon (ff. 67-109v), Contra luxuriam (ff. 110-130v), John of Limoges' Sompniale dilucidarium Pharonis (ff. 131-166) William Welde, abbot of St. Augustine's, Canterbury from 1387 to 1405: his

• Illuminated initial 'A'(bstinendum) with a partial bar border with foliate feathering, at the beginning of the text., 'De articulis passionis Christi' (ff. 1-201); Pseudo-Origen's De Maria Magdalena, imperfect (ff. 201v-203v), including a tabula (ff. 153-159), John of Lathbury's Alphabetum morale

left blank. 'De articulis passionis Christi' (ff. 1-201); Pseudo-Origen's De Maria Magdalena, imperfect (ff. 201v-203v), including a tabula (ff. 153-159), John of Lathbury's Alphabetum morale Added (?) ink drawing of a bridge (f. 70v).The Harley Collection, formed by Robert Harley