• Text page., Part of a lectionary (external link no longer available)

Sheldonian, '1697', but 1698?), II, no. 6637.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, appraised in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 202.Charles

• null, De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées) (external link no longer available)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Argia discovering the dead body of her husband, Polynices., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées) (external link no longer available)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Manto, the daughter of Tiresias, stirring a fire., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées) (external link no longer available)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Camilla, queen of the Volscians, hunting., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées) (external link no longer available)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Miniature of Camilla, queen of the Volscians, hunting., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées) (external link no longer available)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Regnet slaying Bertoullet with a sword, while outside are the four sons of Bayard., Renaut de Montauban (or Les Quatre Fils Aimon) (external link no longer available)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of the sons robbing travellers in the forest., Renaut de Montauban (or Les Quatre Fils Aimon) (external link no longer available)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Coloured drawings depicting Sir John Mandeville as a witness to the earth-dwelling people of Tracoda Island, and the idol-worship of the dog-headed "Cynocephales" on Nacumera Island., Travels (index Itinerarium) (external link no longer available)

depicting Sir John Mandeville as a witness to the earth-dwelling people of Tracoda Island, and the idol-worship of the dog-headed "Cynocephales" on Nacumera Island. Written in a Norfolk dialect. Combination of the beginning of text B with the end of

• Coloured drawing depicting Sir John Mandeville setting out on his adventures., Travels (index Itinerarium) (external link no longer available)

depicting Sir John Mandeville setting out on his adventures. Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle, 1986).Made in a vertical quarto shape, perhaps for travel or for carrying:

• Coloured drawing depicting the gerfaunts in the land of Prester John ("Ind")., Travels (index Itinerarium) (external link no longer available)

in the land of Prester John ("Ind"). Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle, 1986).Made in a vertical quarto shape, perhaps for travel or for carrying: see Scott

• Coloured drawings depicting feathered men in the lands of Prester John, and the keepers of orchards with fruit that brings long life., Travels (index Itinerarium) (external link no longer available)

in the lands of Prester John, and the keepers of orchards with fruit that brings long life. Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle, 1986).Made in a vertical

• Coloured drawings illustrating the Prologue: Sir John Mandeville sets off on his travels to Jerusalem and beyond., Travels (index Itinerarium) (external link no longer available)

the Prologue: Sir John Mandeville sets off on his travels to Jerusalem and beyond. Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle, 1986).Made in a vertical quarto shape, perhaps

• Coloured drawings depicting Sir John Mandeville as a witness to foreign marvels, here: the city of Constantinople, Travels (index Itinerarium) (external link no longer available)

depicting Sir John Mandeville as a witness to foreign marvels, here: the city of Constantinople Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle, 1986).Made in a vertical quarto shape,

• Sir John Mandeville meditates on the Church of St. Nicholas in Bethlehem, where the Virgin Mary milked her overflowing breasts onto red marble stones., Travels (index Itinerarium) (external link no longer available)

Sir John Mandeville meditates on the Church of St. Nicholas in Bethlehem, where the Virgin Mary milked her overflowing breasts onto red marble stones. Written in a Norfolk dialect. Combination of the beginning of text B with the end of

• Coloured drawing depicting Sir John Mandeville witnessing the griffins of Bacharia., Travels (index Itinerarium) (external link no longer available)

depicting Sir John Mandeville witnessing the griffins of Bacharia. Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle, 1986).Made in a vertical quarto shape, perhaps for travel or for carrying:

• Initial 'A' with pen-flourishing, at the beginning of John Capgrave's Life of Catherine., The Life of Catherine (ff. 1-117v), etc. (external link no longer available)

at the beginning of John Capgrave's Life of Catherine. 1 large initial in red with pen-flourishing in brown (f. 1). Smaller initials in plain red. Capital letters highlighted in red. The Life of Catherine (ff. 1-117v), etc. Table for Easter

• Miniatures with the labour of the month and the zodiacal signs for November and December in the Calendar, and John the Evangelist writing the Apocalypse, with his martyrdom in the bas-de-page, at the beginning of the Gospels., Book of Hours, Use of Rome (ends imperfectly) (external link no longer available)

zodiacal signs for November and December in the Calendar, and John the Evangelist writing the Apocalypse, with his martyrdom in the bas-de-page, at the beginning of the Gospels. 24 small miniatures with the labour of the month and the zodiacal

• Full-page frame with interlace, and words in gold and silver, before the beginning of John., Gospels of Luke and John, with prologue, table of chapters, and lections for the year (ff. 104v-111v) (external link no longer available)

gold and silver, before the beginning of John. The shelfmark 'AII' and the title on the fore-edge in Latin in black ink and '3' on the top edge of the leaves. Matthew and Mark were presumably 'AI'. 4 full-page frames

• Full-page frame with interlace, and illuminated initial 'I(n) with bird heads, at the beginning of John., Gospels of Luke and John, with prologue, table of chapters, and lections for the year (ff. 104v-111v) (external link no longer available)

'I(n) with bird heads, at the beginning of John. The shelfmark 'AII' and the title on the fore-edge in Latin in black ink and '3' on the top edge of the leaves. Matthew and Mark were presumably 'AI'. 4 full-page