• Decorated initial 'L'(iber) with interlace patterns at the beginning of Matthew., Gospels (ff. 1-139) and capitulare evangeliorum (ff. 139v-150)

with interlace patterns at the beginning of Matthew ('L'[iber], f. 10v), Mark ('I'[nitium], f. 46), Luke ('Q'[uoniam], f. 71v), and John ('I'[n], f. 112v). Initials with coloured highlights (ff. 8v, 11, 44, 68v-71, 110v-113). Some initials in red or red

• Decorated initial 'Q'(uoniam) with interlace patterns at the beginning of Luke., Gospels (ff. 1-139) and capitulare evangeliorum (ff. 139v-150)

with interlace patterns at the beginning of Matthew ('L'[iber], f. 10v), Mark ('I'[nitium], f. 46), Luke ('Q'[uoniam], f. 71v), and John ('I'[n], f. 112v). Initials with coloured highlights (ff. 8v, 11, 44, 68v-71, 110v-113). Some initials in red or red

• Detail of a miniature of David pointing to his mouth, and illuminated initial 'D'(ixi), at the beginning of Psalm 38., Psalter, in the 'Breviary of John the Fearless and Margaret of Bavaria'), Use of Rome (index Breviary of Jean sans Peur)

gold. Small initials (1-line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Psalter, in the 'Breviary of John the Fearless and Margaret of Bavaria'), Use of Rome (index Breviary of Jean sans Peur) This manuscript (summer portion)

• Miniature of the genealogical table of descendants of Louis IX in the form of a fleur-de-lys, with portraits of kings in medallions, supported by Humfrey, duke of Gloucester with his arms and the arms of Anjou encircled by the Garter, and Richard, duke of York with his arms and an initial 'M' encircled by the Garter; the arms of France and of George encircled by the Garter, and a banner bearing the royal arms of England impaled with the arms of Anjou, wrapped with a scroll inscribed with a motto 'Dieu est mon droit', and supported by the royal device of an antelope with a crown and chain., Poems and Romances (the 'Talbot Shrewsbury book')

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium

• Detail of a miniature of the coronation of Alexander., Poems and Romances (the 'Talbot Shrewsbury book')

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium

• Detail of a miniature of a banner bearing the royal arms of England impaled with the arms of Anjou, wrapped with a scroll inscribed with a motto 'Dieu est mon droit', and supported by the royal device of an antelope with a crown and chain., Poems and Romances (the 'Talbot Shrewsbury book')

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium

• Miniature of Alexander battling against a strange beast; miniatures of Alexander fighting Porrus., Poems and Romances (the 'Talbot Shrewsbury book')

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium

• Detail of a miniature of Alexander attacking a city., Poems and Romances (the 'Talbot Shrewsbury book')

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium

• Detail of a miniature of Alexander receiving a letter from Porrus., Poems and Romances (the 'Talbot Shrewsbury book')

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium

• Detail of a miniature of Alexander the Great battling against Porrus., Poems and Romances (the 'Talbot Shrewsbury book')

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium

• Detail of a miniature of Alexander the Great battling against Porrus., Poems and Romances (the 'Talbot Shrewsbury book')

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium

• Detail of a miniature of Henry VI enthroned giving the earl of Shrewsbury the sword as constable of France, at the beginning of Christine de Pizan's Les fais d'armes et de chevalerie., Poems and Romances (the 'Talbot Shrewsbury book')

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium

• Detail of a miniature of Nectanebus enthroned receiving a letter., Poems and Romances (the 'Talbot Shrewsbury book')

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium

• Detail of a miniature of Nectanebus having his head shaved and fleeing his palace., Poems and Romances (the 'Talbot Shrewsbury book')

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium

• Miniature of Herolt before the Admiral of Africa, with an illuminated initial 'D' and a partial bar and foliate border., Poems and Romances (the 'Talbot Shrewsbury book')

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium

• Detail of a miniature of Alexander having a letter inscribed on a column., Poems and Romances (the 'Talbot Shrewsbury book')

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium

• Detail of a miniature of Dindymus receiving a letter., Poems and Romances (the 'Talbot Shrewsbury book')

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium

• Detail of a miniature of Alexander burning a wild man., Poems and Romances (the 'Talbot Shrewsbury book')

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium

• Detail of a man holding a banner bearing the arms of England, from the lower right margin of the folio., Poems and Romances (the 'Talbot Shrewsbury book')

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium

• Miniature of the kings of England, Scotland, and Ireland receiving Ponthus;; miniature of Ponthus petitioning the kings of England and Scotland., Poems and Romances (the 'Talbot Shrewsbury book')

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium