• Detail of a seated man holding out his arm in John Arderne's Liber Medicinarum., Liber Medicinarum

holding out his arm in John Arderne's Liber Medicinarum. Large initials in red. Paraphs in red. Highlighting of letters in red. Line-fillers in red. Drawings in brown, red, yellow and/or green, 1 also with blue (f. 85v), often of plants

• Drawing of a seated man holding out his arm in John Arderne's Liber Medicinarum., Liber Medicinarum

holding out his arm in John Arderne's Liber Medicinarum. Large initials in red. Paraphs in red. Highlighting of letters in red. Line-fillers in red. Drawings in brown, red, yellow and/or green, 1 also with blue (f. 85v), often of plants

• Detail of a marginal drawing of a seated tonsured man with a sore on his penis in John Arderne's Liber Medicinarum., Liber Medicinarum

tonsured man with a sore on his penis in John Arderne's Liber Medicinarum. Large initials in red. Paraphs in red. Highlighting of letters in red. Line-fillers in red. Drawings in brown, red, yellow and/or green, 1 also with blue (f.

• Detail of a marginal drawing of a seated tonsured man with a sore on his penis in John Arderne's Liber Medicinarum., Liber Medicinarum

tonsured man with a sore on his penis in John Arderne's Liber Medicinarum. Large initials in red. Paraphs in red. Highlighting of letters in red. Line-fillers in red. Drawings in brown, red, yellow and/or green, 1 also with blue (f.

• Detail of a drawing of a man on crutches in John Arderne's Liber Medicinarum., Liber Medicinarum

a man on crutches in John Arderne's Liber Medicinarum. Large initials in red. Paraphs in red. Highlighting of letters in red. Line-fillers in red. Drawings in brown, red, yellow and/or green, 1 also with blue (f. 85v), often of plants

• Detail of a drawing of a man on crutches in John Arderne's Liber Medicinarum., Liber Medicinarum

a man on crutches in John Arderne's Liber Medicinarum. Large initials in red. Paraphs in red. Highlighting of letters in red. Line-fillers in red. Drawings in brown, red, yellow and/or green, 1 also with blue (f. 85v), often of plants

• Decorated initial 'R'(ecita) in a 12th-century leaf., Fragment of a leaf with a homily, labelled book 1, and the beginning of the 4th homily.

inscribed, 16th/17th century: 'Philemon Holland / John Barone(?), and 'RB'.f. 125: inscribed, 16th century: 'Thomas baulle'(?) and John Dean'.f. 137: inscribed, 16th century: 'James Collard'.f. 149: inscribed, 16th century: 'Statutes April 1581' and 'John Wallsall'.f. 175: inscribed, 17th century: 'Edmund(?)

• Detail of decorated initial 'R'(ecita) in a 12th-century leaf., Fragment of a leaf with a homily, labelled book 1, and the beginning of the 4th homily.

inscribed, 16th/17th century: 'Philemon Holland / John Barone(?), and 'RB'.f. 125: inscribed, 16th century: 'Thomas baulle'(?) and John Dean'.f. 137: inscribed, 16th century: 'James Collard'.f. 149: inscribed, 16th century: 'Statutes April 1581' and 'John Wallsall'.f. 175: inscribed, 17th century: 'Edmund(?)

• Decorated initial 'I'(n god) with cadels and a fish at the beginning of chapter 22 of the ~Life of Our Lady~., Various texts including Lydgate's Life of Our Lady, a calendar with mnemonic verses, and culinary recipes (imperfect); the Mappula angliae of Osbern Bokenham (ff. 144-163)

century: inscribed 'This ys william pothar boke...' (f. 125).Frances Lawley, 16th century: inscribed 'ffrances lawley ?ownes this bok..' (f. 70v).Inscribed 'John ?' and other partly erased inscriptions, ?16th century (f. 182).Illegible signature, ?16th century (f. 2).John Batteley (b. 1647, d.

• Decorated initial 'A'(nd) with pen-flourishing and cadels in chapter 22 of the ~Life of Our Lady~., Various texts including Lydgate's Life of Our Lady, a calendar with mnemonic verses, and culinary recipes (imperfect); the Mappula angliae of Osbern Bokenham (ff. 144-163)

century: inscribed 'This ys william pothar boke...' (f. 125).Frances Lawley, 16th century: inscribed 'ffrances lawley ?ownes this bok..' (f. 70v).Inscribed 'John ?' and other partly erased inscriptions, ?16th century (f. 182).Illegible signature, ?16th century (f. 2).John Batteley (b. 1647, d.

• Coloured initial 'F'(or) at the beginning of Mappula Anglie. Line filler, table of contents, and incipits in red., Various texts including Lydgate's Life of Our Lady, a calendar with mnemonic verses, and culinary recipes (imperfect); the Mappula angliae of Osbern Bokenham (ff. 144-163)

century: inscribed 'This ys william pothar boke...' (f. 125).Frances Lawley, 16th century: inscribed 'ffrances lawley ?ownes this bok..' (f. 70v).Inscribed 'John ?' and other partly erased inscriptions, ?16th century (f. 182).Illegible signature, ?16th century (f. 2).John Batteley (b. 1647, d.

• Detail of a miniature of Charlemagne at a table receiving a letter, with a partial border and a foliate initial 'O'(r dist)., Renaut de Montauban (or Les Quatre Fils Aimon)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Charlemagne, on a pilgrimage, passing Montauban., Renaut de Montauban (or Les Quatre Fils Aimon)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Charlemagne enthroned consulting his barons, with a partial border, a foliate initial 'E'(n ceste), and an instruction to illuminator reading 'Icy soit fait ung palaiz ou le roy Charlemaine et plusieurs barons soient'., Renaut de Montauban (or Les Quatre Fils Aimon)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Miniature of Pope John XXII., Vaticinia de Pontificibus (index Prophecies of the Popes)

of Pope John XXII. f. [vi] is a paper flyleaf marked as f. 1. 30 three-quarter page miniatures in colours and gold with full borders. 30 initials in colours and gold with foliate extensions. Captions in gold. Headings in red.

• Detail of a miniature of Regnet slaying Bertoullet with a sword, while outside are the four sons of Bayard., Renaut de Montauban (or Les Quatre Fils Aimon)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of the sons robbing travellers in the forest., Renaut de Montauban (or Les Quatre Fils Aimon)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Coloured drawings depicting Sir John Mandeville as a witness to the earth-dwelling people of Tracoda Island, and the idol-worship of the dog-headed "Cynocephales" on Nacumera Island., Travels (index Itinerarium)

depicting Sir John Mandeville as a witness to the earth-dwelling people of Tracoda Island, and the idol-worship of the dog-headed "Cynocephales" on Nacumera Island. Written in a Norfolk dialect. Combination of the beginning of text B with the end of

• Coloured drawing depicting Sir John Mandeville setting out on his adventures., Travels (index Itinerarium)

depicting Sir John Mandeville setting out on his adventures. Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle, 1986).Made in a vertical quarto shape, perhaps for travel or for carrying:

• Coloured drawing depicting the gerfaunts in the land of Prester John ("Ind")., Travels (index Itinerarium)

in the land of Prester John ("Ind"). Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle, 1986).Made in a vertical quarto shape, perhaps for travel or for carrying: see Scott