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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

995 results from this resource . Displaying 201 to 220

Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester') The calendar of Sarum use includes John of Beverley (7th May, added to the Sarum calendar in 1416, f. 3); Frideswide annotated 'non sarum' (f. 5v);

Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester') The calendar of Sarum use includes John of Beverley (7th May, added to the Sarum calendar in 1416, f. 3); Frideswide annotated 'non sarum' (f. 5v);

Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester') The calendar of Sarum use includes John of Beverley (7th May, added to the Sarum calendar in 1416, f. 3); Frideswide annotated 'non sarum' (f. 5v);

Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester') The calendar of Sarum use includes John of Beverley (7th May, added to the Sarum calendar in 1416, f. 3); Frideswide annotated 'non sarum' (f. 5v);

a humanistic hand by Giovanni da Stia. Ownership inscriptions of John Blaxton in the upper and lower margins. For a more detailed list of contents, see ~Catalogue~ 1808.List of contents (f. 177v).Two fragments from the Life of Sertorius found by

in the same hand as Johannes Badcock.John Mabancke: his name inscribed in the 16th century (ff. 24v, 25, 70); and 'John Mab' inscribed on a slip from a limp vellum binding mounted on f. 82.Rev. Peter Needham (b. 1682, d.

with interlace patterns at the beginning of Matthew ('L'[iber], f. 10v), Mark ('I'[nitium], f. 46), Luke ('Q'[uoniam], f. 71v), and John ('I'[n], f. 112v). Initials with coloured highlights (ff. 8v, 11, 44, 68v-71, 110v-113). Some initials in red or red

with interlace patterns at the beginning of Matthew ('L'[iber], f. 10v), Mark ('I'[nitium], f. 46), Luke ('Q'[uoniam], f. 71v), and John ('I'[n], f. 112v). Initials with coloured highlights (ff. 8v, 11, 44, 68v-71, 110v-113). Some initials in red or red

gold. Small initials (1-line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Psalter, in the 'Breviary of John the Fearless and Margaret of Bavaria'), Use of Rome (index Breviary of Jean sans Peur) This manuscript (summer portion)

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 29 March 2024), https://www.manuscriptsonline.org/search/results?ac=f&ft=t&kw=john&sdf=1425&sdt=1427&st=200