• Detail of a seated man holding out his arm in John Arderne's Liber Medicinarum., Liber Medicinarum

holding out his arm in John Arderne's Liber Medicinarum. Large initials in red. Paraphs in red. Highlighting of letters in red. Line-fillers in red. Drawings in brown, red, yellow and/or green, 1 also with blue (f. 85v), often of plants

• Drawing of a seated man holding out his arm in John Arderne's Liber Medicinarum., Liber Medicinarum

holding out his arm in John Arderne's Liber Medicinarum. Large initials in red. Paraphs in red. Highlighting of letters in red. Line-fillers in red. Drawings in brown, red, yellow and/or green, 1 also with blue (f. 85v), often of plants

• Detail of a marginal drawing of a seated tonsured man with a sore on his penis in John Arderne's Liber Medicinarum., Liber Medicinarum

tonsured man with a sore on his penis in John Arderne's Liber Medicinarum. Large initials in red. Paraphs in red. Highlighting of letters in red. Line-fillers in red. Drawings in brown, red, yellow and/or green, 1 also with blue (f.

• Detail of a marginal drawing of a seated tonsured man with a sore on his penis in John Arderne's Liber Medicinarum., Liber Medicinarum

tonsured man with a sore on his penis in John Arderne's Liber Medicinarum. Large initials in red. Paraphs in red. Highlighting of letters in red. Line-fillers in red. Drawings in brown, red, yellow and/or green, 1 also with blue (f.

• Detail of a drawing of a man on crutches in John Arderne's Liber Medicinarum., Liber Medicinarum

a man on crutches in John Arderne's Liber Medicinarum. Large initials in red. Paraphs in red. Highlighting of letters in red. Line-fillers in red. Drawings in brown, red, yellow and/or green, 1 also with blue (f. 85v), often of plants

• Detail of a drawing of a man on crutches in John Arderne's Liber Medicinarum., Liber Medicinarum

a man on crutches in John Arderne's Liber Medicinarum. Large initials in red. Paraphs in red. Highlighting of letters in red. Line-fillers in red. Drawings in brown, red, yellow and/or green, 1 also with blue (f. 85v), often of plants

• Decorated initials from a 13th-century leaf with a quotation from Ecclesiaticus., Leaf from a Missal(?) with part of the mass for one martyr

inscribed, 16th/17th century: 'Philemon Holland / John Barone(?), and 'RB'.f. 125: inscribed, 16th century: 'Thomas baulle'(?) and John Dean'.f. 137: inscribed, 16th century: 'James Collard'.f. 149: inscribed, 16th century: 'Statutes April 1581' and 'John Wallsall'.f. 175: inscribed, 17th century: 'Edmund(?)

• Decorated initial 'R'(ecita) in a 12th-century leaf., Fragment of a leaf with a homily, labelled book 1, and the beginning of the 4th homily.

inscribed, 16th/17th century: 'Philemon Holland / John Barone(?), and 'RB'.f. 125: inscribed, 16th century: 'Thomas baulle'(?) and John Dean'.f. 137: inscribed, 16th century: 'James Collard'.f. 149: inscribed, 16th century: 'Statutes April 1581' and 'John Wallsall'.f. 175: inscribed, 17th century: 'Edmund(?)

• Detail of decorated initial 'R'(ecita) in a 12th-century leaf., Fragment of a leaf with a homily, labelled book 1, and the beginning of the 4th homily.

inscribed, 16th/17th century: 'Philemon Holland / John Barone(?), and 'RB'.f. 125: inscribed, 16th century: 'Thomas baulle'(?) and John Dean'.f. 137: inscribed, 16th century: 'James Collard'.f. 149: inscribed, 16th century: 'Statutes April 1581' and 'John Wallsall'.f. 175: inscribed, 17th century: 'Edmund(?)

• Decorated initial 'I'(n god) with cadels and a fish at the beginning of chapter 22 of the ~Life of Our Lady~., Various texts including Lydgate's Life of Our Lady, a calendar with mnemonic verses, and culinary recipes (imperfect); the Mappula angliae of Osbern Bokenham (ff. 144-163)

century: inscribed 'This ys william pothar boke...' (f. 125).Frances Lawley, 16th century: inscribed 'ffrances lawley ?ownes this bok..' (f. 70v).Inscribed 'John ?' and other partly erased inscriptions, ?16th century (f. 182).Illegible signature, ?16th century (f. 2).John Batteley (b. 1647, d.

• Decorated initial 'A'(nd) with pen-flourishing and cadels in chapter 22 of the ~Life of Our Lady~., Various texts including Lydgate's Life of Our Lady, a calendar with mnemonic verses, and culinary recipes (imperfect); the Mappula angliae of Osbern Bokenham (ff. 144-163)

century: inscribed 'This ys william pothar boke...' (f. 125).Frances Lawley, 16th century: inscribed 'ffrances lawley ?ownes this bok..' (f. 70v).Inscribed 'John ?' and other partly erased inscriptions, ?16th century (f. 182).Illegible signature, ?16th century (f. 2).John Batteley (b. 1647, d.

• Coloured initial 'F'(or) at the beginning of Mappula Anglie. Line filler, table of contents, and incipits in red., Various texts including Lydgate's Life of Our Lady, a calendar with mnemonic verses, and culinary recipes (imperfect); the Mappula angliae of Osbern Bokenham (ff. 144-163)

century: inscribed 'This ys william pothar boke...' (f. 125).Frances Lawley, 16th century: inscribed 'ffrances lawley ?ownes this bok..' (f. 70v).Inscribed 'John ?' and other partly erased inscriptions, ?16th century (f. 182).Illegible signature, ?16th century (f. 2).John Batteley (b. 1647, d.

• Full-page miniatures of Sir John de Lisle, on the left, facing Sir John Beauchamp, each wearing a blue Garter mantle over plate armour and surcoat displaying his arms. A framed tablet displays painted arms of successors in their Garter stalls at St. George's Chapel, Windsor., Pictorial book of arms of the Order of the Garter ('William Bruges's Garter Book')

Full-page miniatures of Sir John de Lisle, on the left, facing Sir John Beauchamp, each wearing a blue Garter mantle over plate armour and surcoat displaying his arms. A framed tablet displays painted arms of successors in their Garter stalls

• Detail of a miniature of Charlemagne at a table receiving a letter, with a partial border and a foliate initial 'O'(r dist)., Renaut de Montauban (or Les Quatre Fils Aimon)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Charlemagne, on a pilgrimage, passing Montauban., Renaut de Montauban (or Les Quatre Fils Aimon)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Charlemagne enthroned consulting his barons, with a partial border, a foliate initial 'E'(n ceste), and an instruction to illuminator reading 'Icy soit fait ung palaiz ou le roy Charlemaine et plusieurs barons soient'., Renaut de Montauban (or Les Quatre Fils Aimon)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of a statue of Opis, the wife of Saturn, with two Roman worshippers., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Juno crowned in heaven, with priests with censers below, and women with an infant., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Ceres enthroned, while a man drives a harrow with an oxen., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Amalthea writing., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book