• Detail of a miniature of a messenger presenting a letter to a lady., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniatureof a queen with four women playing musical instruments., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Boccaccio presenting his book to the Countess., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Text page., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Miniature of a festival of the goddess Flora., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Eve, crowned, talking to the serpent, with an avenging angel above., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Boccaccio reading a book., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Miniature of Medea, with Jason on a horse and a slaughter of a child, at the beginning of chapter 17., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Text page., Part of a lectionary

Sheldonian, '1697', but 1698?), II, no. 6637.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, appraised in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 202.Charles

• null, De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Argia discovering the dead body of her husband, Polynices., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Manto, the daughter of Tiresias, stirring a fire., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Camilla, queen of the Volscians, hunting., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Miniature of Camilla, queen of the Volscians, hunting., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Initial 'A' with pen-flourishing, at the beginning of John Capgrave's Life of Catherine., The Life of Catherine (ff. 1-117v), etc.

at the beginning of John Capgrave's Life of Catherine. 1 large initial in red with pen-flourishing in brown (f. 1). Smaller initials in plain red. Capital letters highlighted in red. The Life of Catherine (ff. 1-117v), etc. Table for Easter

• Miniatures with the labour of the month and the zodiacal signs for November and December in the Calendar, and John the Evangelist writing the Apocalypse, with his martyrdom in the bas-de-page, at the beginning of the Gospels., Book of Hours, Use of Rome (ends imperfectly)

zodiacal signs for November and December in the Calendar, and John the Evangelist writing the Apocalypse, with his martyrdom in the bas-de-page, at the beginning of the Gospels. 24 small miniatures with the labour of the month and the zodiacal

• 'Champ' initial 'M'(ichi) with foliate and spray decoration at the beginning of Pierre d'Ailly's 'Elucidarium'., A miscellany of historical and scientific texts, including Dudo's 'De moribus et actis primorum Normanniae Ducum', lacking first leaf (ff. 1-57v), William of Jumièges's 'Gesta Normannorum Ducum', redaction A, books 5-7, lacking the first two leaves (ff. 57v-69), Pierre d'Ailly's works, including 'De concordia astronomice veritatis et narrationis historice', imperfect (ff. 163v-181), 'Elucidarium astronomice concordie', imperfect (ff. 181v-203), and Norfolk's 'In artem progressionis' (ff.238v-241)

one of the foundation collections of the British Library. Illuminated initial. John Norfolk John Norfolk Dudo of St Quentin, William of Jumièges (index Gulielmus Gemeticensis), Pierre d'Ailly (index Petro de Alliaco), John Norfolk (index Johannes Norfolke) Oxford England, Central (Oxford)

• Added list of the knights of the Order of the Garter., Pictorial book of arms of the Order of the Garter ('William Bruges's Garter Book')

Added list of the knights of the Order of the Garter. This is the first armorial for the Order of the Garter. The leaves were rearranged and are now mounted on paper leaves.ff. 1-3v are later notes; f. 4

• Page from a printed book., Pictorial book of arms of the Order of the Garter ('William Bruges's Garter Book')

Page from a printed book. This is the first armorial for the Order of the Garter. The leaves were rearranged and are now mounted on paper leaves.ff. 1-3v are later notes; f. 4 is a page from a printed

• Added notes., Pictorial book of arms of the Order of the Garter ('William Bruges's Garter Book')

Added notes. This is the first armorial for the Order of the Garter. The leaves were rearranged and are now mounted on paper leaves.ff. 1-3v are later notes; f. 4 is a page from a printed book.Watermark of a