chapel of St Giles near Brompton-on-Swale, but now belongs to the chantry of St Giles in the chapel of St John the Evangelist at Ravensworth castle. Musical notation, on four-line red staves (ff. 89-136). Including a calendar (ff. 4-9v), the
White vine initial 'Q'(uam) at the beginning of De officiis. Part 1: original foliation. Ends with a table of contents (ff. 87v-89) Large white vine initials in colours at the beginning of each book (ff. 1, 38v, 61). Coloured
White vine initial 'Q'(uemadmodum) in colours at the beginning of the book. Part 1: original foliation. Ends with a table of contents (ff. 87v-89) Large white vine initials in colours at the beginning of each book (ff. 1, 38v,
Detail of white vine initial 'Q'(uam) at the beginning of De officiis. Part 1: original foliation. Ends with a table of contents (ff. 87v-89) Large white vine initials in colours at the beginning of each book (ff. 1, 38v,
Historiated initial 'C'(um) depicting a layman in profile (Priscian?) holding a book, at the beginning of Priscian's Grammatica maior. The outlines of the initials on ff. 4, 4v, 150v, and perhaps elsewhere, have been pricked as if for pouncing.
lot 1567; bought by Chapman for 12s. 6d.? King & Chapman, booksellers; their catalogue 15 November 1790, lot 2746. ? John Brand (b. 1744, d. 1806), antiquary and topographer: inscribed in pencil ‘A Dictionary of the Bible [Wrote] About Anno,
Initial 'D' with pen-flourishing, in Priscian's Grammatica maior. The outlines of the initials on ff. 4, 4v, 150v, and perhaps elsewhere, have been pricked as if for pouncing. 1 large historiated initial, with partial border, in colours (f. 4).
Detail of historiated initial. The outlines of the initials on ff. 4, 4v, 150v, and perhaps elsewhere, have been pricked as if for pouncing. 1 large historiated initial, with partial border, in colours (f. 4). Large and small initials
Detail of decorated initial. The outlines of the initials on ff. 4, 4v, 150v, and perhaps elsewhere, have been pricked as if for pouncing. 1 large historiated initial, with partial border, in colours (f. 4). Large and small initials
Ink drawing of a hunting scene with a boar, a stag, hunters, dogs and a hare (continued on the opposite page). Watermark visible on f. [ii] (similar to C. M. Briquet, ~Les Filigranes: Dictionnaire historique des marques du papier
the list of kings (f. 71r-v) apparently by the same scribe, ends with Henry VI (1422-1471).John Benson: late 15th-century inscription 'John Benson' (f. 71v).William Vagger of Sussex: inscribed in the late 15th century 'Constat Willelmo Vagger de Sussex' (f. 1v).John
collector. Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Detail Giovanni Boccaccio, translation by John Lydgate based on translation by Laurent de Premierfait England, S. (Bury St Edmunds?)
collector. Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Detail Giovanni Boccaccio, translation by John Lydgate based on translation by Laurent de Premierfait England, S. (Bury St Edmunds?)
collector. Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Cadmus Giovanni Boccaccio, translation by John Lydgate based on translation by Laurent de Premierfait England, S. (Bury St Edmunds?)
collector. Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Detail Giovanni Boccaccio, translation by John Lydgate based on translation by Laurent de Premierfait England, S. (Bury St Edmunds?)
collector. Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Initials Giovanni Boccaccio, translation by John Lydgate based on translation by Laurent de Premierfait England, S. (Bury St Edmunds?)
the book (the kneeling man is perhaps John Mowbray, 2nd Duke of Norfolk); and an illuminated initial 'H'(ye) with the arms of the Mowbray familly. Numerous inscriptions on f. 99. 1 presentation miniature in colours and gold (f. 37). 1
of Thomas of Brotherton, earl of Norfolk, ancestor of John Mowbray, 2nd duke of Norfolk. Numerous inscriptions on f. 99. 1 presentation miniature in colours and gold (f. 37). 1 marginal drawing of the head of the royal figure in
'H'(ye) with the arms of John Mowbray. Numerous inscriptions on f. 99. 1 presentation miniature in colours and gold (f. 37). 1 marginal drawing of the head of the royal figure in leadpoint (f. 37). 14 three-sided borders and large
Thomas of Brotherton, earl of Norfolk, ancestor of John Mowbray, 2nd duke of Norfolk. Numerous inscriptions on f. 99. 1 presentation miniature in colours and gold (f. 37). 1 marginal drawing of the head of the royal figure in leadpoint