• White vine initial 'Q'(uemadmodum) in colours at the beginning of the book., De officiis

White vine initial 'Q'(uemadmodum) in colours at the beginning of the book. Part 1: original foliation. Ends with a table of contents (ff. 87v-89) Large white vine initials in colours at the beginning of each book (ff. 1, 38v,

• Detail of white vine initial 'Q'(uam) at the beginning of De officiis., De officiis

Detail of white vine initial 'Q'(uam) at the beginning of De officiis. Part 1: original foliation. Ends with a table of contents (ff. 87v-89) Large white vine initials in colours at the beginning of each book (ff. 1, 38v,

• Historiated initial 'C'(um) depicting a layman in profile (Priscian?) holding a book, at the beginning of Priscian's Grammatica maior., Grammatica maior

Historiated initial 'C'(um) depicting a layman in profile (Priscian?) holding a book, at the beginning of Priscian's Grammatica maior. The outlines of the initials on ff. 4, 4v, 150v, and perhaps elsewhere, have been pricked as if for pouncing.

• Decorated intial 'T'(aberna)., Expositio vocabulorum bibliae; De esu carnium

lot 1567; bought by Chapman for 12s. 6d.? King & Chapman, booksellers; their catalogue 15 November 1790, lot 2746. ? John Brand (b. 1744, d. 1806), antiquary and topographer: inscribed in pencil ‘A Dictionary of the Bible [Wrote] About Anno,

• Initial 'D' with pen-flourishing, in Priscian's Grammatica maior., Grammatica maior

Initial 'D' with pen-flourishing, in Priscian's Grammatica maior. The outlines of the initials on ff. 4, 4v, 150v, and perhaps elsewhere, have been pricked as if for pouncing. 1 large historiated initial, with partial border, in colours (f. 4).

• Detail of historiated initial., Grammatica maior

Detail of historiated initial. The outlines of the initials on ff. 4, 4v, 150v, and perhaps elsewhere, have been pricked as if for pouncing. 1 large historiated initial, with partial border, in colours (f. 4). Large and small initials

• Detail of decorated initial., Grammatica maior

Detail of decorated initial. The outlines of the initials on ff. 4, 4v, 150v, and perhaps elsewhere, have been pricked as if for pouncing. 1 large historiated initial, with partial border, in colours (f. 4). Large and small initials

• Ink drawing of a hunting scene with a boar, a stag, hunters, dogs and a hare (continued on the opposite page)., Tragoediae (index Tragedies)

Ink drawing of a hunting scene with a boar, a stag, hunters, dogs and a hare (continued on the opposite page). Watermark visible on f. [ii] (similar to C. M. Briquet, ~Les Filigranes: Dictionnaire historique des marques du papier

• Puzzle initial 'N' at the beginning of a chronicle., Chronicle from Noah to Henry IV, and a list of kings from William I to Henry VI (f. 71r-v)

the list of kings (f. 71r-v) apparently by the same scribe, ends with Henry VI (1422-1471).John Benson: late 15th-century inscription 'John Benson' (f. 71v).William Vagger of Sussex: inscribed in the late 15th century 'Constat Willelmo Vagger de Sussex' (f. 1v).John

• Detail of miniature and illuminated initial., The Fall of Princes (index De casibus virorum et feminarum illustrium), fragment

collector. Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Detail Giovanni Boccaccio, translation by John Lydgate based on translation by Laurent de Premierfait England, S. (Bury St Edmunds?)

• Detail of decorated and illuminated initials., The Fall of Princes (index De casibus virorum et feminarum illustrium), fragment

collector. Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Detail Giovanni Boccaccio, translation by John Lydgate based on translation by Laurent de Premierfait England, S. (Bury St Edmunds?)

• On the left, large calligraphic initial 'L'(envoye) and illuminated initial 'T(his), and on the right, a miniature of the story of Cadmus, possibly retouched, and the illuminated initial 'B'., The Fall of Princes (index De casibus virorum et feminarum illustrium), fragment

collector. Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Cadmus Giovanni Boccaccio, translation by John Lydgate based on translation by Laurent de Premierfait England, S. (Bury St Edmunds?)

• Detail of a miniature of the story of Cadmus, possibly retouched, and the illuminated initial 'B'., The Fall of Princes (index De casibus virorum et feminarum illustrium), fragment

collector. Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Detail Giovanni Boccaccio, translation by John Lydgate based on translation by Laurent de Premierfait England, S. (Bury St Edmunds?)

• Detail of a large calligraphic initial 'L'(envoye) and illuminated initial 'T(his)., The Fall of Princes (index De casibus virorum et feminarum illustrium), fragment

collector. Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Initials Giovanni Boccaccio, translation by John Lydgate based on translation by Laurent de Premierfait England, S. (Bury St Edmunds?)

• Colophon of Antonio Beccaria of Verona, reading 'Athanasii viri sanctissimi de unitate substantiae deitatis / dialogus ex Graeco in Latinu[m] conversus per Antonium / Becariam Veronesem ad serenissimu[m] principem d[omi]n[u]m/ Humfredum Gloucestrix Ducem d[omi]n[u]m suu[m] singularissimu[m] / Locutores Athanasius, Arius et c'; with an inscription identifying the text by John Theyer., Theological treatises

d[omi]n[u]m/ Humfredum Gloucestrix Ducem d[omi]n[u]m suu[m] singularissimu[m] / Locutores Athanasius, Arius et c'; with an inscription identifying the text by John Theyer. The texts include: Contra gentes, De incarnatione verbi, De unitate substantiae deitatis dialogus, as well as a selection

• The upper pastedown, with a typical Bury press-mark, '.J. 7.' ('J' is for Jerome). To the right of this is an inscription headed 'A book of St. Edmund, in which are contained', followed by a note on the contents., Commentaries on Isaiah and Ezechiel

note on the contents, beginning 'Liber sancti edmundi in quo continentur', c. 1375 (f. 1).? Possibly notes of 'the librarian', John of Boston 'Boston Buriensis', a monk of Bury St Edmunds (said to have fl. c. 1410) (ff. 1, 159);

• Miniature of Saturn devouring his children, Pharoah's men drowning in the Red Sea, the plague of heat during Cecrop's reign in Athens, and Procne serving the head of his son to Theseus, possibly retouched, with calligraphic initial 'T(he), and illuminated initialls 'O'(f) and 'T'(his)., The Fall of Princes (index De casibus virorum et feminarum illustrium), fragment

collector. Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Saturn Giovanni Boccaccio, translation by John Lydgate based on translation by Laurent de Premierfait England, S. (Bury St Edmunds?)

• Detail of an illuminated initial 'S'(atis) with a marginal extension forming a partial border containing hybrids, at the beginning of the De humanitate Verbi contra gentes of Athanasius., Theological treatises

Sheldonian, '1697', but 1698?), II, no. 6542.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 136.Charles

• Text page., Theological treatises

Sheldonian, '1697', but 1698?), II, no. 6542.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 136.Charles

• Illuminated initial 'P'(auli) with a hybrid and a mask., Theological treatises

Sheldonian, '1697', but 1698?), II, no. 6542.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 136.Charles