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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

3006 results from this resource . Displaying 241 to 260

examined by James and John, with Christ and angels looking on. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral, in building during these years. 3 large historiated initials,

as Dante is examined by John the Evangelist, who stands within a circle of golden stars with five naked souls. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral,

inscribed 'Lib[er] Caroli Theyer' (f. 296v).Robert Scott (b. c. 1632, d. 1709/10), London bookseller: perhaps included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 289.Charles

Miniature of the Evangelist John, perhaps with Prochoros, and in the upper margin, and added cock and a donkey, with the inscription "The Holy J(oh)n the Theologian". The conclusions of each section of text are written in geometric shapes.Part of

(or Florence), possibly by a foreigner, according to unpublished notes of A. C. de la Mare at the Bodleian Library.? John Shirwood (d. 1493), bishop of Durham, bought in London in 1464: inscribed '‘Liber [rest of line erased, perhaps including

(or Florence), possibly by a foreigner, according to unpublished notes of A. C. de la Mare at the Bodleian Library.? John Shirwood (d. 1493), bishop of Durham, bought in London in 1464: inscribed '‘Liber [rest of line erased, perhaps including

(or Florence), possibly by a foreigner, according to unpublished notes of A. C. de la Mare at the Bodleian Library.? John Shirwood (d. 1493), bishop of Durham, bought in London in 1464: inscribed '‘Liber [rest of line erased, perhaps including

(or Florence), possibly by a foreigner, according to unpublished notes of A. C. de la Mare at the Bodleian Library.? John Shirwood (d. 1493), bishop of Durham, bought in London in 1464: inscribed '‘Liber [rest of line erased, perhaps including

(or Florence), possibly by a foreigner, according to unpublished notes of A. C. de la Mare at the Bodleian Library.? John Shirwood (d. 1493), bishop of Durham, bought in London in 1464: inscribed '‘Liber [rest of line erased, perhaps including

(or Florence), possibly by a foreigner, according to unpublished notes of A. C. de la Mare at the Bodleian Library.? John Shirwood (d. 1493), bishop of Durham, bought in London in 1464: inscribed '‘Liber [rest of line erased, perhaps including

Detail of a miniature of Nebuchadnezzar, lying in bed, telling Daniel his dream, while Moses, John the Evangelist, and John the Baptist sit enclosed in a circle of seraphs, and the Archangels Raphael, Gabriel and Michael stand below, in illustration

Dante being examined by James and John, with Christ and angels looking on. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral, in building during these years. 3 large

watching as Dante is examined by John the Evangelist, who stands within a circle of golden stars with five naked souls. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence

d[omi]n[u]m/ Humfredum Gloucestrix Ducem d[omi]n[u]m suu[m] singularissimu[m] / Locutores Athanasius, Arius et c'; with an inscription identifying the text by John Theyer. The texts include: Contra gentes, De incarnatione verbi, De unitate substantiae deitatis dialogus, as well as a selection

note on the contents, beginning 'Liber sancti edmundi in quo continentur', c. 1375 (f. 1).? Possibly notes of 'the librarian', John of Boston 'Boston Buriensis', a monk of Bury St Edmunds (said to have fl. c. 1410) (ff. 1, 159);

Detail of illuminated initial. Offsets in the lower margins of ff. 42 and 43 were caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31,

Detail of lower border. Offsets in the lower margins of ff. 42 and 43 were caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31,

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 28 March 2024), https://www.manuscriptsonline.org/search/results?kw=john&sdf=1437&sdt=1468&sr=ci&st=240