• Detail of inscription., The Life of Catherine (ff. 1-117v), etc.

'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in 1831. Detail John Capgrave, and others Campsey England, S. E. (Campsey)

• Detail of miniature and illuminated initial., The Fall of Princes (index De casibus virorum et feminarum illustrium), fragment

collector. Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Detail Giovanni Boccaccio, translation by John Lydgate based on translation by Laurent de Premierfait England, S. (Bury St Edmunds?)

• Detail of decorated and illuminated initials., The Fall of Princes (index De casibus virorum et feminarum illustrium), fragment

collector. Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Detail Giovanni Boccaccio, translation by John Lydgate based on translation by Laurent de Premierfait England, S. (Bury St Edmunds?)

• Decorated initial 'E'(t)., The Historia Aseneth (ff. 53-64v) and Testamenta xii. Patriarcharum filiorum Jacob (ff. 65-96v)

'Chr' Towneley' ( f. 1). Richard Towneley, in 1702: his book-plate with the date (f. 2v); inscriptions 'T.283' (f. 3). John Hirst of Ladcastle, Dobcross, purchased at his sale at Sotheby's 14 December 1887 by the British Museum, using the

• On the left, large calligraphic initial 'L'(envoye) and illuminated initial 'T(his), and on the right, a miniature of the story of Cadmus, possibly retouched, and the illuminated initial 'B'., The Fall of Princes (index De casibus virorum et feminarum illustrium), fragment

collector. Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Cadmus Giovanni Boccaccio, translation by John Lydgate based on translation by Laurent de Premierfait England, S. (Bury St Edmunds?)

• Ownership inscription at the end of the manuscript, stating that it was a gift to the Augustinian nunnery at Campsey from Dame Katherine Babyngton, a former subprioress., The Life of Catherine (ff. 1-117v), etc.

Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in 1831. Ownership inscription John Capgrave, and others Campsey England, S. E. (Campsey)

• Detail of a miniature of the story of Cadmus, possibly retouched, and the illuminated initial 'B'., The Fall of Princes (index De casibus virorum et feminarum illustrium), fragment

collector. Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Detail Giovanni Boccaccio, translation by John Lydgate based on translation by Laurent de Premierfait England, S. (Bury St Edmunds?)

• Detail of a large calligraphic initial 'L'(envoye) and illuminated initial 'T(his)., The Fall of Princes (index De casibus virorum et feminarum illustrium), fragment

collector. Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Initials Giovanni Boccaccio, translation by John Lydgate based on translation by Laurent de Premierfait England, S. (Bury St Edmunds?)

• Miniature of Nebuchadnezzar, lying in bed, telling Daniel his dream, while Moses, John the Evangelist, and John the Baptist sit enclosed in a circle of seraphs, and the Archangels Raphael, Gabriel and Michael stand below, in illustration of Paradiso, Canto IV., Divina Commedia (index Divine Comedy)

Miniature of Nebuchadnezzar, lying in bed, telling Daniel his dream, while Moses, John the Evangelist, and John the Baptist sit enclosed in a circle of seraphs, and the Archangels Raphael, Gabriel and Michael stand below, in illustration of Paradiso, Canto

• Miniature of Dante being examined by James and John, with Christ and angels looking on., Divina Commedia (index Divine Comedy)

examined by James and John, with Christ and angels looking on. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral, in building during these years. 3 large historiated initials,

• Miniature of Beatrice watching as Dante is examined by John the Evangelist, who stands within a circle of golden stars with five naked souls., Divina Commedia (index Divine Comedy)

as Dante is examined by John the Evangelist, who stands within a circle of golden stars with five naked souls. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral,

• Detail of a miniature of Nebuchadnezzar, lying in bed, telling Daniel his dream, while Moses, John the Evangelist, and John the Baptist sit enclosed in a circle of seraphs, and the Archangels Raphael, Gabriel and Michael stand below, in illustration of Paradiso, Canto IV., Divina Commedia (index Divine Comedy)

Detail of a miniature of Nebuchadnezzar, lying in bed, telling Daniel his dream, while Moses, John the Evangelist, and John the Baptist sit enclosed in a circle of seraphs, and the Archangels Raphael, Gabriel and Michael stand below, in illustration

• Detail of a miniature of Dante being examined by James and John, with Christ and angels looking on., Divina Commedia (index Divine Comedy)

Dante being examined by James and John, with Christ and angels looking on. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral, in building during these years. 3 large

• Detail of a miniature of Beatrice watching as Dante is examined by John the Evangelist, who stands within a circle of golden stars with five naked souls., Divina Commedia (index Divine Comedy)

watching as Dante is examined by John the Evangelist, who stands within a circle of golden stars with five naked souls. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence

• Colophon of Antonio Beccaria of Verona, reading 'Athanasii viri sanctissimi de unitate substantiae deitatis / dialogus ex Graeco in Latinu[m] conversus per Antonium / Becariam Veronesem ad serenissimu[m] principem d[omi]n[u]m/ Humfredum Gloucestrix Ducem d[omi]n[u]m suu[m] singularissimu[m] / Locutores Athanasius, Arius et c'; with an inscription identifying the text by John Theyer., Theological treatises

d[omi]n[u]m/ Humfredum Gloucestrix Ducem d[omi]n[u]m suu[m] singularissimu[m] / Locutores Athanasius, Arius et c'; with an inscription identifying the text by John Theyer. The texts include: Contra gentes, De incarnatione verbi, De unitate substantiae deitatis dialogus, as well as a selection

• Marginal miniatures of the kingship ritual in Trirconnell of killing of the white mare, the bath of a king in a stew of mare's meat, and eating of the meat by the king's supporters; and on the opposite page, two men of Connaugh in a boat called a curragh and an Irishman riding bare-chested on a horse., Topographia Hiberniae, Expugnatio Hibernica, Itinerarium Kambriae; De purgatorio sancti Patrici, Excerpts from the Chronicle of Eusebius of Caesarea

c. 1375-c. 1420, no. 906 (see St Augustine's Abbey 2008). John Twyne (b. c.1505, d. 1581), schoolmaster and antiquary, perhaps owned by him: inscribed 'Twyne' in the hand of John Dee, antiquary (b. 1527, d.1609), in the entry of the

• Marginal miniatures of examples of bestiality: the Cow-stag of Chester, the woman of Connaught embracing a goat and Joanna of Paris embracing a lion, with an Irish cockerel, and Kevin of Glendalough allowing a bird to nest in his hand., Topographia Hiberniae, Expugnatio Hibernica, Itinerarium Kambriae; De purgatorio sancti Patrici, Excerpts from the Chronicle of Eusebius of Caesarea

c. 1375-c. 1420, no. 906 (see St Augustine's Abbey 2008). John Twyne (b. c.1505, d. 1581), schoolmaster and antiquary, perhaps owned by him: inscribed 'Twyne' in the hand of John Dee, antiquary (b. 1527, d.1609), in the entry of the

• The upper pastedown, with a typical Bury press-mark, '.J. 7.' ('J' is for Jerome). To the right of this is an inscription headed 'A book of St. Edmund, in which are contained', followed by a note on the contents., Commentaries on Isaiah and Ezechiel

note on the contents, beginning 'Liber sancti edmundi in quo continentur', c. 1375 (f. 1).? Possibly notes of 'the librarian', John of Boston 'Boston Buriensis', a monk of Bury St Edmunds (said to have fl. c. 1410) (ff. 1, 159);

• Large white vine initial 'O'(mnes) enclosing a putto, with a butterfly in the margin, at the beginning of the text., Catilina (ff. 1-16), Jugurtha (ff. 16-46), Epitome historiarum Trogi Pompeii (ff. 46-137v), Epitoma de Tito Livio (index Epitome of Livy) (ff. 138-176v)

Large white vine initial 'O'(mnes) enclosing a putto, with a butterfly in the margin, at the beginning of the text. Giovanni di Stia was a Florentine notary.Explicit followed by 4 verses 'Roma vetus veteres […] Quorum consilio precipitata ruis'

• White vine initial 'H'(erbarum) with a butterfly., De viribus herbarum

White vine initial 'H'(erbarum) with a butterfly. ff. 1 and 2 are parchment flyleaves.ff. 1 and [46] are former pastedowns.Marginal notes list ailments for which the various herbs are recommended. 1 large white vine initial in gold, purple, blue