• Full acanthus border with a large white vine initial 'P'(rofitetur) and the Fiato arms in the lower margin., Epitome in vitas scriptorum illustrium

Full acanthus border with a large white vine initial 'P'(rofitetur) and the Fiato arms in the lower margin. Horizontal catchwords in simple penwork frames.Marginal annotations. Full acanthus border in colours and gold with a large white vine initial in

• Illuminated initial 'B'(eatus vir qui non abiit) with a beast's head, and knotwork and foliate motifs, at the beginning of Psalm 1., Psalter (the 'Ramsey Psalter' or 'Psalter of Oswald'), in the Gallican version, with a litany (ff. 209-211) followed by prayers (ff. 211-214)

beginning of Psalm 1. English saints in the litany include: Alban, Oswald, Kenelm, Edmund, Ethelbert, Cuthbert, Guthlac, Wilfred, John of Beverley, Chad, Erkonwald, Swithun, Birinus, Judoc, Machutus, Etheldreda, Sexburg, Withburg, and Werburg.The script of the Ramsey Psalter formed the basis

• Illuminated initial 'D'(ixit dominus domino meo), with foliate and knotwork motifs, at Psalm 109., Psalter (the 'Ramsey Psalter' or 'Psalter of Oswald'), in the Gallican version, with a litany (ff. 209-211) followed by prayers (ff. 211-214)

English saints in the litany include: Alban, Oswald, Kenelm, Edmund, Ethelbert, Cuthbert, Guthlac, Wilfred, John of Beverley, Chad, Erkonwald, Swithun, Birinus, Judoc, Machutus, Etheldreda, Sexburg, Withburg, and Werburg.The script of the Ramsey Psalter formed the basis of Edward Johnston's 'foundational

• Illuminated initial 'A'(d dominum cum tribularer), with foliate motifs, at Psalm 119., Psalter (the 'Ramsey Psalter' or 'Psalter of Oswald'), in the Gallican version, with a litany (ff. 209-211) followed by prayers (ff. 211-214)

saints in the litany include: Alban, Oswald, Kenelm, Edmund, Ethelbert, Cuthbert, Guthlac, Wilfred, John of Beverley, Chad, Erkonwald, Swithun, Birinus, Judoc, Machutus, Etheldreda, Sexburg, Withburg, and Werburg.The script of the Ramsey Psalter formed the basis of Edward Johnston's 'foundational hand'

• Detail of an illuminated initial 'B'(enedicite)., Psalter (the 'Ramsey Psalter' or 'Psalter of Oswald'), in the Gallican version, with a litany (ff. 209-211) followed by prayers (ff. 211-214)

litany include: Alban, Oswald, Kenelm, Edmund, Ethelbert, Cuthbert, Guthlac, Wilfred, John of Beverley, Chad, Erkonwald, Swithun, Birinus, Judoc, Machutus, Etheldreda, Sexburg, Withburg, and Werburg.The script of the Ramsey Psalter formed the basis of Edward Johnston's 'foundational hand' which inspired a

• Miniature of the Presentation in the Temple, decorated initial 'D'(eus) and foliate borders, at the beginning of None in the Hours of the Virgin., Book of Hours, Use of Sarum

Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Presentation in the Temple Richard Franciscus Ricardus Franciscus Master of Sir John Fastolf London England, S. E. (London)

• Marginal drawing of a priest celebrating Mass, with a minor cleric in attendance holding two tapers, at the moment of the elevation of the host., Book of Hours, Use of Sarum

the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Priest celebrating Mass Richard Franciscus Ricardus Franciscus Master of Sir John Fastolf London England, S. E. (London)

• Miniature of Christ before Pilate, with borders of acanthus decoration., Book of Hours, Use of Sarum

the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Christ before Pilate Richard Franciscus Ricardus Franciscus Master of Sir John Fastolf London England, S. E. (London)

• Miniature of the Crucifixion of Christ, with a foliate border., Book of Hours, Use of Sarum

value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Crucifixion Richard Franciscus Ricardus Franciscus Master of Sir John Fastolf London England, S. E. (London)

• Miniature of the Entombment of Christ, with foliate borders, at the beginning of Compline in the Hours of the Passion., Book of Hours, Use of Sarum

the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Entombment of Christ Richard Franciscus Ricardus Franciscus Master of Sir John Fastolf London England, S. E. (London)

• Miniature of the Presentation, decorated initial 'D'(eus) and foliate borders, at the beginning of None in the Hours of the Virgin., Book of Hours, Use of Sarum

value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Presentation Richard Franciscus Ricardus Franciscus Master of Sir John Fastolf London England, S. E. (London)

• Miniature of the entombment of Christ, with Joseph, Nicodemus, the Virgin and two Maries, John the Evangelist, and another man standing near the tomb, with a full foliate border, at the beginning of Compline of the Passion., Book of Hours, Use of Rome ('The Dunois Hours')

Joseph, Nicodemus, the Virgin and two Maries, John the Evangelist, and another man standing near the tomb, with a full foliate border, at the beginning of Compline of the Passion. A bond by Jean, Bastard d'Orléans, Comte de Dunois et

• Miniature of the Deposition of Christ, with the Virgin Mary and others, Mary Magdalene, and John the Evangelist, with a full foliate border, at the beginning of Vespers of the Passion., Book of Hours, Use of Rome ('The Dunois Hours')

the Virgin Mary and others, Mary Magdalene, and John the Evangelist, with a full foliate border, at the beginning of Vespers of the Passion. A bond by Jean, Bastard d'Orléans, Comte de Dunois et de Longueville, to Bertrand de Beauvais,

• Miniature of the Crucifixion of Christ between the two thieves, with the Virgin and John the Evangelist at his feet, with a full foliate border including two weeping angels and two dead people rising from their graves, at the beginning of None of the Passion., Book of Hours, Use of Rome ('The Dunois Hours')

the two thieves, with the Virgin and John the Evangelist at his feet, with a full foliate border including two weeping angels and two dead people rising from their graves, at the beginning of None of the Passion. A bond

• Miniature of Christ presiding over the Last Judgement, with souls being raised to heaven and others consigned to hell, at the beginning of the Deus propicius; to the left, John the Evangelist holds a cup and palm, standing behind a kneeling Dunois; at the bottom is an angel, holding a skull, kneeling in a churchyard., Book of Hours, Use of Rome ('The Dunois Hours')

and others consigned to hell, at the beginning of the Deus propicius; to the left, John the Evangelist holds a cup and palm, standing behind a kneeling Dunois; at the bottom is an angel, holding a skull, kneeling in a

• Detail of a miniature of the Crucifixion of Christ between the two thieves, with the Virgin and John the Evangelist at his feet, at the beginning of None of the Passion., Book of Hours, Use of Rome ('The Dunois Hours')

Christ between the two thieves, with the Virgin and John the Evangelist at his feet, at the beginning of None of the Passion. A bond by Jean, Bastard d'Orléans, Comte de Dunois et de Longueville, to Bertrand de Beauvais, for