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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

2483 results from this resource . Displaying 61 to 80

Detail of a miniature in colours and gold showing Pliny writing in his study and a landscape with animals, rivers, the sea, sun and moon. The miniature was painted by Andrea di Firenze, according to unpublished notes of A.

Detail of a white vine initial 'M'. The miniature was painted by Andrea di Firenze, according to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford.Leaf signatures. Catchwords.Written by two scribes and decorated in different

Detail of arms from the lower border of the folio. The miniature was painted by Andrea di Firenze, according to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford.Leaf signatures. Catchwords.Written by two scribes and

to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Surgical instrument John Bradmore England

Text pages with marginal commentary and illuminated initial 'S'(ic), at the beginning of Book VI: 'Sic factur lacrimans, classique immittit habenas'. f. I is a paper flyleaf.Marginal commentary (ff. 87v to 97). 18 large initials in gold on red

Headpiece and decorated initial. Spaces left for other miniatures.f. 1 is a paper fragment with notes by Covel pasted to f. [iiv] (see Wright 1972).For the text, see Emile Legrand, ~Bibliothèque grecque vulgaire~ (Paris: H. Welter, 1881), II, pp.

Benedicti papae xii. Atque scriptum et finitum anno dom. MCCCCLV . xx die mensis Decembris, in civitate Cortoniensi' (f. 226v). John Gibson (fl. 1720-1726), dealer; sold to Edward Harley on 28 August 1724 (see ~Diary~ 1966; Wright 1972).The monastery of

Miniature in colours and gold showing Pliny writing in his study and a landscape with animals, rivers, the sea, sun and moon; text with a decorative initial 'M', and decorated borders with a coat of arms. The miniature was

(possibly a fellow-commoner of Corpus Christi in 1544): his name inscribed (f. 1) (see Watson 1979).Unidentified shelfmark, '38' (f. 1). John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: inscribed with his name (f. 1); listed

(possibly a fellow-commoner of Corpus Christi in 1544): his name inscribed (f. 1) (see Watson 1979).Unidentified shelfmark, '38' (f. 1). John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: inscribed with his name (f. 1); listed

Detail of the arms of Ludovicus Petronius, of Siena, in the lower border. Catchwords in the bottom left corner. Pricking holes.The same scribe wrote Harley 4883 in 1451-2. 2 large white vine initials in gold and colours, with the

White vine initials 'R'(em) and 'L'(eonardus) at the beginning of the prefatory texts, with the arms of Ludovicus Petronius, of Siena, in the lower border. Catchwords in the bottom left corner. Pricking holes.The same scribe wrote Harley 4883 in

Coloured initial and musical notations on 4-line staves. The life of Thomas Becket in verse was composed c. 1184. It is based on one by Robert of Cricklade (d. c. 1174), prior of St. Frideswide's, Oxford, now lost. It

Text page with added notes. The life of Thomas Becket in verse was composed c. 1184. It is based on one by Robert of Cricklade (d. c. 1174), prior of St. Frideswide's, Oxford, now lost. It can also be

Detail of a text page of St Albans's Annals, datable to 1428-1431 (ff. 100-120). The life of Thomas Becket in verse was composed c. 1184. It is based on one by Robert of Cricklade (d. c. 1174), prior of

king in armour and tabard (King John), presenting a plaque with verses. Unfinished. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known as 'Sir Thomas Holme's Book' because

White vine initial 'I(nter) at the beginning of Aristotle's Politica. Catchwords written horizontally. The whole manuscript is in the same hand, with the exception of f. 75 which appears to be a singleton (possibly added in the late 15th

Detail of a white-vine initial 'Q'(uot igitur). Catchwords written horizontally. The whole manuscript is in the same hand, with the exception of f. 75 which appears to be a singleton (possibly added in the late 15th century to replace

the various books John Harefinch, in 1708: inscriptions 'John Harefinch His Booke 1708', twice, and 'John Harefinch' (f. 274v); 'John Harefinch His Book' (ff. 19v, 20, 47); 'John Harefinch is owner of this book' (f. 74); John Harefinch is the

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 20 April 2024), https://www.manuscriptsonline.org/search/results?ac=f&ft=t&kw=john&sdf=1441&sdt=1459&st=60