Search Results
- Keyword:
- john
- Source Date From:
- Source Date To:
- Resource:
Your search found 2625 results in 1 resource
Category
- Literary Manuscripts (2625)
- Non-literary Manuscripts (0)
- Official Documents (government, civic, legal, religious) (0)
- Literary Printed Books (0)
- Non-literary Printed Books (0)
- Maps and Works of Art (0)
Format
- Full-text transcription (2625)
- Summary or Calendar (0)
- Manuscript Description (0)
Date
- 1443 – 1446 (1739)
- 1447 – 1450 (1955)
- 1451 – 1455 (717)
- 1456 – 1460 (839)
Access Type
- Free / No Subscription (2625)
- Subscription (0)
British Library Catalogue of Illuminated Manuscripts
Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Lydgate in prayer Edmund-Fremund scribe Edmund-Fremund scribe John Lydgate, Thomas Hoccleve Bury St Edmunds England, S. (probably Bury St Edmunds)
of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Thomas Hoccleve Edmund-Fremund scribe Edmund-Fremund scribe John Lydgate, Thomas Hoccleve Bury St Edmunds England, S. (probably Bury St Edmunds)
of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated initial Edmund-Fremund scribe Edmund-Fremund scribe John Lydgate, Thomas Hoccleve Bury St Edmunds England, S. (probably Bury St Edmunds)
of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated initial Edmund-Fremund scribe Edmund-Fremund scribe John Lydgate, Thomas Hoccleve Bury St Edmunds England, S. (probably Bury St Edmunds)
White vine initials 'R'(em) and 'L'(eonardus) at the beginning of the prefatory texts, with the arms of Ludovicus Petronius, of Siena, in the lower border. Catchwords in the bottom left corner. Pricking holes.The same scribe wrote Harley 4883 in
Coloured initial and musical notations on 4-line staves. The life of Thomas Becket in verse was composed c. 1184. It is based on one by Robert of Cricklade (d. c. 1174), prior of St. Frideswide's, Oxford, now lost. It
Text page with added notes. The life of Thomas Becket in verse was composed c. 1184. It is based on one by Robert of Cricklade (d. c. 1174), prior of St. Frideswide's, Oxford, now lost. It can also be
Detail of a text page of St Albans's Annals, datable to 1428-1431 (ff. 100-120). The life of Thomas Becket in verse was composed c. 1184. It is based on one by Robert of Cricklade (d. c. 1174), prior of
king in armour and tabard (King John), presenting a plaque with verses. Unfinished. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known as 'Sir Thomas Holme's Book' because
of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated initial Edmund-Fremund scribe Edmund-Fremund scribe John Lydgate, Thomas Hoccleve Bury St Edmunds England, S. (probably Bury St Edmunds)
Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Detail Edmund-Fremund scribe Edmund-Fremund scribe John Lydgate, Thomas Hoccleve Bury St Edmunds England, S. (probably Bury St Edmunds)
of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated initial Edmund-Fremund scribe Edmund-Fremund scribe John Lydgate, Thomas Hoccleve Bury St Edmunds England, S. (probably Bury St Edmunds)
White vine initial 'I(nter) at the beginning of Aristotle's Politica. Catchwords written horizontally. The whole manuscript is in the same hand, with the exception of f. 75 which appears to be a singleton (possibly added in the late 15th
Detail of a white-vine initial 'Q'(uot igitur). Catchwords written horizontally. The whole manuscript is in the same hand, with the exception of f. 75 which appears to be a singleton (possibly added in the late 15th century to replace
cartouches, scrolls, trompe l’oeil pearls, cherubs, arabesques, and figures in monochrome of John, the Resurrection, Mark and two medallions inscribed 'De / dit / illi no / men' and 'Quod / est su / per omne / nome[n]' (f. 83a;
and medallions containing full-length figures of apostles including John, Andrew and Philip in gold monochrome, and the inscriptions: 'Manifestum / eum fecit / non omni / populo' and 'sed …/ …./ prae ordi / natis' (f. 86; 40 x 245
vos de sepulchris vestris popule [sic; populus] meus'; Hosea 13:14 'O mors ero mors tua morsus tuus ero inferne' and John 19:37 'Viderunt [sic; Videbunt] in quem transfixerunt', and the inscription 'Dux vitae / mortuus / regnat / vivus' divided
the various books John Harefinch, in 1708: inscriptions 'John Harefinch His Booke 1708', twice, and 'John Harefinch' (f. 274v); 'John Harefinch His Book' (ff. 19v, 20, 47); 'John Harefinch is owner of this book' (f. 74); John Harefinch is the
to 1430), including John Page's poem 'The Siege of Rouen' (imperfect) John Awdeley: inscribed, 15th century, 'Jho John Awdeley squier' (f. 152). perhaps the younger brother of James Tuchet, 7th baron Audley (c. 1463- 1497); this John married an illegitemate
'F' of John the Baptist. Italian cuttings.Add. 18161 is also attributed to the Master of the Donato Commission (see Minazzato).These leaves are bound together with other mounted cuttings as Add. 22310. To see these leaves in the Manuscripts Reading Room