• Miniature of queen Jocasta falling on a sword., The Fall of Princes (index De casibus virorum et feminarum illustrium), abridged

abridged Numerous medieval and post-medieval added inscriptions in Greek, English and Latin (ff. 1*v, 2*v, 265v, 266). John Bentley: inscribed in 1587 'John Bentley aetatis sue xxxiiii, fe. viii 1587 Anno eliza xxx' (f. 4v).Thomas Cotton, 16th century: inscribed with

• Miniature of Oedipus, his eyes apparently restored, chained to a post by his neck., The Fall of Princes (index De casibus virorum et feminarum illustrium), abridged

abridged Numerous medieval and post-medieval added inscriptions in Greek, English and Latin (ff. 1*v, 2*v, 265v, 266). John Bentley: inscribed in 1587 'John Bentley aetatis sue xxxiiii, fe. viii 1587 Anno eliza xxx' (f. 4v).Thomas Cotton, 16th century: inscribed with

• Miniature of Meleager, crowned, slaying his uncles., The Fall of Princes (index De casibus virorum et feminarum illustrium), abridged

abridged Numerous medieval and post-medieval added inscriptions in Greek, English and Latin (ff. 1*v, 2*v, 265v, 266). John Bentley: inscribed in 1587 'John Bentley aetatis sue xxxiiii, fe. viii 1587 Anno eliza xxx' (f. 4v).Thomas Cotton, 16th century: inscribed with

• Miniature of Narcissus falling into a well where his face is reflected., The Fall of Princes (index De casibus virorum et feminarum illustrium), abridged

abridged Numerous medieval and post-medieval added inscriptions in Greek, English and Latin (ff. 1*v, 2*v, 265v, 266). John Bentley: inscribed in 1587 'John Bentley aetatis sue xxxiiii, fe. viii 1587 Anno eliza xxx' (f. 4v).Thomas Cotton, 16th century: inscribed with

• Miniature of Euridyce and Orpheus with his harp seated on a grass bench., The Fall of Princes (index De casibus virorum et feminarum illustrium), abridged

abridged Numerous medieval and post-medieval added inscriptions in Greek, English and Latin (ff. 1*v, 2*v, 265v, 266). John Bentley: inscribed in 1587 'John Bentley aetatis sue xxxiiii, fe. viii 1587 Anno eliza xxx' (f. 4v).Thomas Cotton, 16th century: inscribed with

• Miniature of Euridyce and Orpheus with his harp seated on a grass bench., The Fall of Princes (index De casibus virorum et feminarum illustrium), abridged

abridged Numerous medieval and post-medieval added inscriptions in Greek, English and Latin (ff. 1*v, 2*v, 265v, 266). John Bentley: inscribed in 1587 'John Bentley aetatis sue xxxiiii, fe. viii 1587 Anno eliza xxx' (f. 4v).Thomas Cotton, 16th century: inscribed with

• Miniature of Orpheus lying on his back, protesting himself from Thracian women armed with spindles and distaffs., The Fall of Princes (index De casibus virorum et feminarum illustrium), abridged

abridged Numerous medieval and post-medieval added inscriptions in Greek, English and Latin (ff. 1*v, 2*v, 265v, 266). John Bentley: inscribed in 1587 'John Bentley aetatis sue xxxiiii, fe. viii 1587 Anno eliza xxx' (f. 4v).Thomas Cotton, 16th century: inscribed with

• Miniature of Orpheus lying on his back, protesting himself from Thracian women armed with spindles and distaffs., The Fall of Princes (index De casibus virorum et feminarum illustrium), abridged

abridged Numerous medieval and post-medieval added inscriptions in Greek, English and Latin (ff. 1*v, 2*v, 265v, 266). John Bentley: inscribed in 1587 'John Bentley aetatis sue xxxiiii, fe. viii 1587 Anno eliza xxx' (f. 4v).Thomas Cotton, 16th century: inscribed with

• Miniatures of Samson in his prison, and Samson destroying a building where Delilah and two Philistines are dining., The Fall of Princes (index De casibus virorum et feminarum illustrium), abridged

abridged Numerous medieval and post-medieval added inscriptions in Greek, English and Latin (ff. 1*v, 2*v, 265v, 266). John Bentley: inscribed in 1587 'John Bentley aetatis sue xxxiiii, fe. viii 1587 Anno eliza xxx' (f. 4v).Thomas Cotton, 16th century: inscribed with

• Miniatures of Canace holding a sword and a pen, with a child in her lap, and Canace killing herself with a sword while her child is devoured by two dogs., The Fall of Princes (index De casibus virorum et feminarum illustrium), abridged

abridged Numerous medieval and post-medieval added inscriptions in Greek, English and Latin (ff. 1*v, 2*v, 265v, 266). John Bentley: inscribed in 1587 'John Bentley aetatis sue xxxiiii, fe. viii 1587 Anno eliza xxx' (f. 4v).Thomas Cotton, 16th century: inscribed with

• Text page with a flourished initial and a 'champ' initial with foliate feathering., The Fall of Princes (index De casibus virorum et feminarum illustrium), abridged

abridged Numerous medieval and post-medieval added inscriptions in Greek, English and Latin (ff. 1*v, 2*v, 265v, 266). John Bentley: inscribed in 1587 'John Bentley aetatis sue xxxiiii, fe. viii 1587 Anno eliza xxx' (f. 4v).Thomas Cotton, 16th century: inscribed with

• Miniatures of David attacking Goliath with a sling, and David playing the harp to Saul., The Fall of Princes (index De casibus virorum et feminarum illustrium), abridged

abridged Numerous medieval and post-medieval added inscriptions in Greek, English and Latin (ff. 1*v, 2*v, 265v, 266). John Bentley: inscribed in 1587 'John Bentley aetatis sue xxxiiii, fe. viii 1587 Anno eliza xxx' (f. 4v).Thomas Cotton, 16th century: inscribed with

• Miniature of Tarquinius (index Tarquin), in armour and with raised sword, leaping on Lucretia's bed., The Fall of Princes (index De casibus virorum et feminarum illustrium), abridged

abridged Numerous medieval and post-medieval added inscriptions in Greek, English and Latin (ff. 1*v, 2*v, 265v, 266). John Bentley: inscribed in 1587 'John Bentley aetatis sue xxxiiii, fe. viii 1587 Anno eliza xxx' (f. 4v).Thomas Cotton, 16th century: inscribed with

• A drawing of a spirit, sun, man, and woman., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

(1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other manuscripts (see ~Diary~

• A drawing of a man and woman embracing., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

(1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other manuscripts (see ~Diary~

• Drawing of an eagle, a snake, a man and a frog, with a legend below., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

(1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other manuscripts (see ~Diary~

• A drawing of a village., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

(1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other manuscripts (see ~Diary~

• Drawing of vessels relating to alchemy., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

(1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other manuscripts (see ~Diary~

• Miniature of Nebuchadnezzar in bed with the Image of precious metals at the beginning of the prologue to Gower's Confessio amantis., Confessio amantis, with the Traitié pour essampler les amantz marietz, and a Latin prayer and two Latin Marian lyrics

of the prologue to Gower's Confessio amantis. This text was composed c. 1390 by John Gower (b. c. 1330, d. 1408), and is in the third recension of the text.One of 13 manuscripts containing an image of the Lover's Confession.

• Miniature of Nebuchadnezzar in bed with the Image of precious metals, and decorated initial 'O'(f hem) with acanthus leaves and foliate feathering extending into the margins at the beginning of the prologue to Gower's Confessio amantis., Confessio amantis, with the Traitié pour essampler les amantz marietz, and a Latin prayer and two Latin Marian lyrics

into the margins at the beginning of the prologue to Gower's Confessio amantis. This text was composed c. 1390 by John Gower (b. c. 1330, d. 1408), and is in the third recension of the text.One of 13 manuscripts containing