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British Library Catalogue of Illuminated Manuscripts
Simple border in shaded mauve with a large initial 'A'(pud) with an oak leaf motif, capitals in alternating lines of gold and blue, and a trompe l'oeil seal with the arms of the Della Rovere family. Bound together with
Text page with humanistic script. Bound together with Harley 2708. Simple border in shaded mauve with a large initial in silver on a red ground with an oak leaf motif, capitals in alternating lines of gold and blue, and,
Detail of a white vine initial 'E'(t si) with decoration extending into the margins at the beginning of the text. According to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford, this manuscript was made
Front cover of the red leather binding with gold tooling. Horizontal catchwords.The manuscript was written in the 3rd quarter of the 15th century, possibly in Rome, according to unpublished notes of A. C. de la Mare at the Bodleian
Spine of the red leather binding crafted by Thomas Elliot, one of the two binders employed by Edward Harley for this style. The gold-tooled letters of Elliot's name appear in small roundels. Horizontal catchwords.The manuscript was written in the
with the Virgin Mary and John the Baptist, and the Resurrection of the Souls. Decorated initial in gold and colours, and full foliate border. 8 roundels with partial foliate borders, in colours and gold, in the calendar (ff. 1-9v); 2
on red or yellow backgrounds. Text in red, sometimes with a yellow wash. The Pauline and Catholic Epistles (except III John and Jude), and Revelation, imperfect Inscribed in runes 'Ego Iusueus Hac/si indignus diacon[us]/ [h]anc librum quem / ad opus
on red or yellow backgrounds. Text in red, sometimes with a yellow wash. The Pauline and Catholic Epistles (except III John and Jude), and Revelation, imperfect Inscribed in runes 'Ego Iusueus Hac/si indignus diacon[us]/ [h]anc librum quem / ad opus
on red or yellow backgrounds. Text in red, sometimes with a yellow wash. The Pauline and Catholic Epistles (except III John and Jude), and Revelation, imperfect Inscribed in runes 'Ego Iusueus Hac/si indignus diacon[us]/ [h]anc librum quem / ad opus
on red or yellow backgrounds. Text in red, sometimes with a yellow wash. The Pauline and Catholic Epistles (except III John and Jude), and Revelation, imperfect Inscribed in runes 'Ego Iusueus Hac/si indignus diacon[us]/ [h]anc librum quem / ad opus
on red or yellow backgrounds. Text in red, sometimes with a yellow wash. The Pauline and Catholic Epistles (except III John and Jude), and Revelation, imperfect Inscribed in runes 'Ego Iusueus Hac/si indignus diacon[us]/ [h]anc librum quem / ad opus
on red or yellow backgrounds. Text in red, sometimes with a yellow wash. The Pauline and Catholic Epistles (except III John and Jude), and Revelation, imperfect Inscribed in runes 'Ego Iusueus Hac/si indignus diacon[us]/ [h]anc librum quem / ad opus
on red or yellow backgrounds. Text in red, sometimes with a yellow wash. The Pauline and Catholic Epistles (except III John and Jude), and Revelation, imperfect Inscribed in runes 'Ego Iusueus Hac/si indignus diacon[us]/ [h]anc librum quem / ad opus
the Crucifixion with John the Evangelist and the Virgin Mary kneeling at the base of the cross. Horizontal catchwords. Half-page miniature in colours, in four panels, of events in the life of Joachim, a large initial in brown, and an
Historiated white vine initial 'I'(n ipso) with Jerome writing combined with a white vine border with birds and the arms of Ludovicus Petronius (index Lodovico Petroni). ff. i and ii are paper flyleaves, ff. iii and [322] are former
Partial white vine border; white vine initial 'N'(el); and the arms of the Tedaldi family of Florence or Cremona: barry ~or~ and ~gules~, a lion rampant ~azure~ overall. No catchwords or signatures. Partial white vine border in blue, green,
Initial in foliate design in a foliate design, in gold and colours, inhabited by snakes. The text corresponds to Dorotheos of Moenmbasia's 'Bible History', but with significant variations.The manuscript has an old pagination '1-1723' in ink (ff. 1-861). Headpiece
Text page with extended ascenders, cadels and the head of a man in profile. Numerous initials in red or blue. Some capitals marked with stroke of red. Ascenders of the top line extending and sometimes decorated with cadels, or
White vine initial 'P'(lutarchus) at the beginning of the text. Guide letters. Catchwords written vertically. Leaf signatures. 19 large white vine initials (ff. 2v, 18v, 34v, 45v, 54v, 65, 73, 86, 95v, 107v, 115v, 125v, 140, 149v, 159v, 169,
wreath enclosing a blank area intended for a coat of arms (f. 1). Historia Alexandri Magni Added maniculum (f. 31). John Gibson (fl. 1720-1726), dealer; sold on 17 June 1721 to the Harley collection (see ~Diary~ 1966).The Harley Collection, formed