• Detail of text page, Aeneis (index Aeneid) , with a verse preface (ff. 1-201); Extract from Servius on Aeneis 6 (f. 202)

Detail of text page f. I is a paper flyleaf.Marginal commentary (ff. 87v to 97). 18 large initials in gold on red and blue grounds with red, blue, and brown penwork decoration (ff. 1, 1v, 2, 16, 16v, 32v,

• White vine initial 'P'(ost) at the beginning of book 16 of Augustine's De Civitate Dei., De Civitate Dei (index City of God)

139, 150, 163, 179, 196v, 210, 233v, 248v, 269, 286). De Civitate Dei (index City of God) Janos Vitez (index John Vitez) (b. c. 1405, d. 1472), Hungarian humanist, bishop of Nagyvárad, and archbishop of Esterzgom, and Petrus Garazda (index

• Three-sided white vine border inhabited by birds with a large white vine initial 'I'(n) and a wreath designed for a coat of arms in the lower margin., Ab urbe condita (the Third Decade)

in colours and gold (ff. 24, 48v, 69, 89v, 109v, 131v, 156, 179, 196). Ab urbe condita (the Third Decade) John Gibson (fl. 1720-1726), dealer; sold to Harley on 13 September 1722 (see ~Diary~ 1966; Wright 1972).The Harley Collection, formed

• Pen-flourished initials, Meditations on the Life of Christ

Pen-flourished initials Vertical catchwords. Alternating initials in blue with red pen-flourishing or in red with violet pen-flourishing. Rubrics in red (now faded). Meditations on the Life of Christ Written in 1454 by Jacobus de Parma in Bologna for Frater

• White vine initial 'C'(ivitatem) at the beginning of book 11 of Augustine's De Civitate Dei., De Civitate Dei (index City of God)

139, 150, 163, 179, 196v, 210, 233v, 248v, 269, 286). De Civitate Dei (index City of God) Janos Vitez (index John Vitez) (b. c. 1405, d. 1472), Hungarian humanist, bishop of Nagyvárad, and archbishop of Esterzgom, and Petrus Garazda (index

• Historiated initial 'Q'(ui) of the Resurrected Christ, with foliate extensions and gold besants., Various religious texts, including De imitatione Christi, capitula (ff. 1-4)

Historiated initial 'Q'(ui) of the Resurrected Christ, with foliate extensions and gold besants. Written by several scribes, one of whom wrote the lists of ~capitula~ (ff. 1-4) and the text on ff. 5-106v. Several others wrote ff. 107-199 (see

• White vine initial 'C'(aius) with foliate extension., Epistolae, imperfect

White vine initial 'C'(aius) with foliate extension. f. 1* is a former pastedown.5 large white vine initials have been excised (ff. 50, 71, 89, 110, 134). Vertical catchwords. Ruled in hardpoint.Wants the first section of text; starts at Epistolae

• Miniature of the Crucifixion at the beginning of the Hours of the Cross., Book of Hours, Use of Troyes, imperfect

woman (f. 76v). At least 1 full-page miniature missing (after f. 60). 3 smaller miniatures in colours and gold, of John, the Crucifixion, and the Annunciation (ff. 13, 15, 22v), with large initials in gold on red panels, and full

• Headpiece and decorated initial at the beginning of the text., Commentary on Plato's Phaedo (index Scholia on Plato's Phaedo)

Headpiece and decorated initial at the beginning of the text. Watermark of an angel, see C. M. Briquet, ~Les Filigranes: Dictionnaire historique des marques du papier dès leur apparition vers 1282 jusqu'en 1600~, A Facsimile of the 1907 edition

• Colophon of Johannes Jacobus de Balbis and ownership inscription of Cornelius Balbus., Satires (index Saturae, Satirae)

Colophon of Johannes Jacobus de Balbis and ownership inscription of Cornelius Balbus. Vertical catchwords.f. 70 is a blank, ruled paper leaf with a 16th- or 17th- century(?) inscription. 1 large blue initial with red pen-flourishing (f. 1). 13 smaller

• Initial 'N'(aso) and unidentified arms in the lower margin., Epistulae ex Ponto

Initial 'N'(aso) and unidentified arms in the lower margin. A large piece of paper has been torn off at the top of f. 1. 1 large initial in gold on a blue ground with an unidentified coat of arms

• Decorated initial 'C'(armina) with acanthus leaves and naturalistic flowers at the beginning of the text., De Consolatione Philosophiae (index Consolation of Philosophy)

Decorated initial 'C'(armina) with acanthus leaves and naturalistic flowers at the beginning of the text. According to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford, this manuscript was made in Florence in the late

• Initial 'H' with pen-work decoration., Collection of letters attributed to Hippocrates and others in Rinuccini's Latin translation, preceded by dedications to Cardinal Antonio de la Cerda y Llosa (elected 1448, d. 1459) and Pope Nicholas V (elected 1447, d. 1455) (ff. 1-1v)

Initial 'H' with pen-work decoration. Watermark of a basilisk with no direct comparison in C. M. Briquet, ~Les Filigranes: Dictionnaire historique des marques du papier dès leur apparition vers 1282 jusqu'en 1600~, A Facsimile of the 1907 edition with

• Historiated initial 'Q'(uantum) with foliate extensions and a man in academic dress (probably Aristotle)., Compendium of natural philosophy

Historiated initial 'Q'(uantum) with foliate extensions and a man in academic dress (probably Aristotle). f. 1* is a paper flyleaf with a table of contents.Vertical catchwords. 1 large initial in colours with foliate extensions and a man in academic

• Miniature of a knight in armour, with a full border inhabited by animals (peacock, lion, bear, goat, roe deer, birds) and putti, from Livy's De Secundo Bello Punic, with heraldic arms in the lower margin., De Secundo Bello Punico

colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside

• White-vine initial 'C'(ornelius)., De Secundo Bello Punico

colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside

• White-vine initial 'V'(t ex)., De Secundo Bello Punico

colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside

• Detail of a miniature of a knight in armour, with a full border inhabited by animals and putti, from Livy's De Secundo Bello Punic., De Secundo Bello Punico

colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside

• Detail of a section of the full border inhabited by animals (peacock, lion, bear, goat, roe deer, birds) and putti, from Livy's De Secundo Bello Punic., De Secundo Bello Punico

colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside

• Detail of a section of the full border inhabited by animals (peacock, lion, bear, goat, roe deer, birds) and putti, from Livy's De Secundo Bello Punic., De Secundo Bello Punico

colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside