• Detail of a miniature in colours and gold showing Pliny writing in his study and a landscape with animals, rivers, the sea, sun and moon., Historia naturalis (index Natural history)

Detail of a miniature in colours and gold showing Pliny writing in his study and a landscape with animals, rivers, the sea, sun and moon. The miniature was painted by Andrea di Firenze, according to unpublished notes of A.

• Detail of a white vine initial 'M'., Historia naturalis (index Natural history)

Detail of a white vine initial 'M'. The miniature was painted by Andrea di Firenze, according to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford.Leaf signatures. Catchwords.Written by two scribes and decorated in different

• Detail of arms from the lower border of the folio., Historia naturalis (index Natural history)

Detail of arms from the lower border of the folio. The miniature was painted by Andrea di Firenze, according to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford.Leaf signatures. Catchwords.Written by two scribes and

• Three-sided white vine border with a large initial 'E'(usebium), a butterfly, two birds, and unidentified arms in the lower margin., De evangelica praeparatione

Three-sided white vine border with a large initial 'E'(usebium), a butterfly, two birds, and unidentified arms in the lower margin. ff. 1-2 are parchment leaves. Table of Contents in humanistic cursive (ff. 1v-2).Vertical catchwords with penwork decoration. Ruled in

• Miniature in colours and gold showing Pliny writing in his study and a landscape with animals, rivers, the sea, sun and moon; text with a decorative initial 'M', and decorated borders with a coat of arms., Historia naturalis (index Natural history)

Miniature in colours and gold showing Pliny writing in his study and a landscape with animals, rivers, the sea, sun and moon; text with a decorative initial 'M', and decorated borders with a coat of arms. The miniature was

• Miniature of the Crucifixion, decorated initial 'D'(omine), and full border, at the beginning of the Hours of the Cross., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Miniature of Pentecost, decorated initial 'D'(omine), and full border, at the beginning of the Hours of the Holy Spirit., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Miniature of David in Penitence, decorated initial 'D'(omine), and full border, at the beginning of the Penitential Psalms., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Historiated initial 'I'(n) with Luke painting the Virgin, and partial border, at the beginning of his Gospel., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Historiated initial 'I'(sta) with Apollonia holding tooth, and partial border, at the beginning of her suffrage., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Miniature of the Annunciation, decorated initial 'D'(omine), and full border, at the beginning of the Hours of the Virigin., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Detail of a miniature of the Crucifixion, at the beginning of the Hours of the Cross., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Miniature of Pentecost, decorated initial 'D'(omine), and full border, at the beginning of the Hours of the Holy Spirit., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Detail of a miniature of David in Penitence, at the beginning of the Penitential Psalms., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Historiated initial 'I'(sta) with Apollonia holding tooth, at the beginning of her suffrage., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Historiated initial 'I'(n) with Luke painting the Virgin, at the beginning of his Gospel., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Decorated initial 'C'(um), and, in the lower margin, the initials 'R. R.' and arms of Roger Rotherham, azure, on a mount, three pointed, vert, a stag in full course or., Strategemata (index Strategematica, De re militari)

(possibly a fellow-commoner of Corpus Christi in 1544): his name inscribed (f. 1) (see Watson 1979).Unidentified shelfmark, '38' (f. 1). John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: inscribed with his name (f. 1); listed

• Detail of the lower margin, with initials 'R. R.' and arms of Roger Rotherham, azure, on a mount, three pointed, vert, a stag in full course or., Strategemata (index Strategematica, De re militari)

(possibly a fellow-commoner of Corpus Christi in 1544): his name inscribed (f. 1) (see Watson 1979).Unidentified shelfmark, '38' (f. 1). John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: inscribed with his name (f. 1); listed

• Detail of an historiated initial 'P'(etrus) of Peter and Paul, in semi-grisaille, with partial foliate borders., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Historiated initial 'F' of John the Baptist., Leaves from an Antiphoner (index antiphonal, antiphonary)

'F' of John the Baptist. Italian cuttings.Add. 18161 is also attributed to the Master of the Donato Commission (see Minazzato).These leaves are bound together with other mounted cuttings as Add. 22310. To see these leaves in the Manuscripts Reading Room