• Detail of a bas-de-page scene of two grotesque hybrids heading into battle (one with an ape sitting on his back), at the beginning of the prologue addressed to Henry VII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Miniature of Artaxerxes enthroned, with his courtiers; the arrest of Cyrus; Darius ill in bed, and a physician with a flask, with grotesque hybrids, flowers, and plants in the full foliate border., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Detail of a miniature of Artaxerxes enthroned, with his courtiers; the arrest of Cyrus; Darius ill in bed, and a physician with a flask., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Miniature of the Greek army with Xenophon, and piles of the dead, with grotesque hybrids, flowers, and plants in the full foliate border., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Detail of a miniature of the Greek army with Xenophon, and piles of the dead., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Detail of a miniature of Louis XII enthroned receiving the book from the translator, Claude de Seyssel, at the beginning of the prologue of the translator addressed to Louis XII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Detail of a miniature in colours and gold showing Pliny writing in his study and a landscape with animals, rivers, the sea, sun and moon., Historia naturalis (index Natural history)

Detail of a miniature in colours and gold showing Pliny writing in his study and a landscape with animals, rivers, the sea, sun and moon. The miniature was painted by Andrea di Firenze, according to unpublished notes of A.

• Detail of a white vine initial 'M'., Historia naturalis (index Natural history)

Detail of a white vine initial 'M'. The miniature was painted by Andrea di Firenze, according to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford.Leaf signatures. Catchwords.Written by two scribes and decorated in different

• Detail of arms from the lower border of the folio., Historia naturalis (index Natural history)

Detail of arms from the lower border of the folio. The miniature was painted by Andrea di Firenze, according to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford.Leaf signatures. Catchwords.Written by two scribes and

• null, Bible, with prologues

The Psalms have the 10-part divisions. Glosses, especially dense in Luke. With an added Interpretation of Hebrew names (ff. 331v-356v), a treatise on dreams (ff. 356v-364v) and a table of readings for the year, including the feast of St

• Decorated initial 'F'(ata) at the beginning of the text., Laurentias carmen

Decorated initial 'F'(ata) at the beginning of the text. ff. 244v-245 are written in Filelfo's hand, the rest of the manuscript was written in a different hand, but annotated by Filelfo.Catchwords. Leaf signatures.For another autograph manuscript by Filelfo, see

• White vine initial 'M'(undum)., Historia naturalis (index Natural history)

White vine initial 'M'(undum). There is a ruled leaf after f. 175.Ruled in plummet; horizontal catchwords. Three-sided white vine border in colours and gold, inhabited by birds, with the Medici coat of arms in the lower margin, supported by

• An astrological diagram of the phases of the sun and moon, with vovelles., Miscellany with various astronomical, calendrical, medical, and philosophical texts

in red with blue pen-flourishing. Rubrics, paraphs, and underlining in red. Miscellany with various astronomical, calendrical, medical, and philosophical texts John...: inscribed with his name in the 16th century (f. 229). Samuel Knott (d. 1687), rector of Combe Raleigh, Devon

• Detail of a miniature of a bloodletting man with one foot in a bleeding pan and a spindle in his hand., Miscellany with various astronomical, calendrical, medical, and philosophical texts

in red with blue pen-flourishing. Rubrics, paraphs, and underlining in red. Miscellany with various astronomical, calendrical, medical, and philosophical texts John...: inscribed with his name in the 16th century (f. 229). Samuel Knott (d. 1687), rector of Combe Raleigh, Devon

• A diagram of the sphere of life and death used in prognostication., Miscellany with various astronomical, calendrical, medical, and philosophical texts

in red with blue pen-flourishing. Rubrics, paraphs, and underlining in red. Miscellany with various astronomical, calendrical, medical, and philosophical texts John...: inscribed with his name in the 16th century (f. 229). Samuel Knott (d. 1687), rector of Combe Raleigh, Devon

• Full border with Cupid in a large historiated initial 'V'(oi), medallions of leopard heads, and, in the lower margin, two crowned leopards salient ~or~ supporting a medallion with the arms of the Mussolini family of Treviso., Table of first lines (ff. 2-8v); Rime (ff. 12-138v); Trionfi (index Triumphs) (ff. 140-171)

Full border with Cupid in a large historiated initial 'V'(oi), medallions of leopard heads, and, in the lower margin, two crowned leopards salient ~or~ supporting a medallion with the arms of the Mussolini family of Treviso. Horizontal catchwords; no

• Three-sided white vine border with a large initial 'E'(usebium), a butterfly, two birds, and unidentified arms in the lower margin., De evangelica praeparatione

Three-sided white vine border with a large initial 'E'(usebium), a butterfly, two birds, and unidentified arms in the lower margin. ff. 1-2 are parchment leaves. Table of Contents in humanistic cursive (ff. 1v-2).Vertical catchwords with penwork decoration. Ruled in

• White vine initial 'O'(mnis) at the beginning of Sallust's Catilina., Various works including Catilina (ff. 1-34v), Jugurtha (ff. 35v-100), Letter 3 from Book 15 of Petrarch's Epistulae rerum senilium (ff. 104-113), Letter to Petrarch attributed to Leonardus Brunus Aretinus

White vine initial 'O'(mnis) at the beginning of Sallust's Catilina. Catchwords written vertically.ff. 35 and 100v are ruled but left blank.According to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford, this manuscript was made

• Text page with the third and fourth chapters of the Inferno., Divina Commedia (index Divine Comedy)

Text page with the third and fourth chapters of the Inferno. Horizontal catchwords.This manuscript was made in Milan in 1469, according to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford. Marginal drawings in black

• Three-sided white vine border with gold initial 'V'(os) and mutilated arms in the lower margin., Comoediae (index Comedies)

Three-sided white vine border with gold initial 'V'(os) and mutilated arms in the lower margin. ff. 1-2 are parchment leaves with various inscriptions.ff. 162 is a blank, ruled folio with inscriptions on the verso.Horizontal catchwords. Three-sided white vine border,