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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

1227 results from this resource . Displaying 281 to 300

Full white vine border in colours and gold, inhabited by birds and putti, with a title piece flanked by putti, a large white vine initial 'M' and, in the lower margin, a medallion designed for arms. f. 14 is

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

The Psalms have the 10-part divisions. Glosses, especially dense in Luke. With an added Interpretation of Hebrew names (ff. 331v-356v), a treatise on dreams (ff. 356v-364v) and a table of readings for the year, including the feast of St

Decorated initial 'F'(ata) at the beginning of the text. ff. 244v-245 are written in Filelfo's hand, the rest of the manuscript was written in a different hand, but annotated by Filelfo.Catchwords. Leaf signatures.For another autograph manuscript by Filelfo, see

White vine initial 'M'(undum). There is a ruled leaf after f. 175.Ruled in plummet; horizontal catchwords. Three-sided white vine border in colours and gold, inhabited by birds, with the Medici coat of arms in the lower margin, supported by

in red with blue pen-flourishing. Rubrics, paraphs, and underlining in red. Miscellany with various astronomical, calendrical, medical, and philosophical texts John...: inscribed with his name in the 16th century (f. 229). Samuel Knott (d. 1687), rector of Combe Raleigh, Devon

in red with blue pen-flourishing. Rubrics, paraphs, and underlining in red. Miscellany with various astronomical, calendrical, medical, and philosophical texts John...: inscribed with his name in the 16th century (f. 229). Samuel Knott (d. 1687), rector of Combe Raleigh, Devon

in red with blue pen-flourishing. Rubrics, paraphs, and underlining in red. Miscellany with various astronomical, calendrical, medical, and philosophical texts John...: inscribed with his name in the 16th century (f. 229). Samuel Knott (d. 1687), rector of Combe Raleigh, Devon

Full border with Cupid in a large historiated initial 'V'(oi), medallions of leopard heads, and, in the lower margin, two crowned leopards salient ~or~ supporting a medallion with the arms of the Mussolini family of Treviso. Horizontal catchwords; no

Three-sided white vine border with a large initial 'E'(usebium), a butterfly, two birds, and unidentified arms in the lower margin. ff. 1-2 are parchment leaves. Table of Contents in humanistic cursive (ff. 1v-2).Vertical catchwords with penwork decoration. Ruled in

White vine initial 'O'(mnis) at the beginning of Sallust's Catilina. Catchwords written vertically.ff. 35 and 100v are ruled but left blank.According to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford, this manuscript was made

Text page with the third and fourth chapters of the Inferno. Horizontal catchwords.This manuscript was made in Milan in 1469, according to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford. Marginal drawings in black

Three-sided white vine border with gold initial 'V'(os) and mutilated arms in the lower margin. ff. 1-2 are parchment leaves with various inscriptions.ff. 162 is a blank, ruled folio with inscriptions on the verso.Horizontal catchwords. Three-sided white vine border,

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 14 May 2024), https://www.manuscriptsonline.org/search/results?kw=john&sdf=1460&sdt=1479&sr=ci&st=280