• Marginal drawings of Dante and Virgil entering Hell., Divina Commedia (index Divine Comedy)

Marginal drawings of Dante and Virgil entering Hell. Horizontal catchwords.This manuscript was made in Milan in 1469, according to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford. Marginal drawings in black ink of subjects

• Three-sided white vine border in colours and gold, inhabited by birds, with the Medici coat of arms in the lower margin, supported by putti, and a white vine initial 'L'(ibros)., Historia naturalis (index Natural history)

Three-sided white vine border in colours and gold, inhabited by birds, with the Medici coat of arms in the lower margin, supported by putti, and a white vine initial 'L'(ibros). There is a ruled leaf after f. 175.Ruled in

• Detail of a folio: Incipit: 'ramento capitur cum cetera…' Explicit: 'quinquagenas libras lundens cumi', Historia naturalis (index Natural history)

Detail of a folio: Incipit: 'ramento capitur cum cetera…' Explicit: 'quinquagenas libras lundens cumi' There is a ruled leaf after f. 175.Ruled in plummet; horizontal catchwords. Three-sided white vine border in colours and gold, inhabited by birds, with the

• Miniature of the Crucifixion, decorated initial 'D'(omine), and full border, at the beginning of the Hours of the Cross., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Miniature of Pentecost, decorated initial 'D'(omine), and full border, at the beginning of the Hours of the Holy Spirit., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Miniature of David in Penitence, decorated initial 'D'(omine), and full border, at the beginning of the Penitential Psalms., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Historiated initial 'I'(n) with Luke painting the Virgin, and partial border, at the beginning of his Gospel., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Historiated initial 'I'(sta) with Apollonia holding tooth, and partial border, at the beginning of her suffrage., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Decorated iInitial 'Q'(uoniam) with foliate decoration, at the beginning of the prologue to Josephus's De bello Judaico., De bello Judaico

Decorated iInitial 'Q'(uoniam) with foliate decoration, at the beginning of the prologue to Josephus's De bello Judaico. 2 large initials in colours, at the beginning of the prologue and Book 1 (ff. 4, 5v). 6 large puzzle initials in

• Puzzle initial 'N'(eronem) at the beginning of Book 3 of Josephus's De bello Judaico., De bello Judaico

Puzzle initial 'N'(eronem) at the beginning of Book 3 of Josephus's De bello Judaico. 2 large initials in colours, at the beginning of the prologue and Book 1 (ff. 4, 5v). 6 large puzzle initials in red and blue,

• Miniature of the Annunciation, decorated initial 'D'(omine), and full border, at the beginning of the Hours of the Virigin., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Detail of a miniature of the Crucifixion, at the beginning of the Hours of the Cross., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Miniature of Pentecost, decorated initial 'D'(omine), and full border, at the beginning of the Hours of the Holy Spirit., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Detail of a miniature of David in Penitence, at the beginning of the Penitential Psalms., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Historiated initial 'I'(sta) with Apollonia holding tooth, at the beginning of her suffrage., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Historiated initial 'I'(n) with Luke painting the Virgin, at the beginning of his Gospel., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Detail of an historiated initial 'P'(etrus) of Peter and Paul, in semi-grisaille, with partial foliate borders., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Detail of a historiated initial with a portrait of a famous man, at the beginning of his biography., Lives

Detail of a historiated initial with a portrait of a famous man, at the beginning of his biography. Probably the second of two volumes; the first volume is likely Modena, Bibl. Estense MS lat. 429 (α J.1.4) (see de

• Miniature of the royal arms of England with a crest of a lion, supported by a red dragon and a white greyhound, with a motto reading 'Dieu ets mon droit', and two Beaufort badges of portcullises, with a full border containing the arms of Claude de Seyssel, preceding the prologue of the translator addressed to Henry VII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Miniature of Henry VII sitting on a throne decorated with the royal arms of England and inscribed with the motto 'Dieu est mon droit', and receiving the book from the translator, Claude de Seyssel, with an illuminated initial 'C'(ombien), and a full border including grotesque hybrids, at the beginning of the prologue addressed to Henry VII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII