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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

1440 results from this resource . Displaying 201 to 220

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

Coloured print with Christ as the Man of Sorrows surrounded by symbols of the Passion pasted to a page painted in red covered with streaming blood. The most remarkable example of a book of devotion that may show signs

Coloured print with the symbols of the Passion pasted to a page painted in red covered with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a

of John on Patmos, at the beginning of his Gospel. 1 full-page miniature (f. 16v) and 5 full-page miniatures surrounding three or four lines of text (ff. 185v, 216v, 233v, 254v, 260v). Miniatures added to a Book of Hours Unidentified

of pope John XII, with a partial border, at the beginning of chapter 7 of book 9. Contains the second translation of De casibus virorum illustrium of Boccaccio made by Laurent de Premierfait in 1409, and dedicated to Jean, duke

the imprisonment of John of France, with a partial border, at the beginning of chapter 27 of book 9. Contains the second translation of De casibus virorum illustrium of Boccaccio made by Laurent de Premierfait in 1409, and dedicated to

Pages painted black with red drops of blood, representing the wounds of Christ, worn, perhaps as the result of kissing. The most remarkable example of a book of devotion that may show signs of having received that devotion in

Print with the Virgin nursing the Child. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490.

Pages painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It

Page painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It

of John the Baptist pointing to the Lamb of God. The Hours of the Virgin is misbound: after the calendar, the volume starts with Matins of the Hours of the Cross, followed by Terce to Compline, and then Matins of

Cardinal Gonazaga: see Alexander. Alphabetical quire signatures. 3 large miniatures in colours and gold of Mark, Luke, and John (ff. 87v, 142v, 232v). Small miniatures in colours and gold in rectangular frames at the beginning of Gospels (ff. 4, 88,

Cardinal Gonazaga: see Alexander. Alphabetical quire signatures. 3 large miniatures in colours and gold of Mark, Luke, and John (ff. 87v, 142v, 232v). Small miniatures in colours and gold in rectangular frames at the beginning of Gospels (ff. 4, 88,

1477 for Cardinal Gonazaga: see Alexander. Alphabetical quire signatures. 3 large miniatures in colours and gold of Mark, Luke, and John (ff. 87v, 142v, 232v). Small miniatures in colours and gold in rectangular frames at the beginning of Gospels (ff.

Page painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It

Page painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It

in light brown at the beginning of each book. Initials and occasional marginal gloss in light brown. Odyssey Written by John Rhosos of Crete (d. 1498): signed and dated Rome, 10 August 1479 (f. 259).Made for Bartholomaios Chryspianos (f. 259).Conyers

a full foliate border with John Morton's arms, at the beginning of Johannes de Giglis's Libellus de Canonizatione sanctorum. For other manuscripts owned by Morton see Arundel 435 and 454. 2 large initials in gold on blue and red grounds,

full foliate border with John Morton's arms, at the beginning of Johannes de Giglis's Libellus de Canonizatione sanctorum. For other manuscripts owned by Morton see Arundel 435 and 454. 2 large initials in gold on blue and red grounds, with

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 28 April 2024), https://www.manuscriptsonline.org/search/results?ac=f&ct=lm%2Cnm&kw=john&sdf=1460&sdt=1490&sr=ci&st=200