Search Results

You searched for:
  • Keyword:
    • john
  • Source Date From:

Your search found 1493 results in 1 resource

Category

  • Literary Manuscripts (1493)
  • Non-literary Manuscripts (0)
  • Official Documents (government, civic, legal, religious) (0)
  • Literary Printed Books (0)
  • Non-literary Printed Books (0)
  • Maps and Works of Art (0)

Format

Date

Access Type

British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

1493 results from this resource . Displaying 481 to 500

Historiated initial 'Q'(uantum) with foliate extensions and a man in academic dress (probably Aristotle). f. 1* is a paper flyleaf with a table of contents.Vertical catchwords. 1 large initial in colours with foliate extensions and a man in academic

signature probably once appeared in the top right corner of f. 1, which has been cut off (see Wright 1972). John Warburton (b. 1682, d. 1759), of Bury, county Lancashire, antiquary and herald, Somerset Herald in 1720: sold to Edward

Large white vine initials 'E'(phigeniam) and 'V'(ere), and an effaced coat of arms of a gold shield with three red stars (?) on a blue ground, encircled by a wreath. f. 1* is a paper leaf.Ruled in ink.Horizontal catchwords.

initials with grey penwork decoration, some with faces in the bowls. Rubrics in red. Capitals marked in red. Latin Poems John Somers (b. 1651, d. 1716), baron Somers, lawyer and politician: inscribed by Edward Harley, 'Janu: 6. 1738/9 from Ld

a different hand (ff. 4-9v).'Oratio valde bona ad dicendum in mane' with a reading from John and a prayer 'Deprecor te, domina mea' omitted after readings from Luke, Matthew and Mark (ff. 64v-68) and added by the same hand at

with a partial border containing the arms of John Donne, at the beginning of the list of contents. Contains books of the second volume of the Chroniques of Froissart; the other volumes are Royal 14 D II, 14 D IV-VI.Catchwords

117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer

117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer

117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer

117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer

117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer

117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer

117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer

117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer

117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer

117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer

colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside

colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside

colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside

Florence: rubric 'Incipit psalterium componitum secundum morem et ordinem Vallis Umbrose' (p. 1); the litany includes Salvius, ‘Sancte pater Benedicte’, John (Gualbert?), and Reparata; Benedict and Salvius are emphasised in the Sanctorale (pp. 269, 407); inscribed, 17th century, ‘De s(an)c(t)o

Cite this page:

"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 3 May 2024), https://www.manuscriptsonline.org/search/results?ac=f&ct=lm&ft=t&kw=john&sdf=1462&st=480