• Detail of a miniature of the marriage of John, king of Portugal to Philippa of Lancaster, at the beginning of chapter 34 of book 5., Recueil des croniques d’Engleterre

of the marriage of John, king of Portugal to Philippa of Lancaster, at the beginning of chapter 34 of book 5. Includes the third volume of the Recueil des croniques d’Engleterre of Jean of Wavrin, preceded by a list of

• Miniature of the council of King John of Castile., Recueil des croniques d’Engleterre

council of King John of Castile. Includes the third volume of the Recueil des croniques d’Engleterre of Jean of Wavrin, preceded by a list of contents (ff. 1-9v). According to McKendrick (see McKendrick and Lowden 2011), copied by Jean Du

• Detail of a miniature of the council of King John of Castile., Recueil des croniques d’Engleterre

of the council of King John of Castile. Includes the third volume of the Recueil des croniques d’Engleterre of Jean of Wavrin, preceded by a list of contents (ff. 1-9v). According to McKendrick (see McKendrick and Lowden 2011), copied by

• Historiated initial 'N' with John the Baptist, measuring 160 x 165 mm. On the reverse, two four-line staves, musical notation and partial text '...ni um p[er]hi /...e lumi nep'., Cuttings from a choir book

'N' with John the Baptist, measuring 160 x 165 mm. On the reverse, two four-line staves, musical notation and partial text '...ni um p[er]hi /...e lumi nep'. Italian cuttings.The present cuttings are bound in an album with other cuttings as

• Initial 'A'(s) with full bar border and partial floral border. Arms of William le Neve in the margin., Orygynale Cronykil of Scotland (f. 1) with two prose Scottish chronicles

Prester John to the Emperor Frederick (ff. 310-311v).Andrew of Wyntoun was a canon regular at St Andrews Augustinian priory and prior of St Serf's Inch, Lochleven, Fife (c. 1393-1422). He wrote his ~Orygynale Cronykil~ at the suggestion of Sir John

• Miniature of the Nativity of Christ, and below, Mary and Joseph approaching the inn, with an illuminated initial 'D'(eus)., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Detail of a miniature of Luke., Book of Hours, Use of Rome ('The Tilliot Hours')

(using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and of the

• Detail of a miniature of Matthew the Evangelist as a scribe, with his symbol, the winged man, nearby., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Miniature with Dives, feasting with his wife and approached by Lazarus, in a cityscape, followed in the lower border by Dives tormented by demons and watched by the soul of Lazarus, which is held by God in heaven, and decorated initial 'D'(ilexi), at the beginning of the Office of the Dead., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Miniature of the Betrayal of Christ, followed in the lower border by Christ before Pilate, and decorated initial 'E'(gressus), at the beginning of the Passion of Christ., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Miniature of Mark reading a book and holding spectacles to his eyes, his evangelist symbol, the lion, observes, decorated initial 'I'(n), and three-sided border with empty scrolls/ribbons, at the beginning of Mark's Gospel., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Detail of a miniature of Mark reading a book and holding spectacles to his eyes, his evangelist symbol, the lion, observes, at the beginning of Mark's Gospel., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Detail of a miniature of the Betrayal of Christ, at the beginning of the Passion of Christ., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Lower border with Christ before Pilate, and decorated initial 'E'(gressus), at the beginning of the Passion of Christ., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Historiated initial 'A'(doro) of the Trinity., Book of Hours, Use of Rome ('The Tilliot Hours')

(using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and of the

• Miniature of Luke the Evangelist as a scribe, with his symbol, the ox, nearby, and a border of scrolls., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Miniature of Matthew the Evangelist as a scribe, with his symbol, the winged man, nearby, and a border of scrolls., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Miniature of the Annunciation, and below, a miniature of the temptation of Adam and Eve, with an illuminated initial 'D'(omine)., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Miniature of the Crucifixion of Christ, and below, soldiers throwing dice for Christ's clothes, with an illuminated initial 'D'(omine)., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Miniature of the Circumcision of Christ, and below, the Holy Family leaving the stable to go to the Temple, with an illuminated initial 'D'(eus)., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and