• Miniature of handguns in use at a siege., History of Alexander the Great (Les faize d'Alexandre) (index De Rebus Gestis Alexandri Magni; Historia Alexandri Magni)

d'Alexandre) (index De Rebus Gestis Alexandri Magni; Historia Alexandri Magni) Philippe de Cluis (Cluys), Knight of the Order of Saint John of Jerusalem and Bailiff of the Morea: purchased by him in 1475: dated inscription (f. 13); the arms of

• Illuminated initial., History of Alexander the Great (Les faize d'Alexandre) (index De Rebus Gestis Alexandri Magni; Historia Alexandri Magni)

d'Alexandre) (index De Rebus Gestis Alexandri Magni; Historia Alexandri Magni) Philippe de Cluis (Cluys), Knight of the Order of Saint John of Jerusalem and Bailiff of the Morea: purchased by him in 1475: dated inscription (f. 13); the arms of

• Miniature of Alexander the Great and his army make a sacrifice on the night before the Battle of Issus in Vasco da Lucena's French translation of Rufus's Historia Alexandri magni., History of Alexander the Great (Les faize d'Alexandre) (index De Rebus Gestis Alexandri Magni; Historia Alexandri Magni)

d'Alexandre) (index De Rebus Gestis Alexandri Magni; Historia Alexandri Magni) Philippe de Cluis (Cluys), Knight of the Order of Saint John of Jerusalem and Bailiff of the Morea: purchased by him in 1475: dated inscription (f. 13); the arms of

• Miniature of Alexander the Great encounters Diogenes in his barrel in Vasco da Lucena's French translation of Rufus's Historia Alexandri magni, executed mainly in grisaille., History of Alexander the Great (Les faize d'Alexandre) (index De Rebus Gestis Alexandri Magni; Historia Alexandri Magni)

d'Alexandre) (index De Rebus Gestis Alexandri Magni; Historia Alexandri Magni) Philippe de Cluis (Cluys), Knight of the Order of Saint John of Jerusalem and Bailiff of the Morea: purchased by him in 1475: dated inscription (f. 13); the arms of

• Miniature of Alexander the Great consulting his astrologers about an eclipse of the sun after the battle of Arbela and illuminated initial 'A'(lexandre) in Vasco da Lucena's French translation of Rufus's Historia Alexandri magni., History of Alexander the Great (Les faize d'Alexandre) (index De Rebus Gestis Alexandri Magni; Historia Alexandri Magni)

d'Alexandre) (index De Rebus Gestis Alexandri Magni; Historia Alexandri Magni) Philippe de Cluis (Cluys), Knight of the Order of Saint John of Jerusalem and Bailiff of the Morea: purchased by him in 1475: dated inscription (f. 13); the arms of

• Headpiece and decorated initial at the beginning of the text., Commentary on Plato's Phaedo (index Scholia on Plato's Phaedo)

Headpiece and decorated initial at the beginning of the text. Watermark of an angel, see C. M. Briquet, ~Les Filigranes: Dictionnaire historique des marques du papier dès leur apparition vers 1282 jusqu'en 1600~, A Facsimile of the 1907 edition

• Colophon of Johannes Jacobus de Balbis and ownership inscription of Cornelius Balbus., Satires (index Saturae, Satirae)

Colophon of Johannes Jacobus de Balbis and ownership inscription of Cornelius Balbus. Vertical catchwords.f. 70 is a blank, ruled paper leaf with a 16th- or 17th- century(?) inscription. 1 large blue initial with red pen-flourishing (f. 1). 13 smaller

• Initial 'N'(aso) and unidentified arms in the lower margin., Epistulae ex Ponto

Initial 'N'(aso) and unidentified arms in the lower margin. A large piece of paper has been torn off at the top of f. 1. 1 large initial in gold on a blue ground with an unidentified coat of arms

• Initial 'H' with pen-work decoration., Collection of letters attributed to Hippocrates and others in Rinuccini's Latin translation, preceded by dedications to Cardinal Antonio de la Cerda y Llosa (elected 1448, d. 1459) and Pope Nicholas V (elected 1447, d. 1455) (ff. 1-1v)

Initial 'H' with pen-work decoration. Watermark of a basilisk with no direct comparison in C. M. Briquet, ~Les Filigranes: Dictionnaire historique des marques du papier dès leur apparition vers 1282 jusqu'en 1600~, A Facsimile of the 1907 edition with

• Historiated initial 'Q'(uantum) with foliate extensions and a man in academic dress (probably Aristotle)., Compendium of natural philosophy

Historiated initial 'Q'(uantum) with foliate extensions and a man in academic dress (probably Aristotle). f. 1* is a paper flyleaf with a table of contents.Vertical catchwords. 1 large initial in colours with foliate extensions and a man in academic

• Miniature of a knight in armour, with a full border inhabited by animals (peacock, lion, bear, goat, roe deer, birds) and putti, from Livy's De Secundo Bello Punic, with heraldic arms in the lower margin., De Secundo Bello Punico

colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside

• White-vine initial 'C'(ornelius)., De Secundo Bello Punico

colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside

• White-vine initial 'V'(t ex)., De Secundo Bello Punico

colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside

• Detail of a miniature of a knight in armour, with a full border inhabited by animals and putti, from Livy's De Secundo Bello Punic., De Secundo Bello Punico

colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside

• Detail of a section of the full border inhabited by animals (peacock, lion, bear, goat, roe deer, birds) and putti, from Livy's De Secundo Bello Punic., De Secundo Bello Punico

colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside

• Detail of a section of the full border inhabited by animals (peacock, lion, bear, goat, roe deer, birds) and putti, from Livy's De Secundo Bello Punic., De Secundo Bello Punico

colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside

• Detail of a section of the full border inhabited by animals (peacock, lion, bear, goat, roe deer, birds) and putti, from Livy's De Secundo Bello Punic, with heraldic arms., De Secundo Bello Punico

colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside

• Detail of a white-vine initial 'C'(ornelius)., De Secundo Bello Punico

colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside

• Detail of a white-vine initial 'V'(t ex)., De Secundo Bello Punico

colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside

• White-vine initial 'C'(um transit)., De Secundo Bello Punico

colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside