• Facsimile of a decorated initial 'L'(iber) copied from St Gall MS 51., Collection of 42 facsimiles of manuscript pages copied by J. O. Westwood

Milan, Leyden, Utrecht, Stockholm, St. Gall, and Abbeville. Collection of 42 facsimiles of manuscript pages copied by J. O. Westwood John Obadiah Westwood (b 1805, d. 1893), entomologist and palaeographer: his signature after the list of the facsimiles dated November

• null, Genealogical Chronicle of the Kings of England, from Adam to Edward IV (the 'Considerans' chronicle)

red lines connecting them. Diagrams. Genealogical Chronicle of the Kings of England, from Adam to Edward IV (the 'Considerans' chronicle) John Sprotte: inscription 'Liber symfom dono me Johannie Sprotte de Gryndon rectoris' (f. 2v).? Shelfmark 'LLg 148' (f. 1).William Petty

• Coloured initials., Miscellany of prose and verse, including Gregory's Chronicle, a dietary (ff. 66-77); John Page's poem The Siege of Rouen; a chronicle of London breaking off in 1470; the Seven Sages of Rome (ff. 3-54v)

initials in red. Paraphs in red. Miscellany of prose and verse, including Gregory's Chronicle, a dietary (ff. 66-77); John Page's poem The Siege of Rouen; a chronicle of London breaking off in 1470; the Seven Sages of Rome (ff. 3-54v)

• null, Genealogical Chronicle of the Kings of England, from Adam to Edward IV (the 'Considerans' chronicle)

red lines connecting them. Diagrams. Genealogical Chronicle of the Kings of England, from Adam to Edward IV (the 'Considerans' chronicle) John Sprotte: inscription 'Liber symfom dono me Johannie Sprotte de Gryndon rectoris' (f. 2v).? Shelfmark 'LLg 148' (f. 1).William Petty

• Decorated initial 'H'(e) combined with a foliate border including acanthus leaves and besants at the beginning of the text., The Fall of Princes (index De casibus virorum et feminarum illustrium)

was in th[e] Kinges displeasu[re]' (f. 73). John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection,

• null, Similitudines Anselmi, with table of chapters

Similitudines Anselmi, with table of chapters Former shelfmark (?) ‘L.N.9’, ‘N° 3’ (f. i verso) and ‘B’ (f. 66). ? John Brand (b. 1744, d. 1806), antiquary and topographer (inscribed in pencil ‘Archbishop Anselm’s Similitudes, Compleat/Wrote about Anno Domini 1400

• Genealogy of William the Conqueror to Henry I in a genealogical chronicle of the kings of England, from Adam to Edward IV (the 'Considerans' chronicle)., Genealogical Chronicle of the Kings of England, from Adam to Edward IV (the 'Considerans' chronicle)

red lines connecting them. Diagrams. Genealogical Chronicle of the Kings of England, from Adam to Edward IV (the 'Considerans' chronicle) John Sprotte: inscription 'Liber symfom dono me Johannie Sprotte de Gryndon rectoris' (f. 2v).? Shelfmark 'LLg 148' (f. 1).William Petty

• Tinted drawing of king Henry VI on horseback., Coats of Arms in the time of Henry VI

include those of Wyfolde or Wywold, Gregory and Norman, Lord Mayors in 1450, 1451, and 1453; John Derby, sheriff of London in 1446; John Stockton and William Stoker, Lord Mayors in 1470 and 1483 and the arms of the Tallow

• Decorated line and initial 'E'., Speeches, including 'Olynthiaca' 1-3 (ff. 1-15) and 'Philippica' 1, 2, 3-4 (ff. 15v-23, 27v-32v, 48v-70)

in light brown. Speeches, including 'Olynthiaca' 1-3 (ff. 1-15) and 'Philippica' 1, 2, 3-4 (ff. 15v-23, 27v-32v, 48v-70) Written by John Rhosos of Crete (d. 1498; ff. 1-73v, 75) ) and Michael Lygizos (ff. 75-184, 185-304v, marginal notes on ff.

• Detail of a white vine initial 'N'(icolaus)., Historiae

of men in profile (including Pope Nicholas V who commissioned this translation, and a copy of Pisanello's medallion of Emperor John VIII Palaeologus), mythological all'antica scenes, and an unidentified coat of arms (f. 2). 2 large panel initials in gold

• Detail of unidentified arms in the lower margin of the folio., Historiae

of men in profile (including Pope Nicholas V who commissioned this translation, and a copy of Pisanello's medallion of Emperor John VIII Palaeologus), mythological all'antica scenes, and an unidentified coat of arms (f. 2). 2 large panel initials in gold

• Text page., Leaf from Bracciolini's 'De infelicitate principum', cropped

of a collection of fragments from manuscripts and printed books, including maps and drawings, assembled by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716) for historical purposes. Drawings and printed book fragments from the volume were transferred to

• Coloured initial 'C'., Leaf from a Commentary on Psalm 70

of a collection of fragments from manuscripts and printed books, including maps and drawings, assembled by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716) for historical purposes. Drawings and printed book fragments from the volume were transferred to

• Coloured initial with penwork decoration., Leaf from Hrabanus's 'De Universo', Book XIII, chapters 6-10

of a collection of fragments from manuscripts and printed books, including maps and drawings, assembled by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716) for historical purposes. Drawings and printed book fragments from the volume were transferred to

• Coloured initials with pen-flourished decoration., Leaf from a Lectionary

of a collection of fragments from manuscripts and printed books, including maps and drawings, assembled by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716) for historical purposes. Drawings and printed book fragments from the volume were transferred to

• Coloured print with Christ as the Man of Sorrows surrounded by symbols of the Passion pasted to a page painted in red covered with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Coloured print with Christ as the Man of Sorrows surrounded by symbols of the Passion pasted to a page painted in red covered with streaming blood. The most remarkable example of a book of devotion that may show signs

• Coloured print with the symbols of the Passion pasted to a page painted in red covered with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Coloured print with the symbols of the Passion pasted to a page painted in red covered with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a

• A volvelle, a device with a moveable disc rotating with a fixed matrix, the pointing moveable index of which could be set at the sign and degree of the zodiac for a particular day in order to predict the best time to provide medical treatment: the moving central part of the volvelle, with the pointer, is inscribed in red with numbers from 1-30; in the concentric circles around this are drawings of the signs of the zodiac, their names, and the names of the months and emblems for the occupations of the months, surrounded by figures of John the Baptist with Agnus Dei, top left, John the Evangelist with cup and dragon, top right, Cosmas with urine file, lower left, and Damian spooning medicine from box, lower right, all in ink, with scrolls bearing captions., Calendar, diagrams; medical texts

names of the months and emblems for the occupations of the months, surrounded by figures of John the Baptist with Agnus Dei, top left, John the Evangelist with cup and dragon, top right, Cosmas with urine file, lower left, and

• Miniature of John on Patmos with his eagle flying away with the pencase and the inkwell, decorated initial 'I'(n) and foliate borders, at the beginning of the Gospel Lessons., Book of Hours, Use of Bourges

of John on Patmos with his eagle flying away with the pencase and the inkwell, decorated initial 'I'(n) and foliate borders, at the beginning of the Gospel Lessons. 13 full-page miniatures mostly with large decorated initials and full foliate borders,

• Pages painted black with red drops of blood, representing the wounds of Christ, worn, perhaps as the result of kissing., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Pages painted black with red drops of blood, representing the wounds of Christ, worn, perhaps as the result of kissing. The most remarkable example of a book of devotion that may show signs of having received that devotion in