• Partial white vine border; white vine initial 'N'(el); and the arms of the Tedaldi family of Florence or Cremona: barry ~or~ and ~gules~, a lion rampant ~azure~ overall., Trionfi (index Triumphs)

Partial white vine border; white vine initial 'N'(el); and the arms of the Tedaldi family of Florence or Cremona: barry ~or~ and ~gules~, a lion rampant ~azure~ overall. No catchwords or signatures. Partial white vine border in blue, green,

• Initial in foliate design in a foliate design, in gold and colours, inhabited by snakes., World chronicle from the Creation to 1574

Initial in foliate design in a foliate design, in gold and colours, inhabited by snakes. The text corresponds to Dorotheos of Moenmbasia's 'Bible History', but with significant variations.The manuscript has an old pagination '1-1723' in ink (ff. 1-861). Headpiece

• White vine initial 'P'(lutarchus) at the beginning of the text., 'Noctes atticae'

White vine initial 'P'(lutarchus) at the beginning of the text. Guide letters. Catchwords written vertically. Leaf signatures. 19 large white vine initials (ff. 2v, 18v, 34v, 45v, 54v, 65, 73, 86, 95v, 107v, 115v, 125v, 140, 149v, 159v, 169,

• Full-page miniature of Bridget writing while an angel whispers in her ear at the beginning of the Fifteen Oes of St Bridget., Prayer book

acanthus leaves, flowers, fruits, besants, and birds, of the Crucifixion (f. 12v), the Last Judgment (f. 17v), Bridget (f. 47v), John the Evangelist (f. 77v), Barbara (f. 81v), and the Assumption of the Virgin (f. 83v). 1 small miniature combined

• Partial white vine border with a large historiated initial 'L'(eo) with a portrait of Pope Leo I in his study and a smaller white vine initial 'L'(eo)., Letters of Pope Leo I ( the Great), with the Life of Leo by Marcus Michael of Crotona

Partial white vine border with a large historiated initial 'L'(eo) with a portrait of Pope Leo I in his study and a smaller white vine initial 'L'(eo). f. 1 is a parchment flyleaf.This manuscript was written by the same

• Full white vine border inhabited by putti and a bird, a miniature of a young man presenting a book to a pope, and a coat of arms in the lower margin., Glossed Liber Sextus Decretalium

Full white vine border inhabited by putti and a bird, a miniature of a young man presenting a book to a pope, and a coat of arms in the lower margin. f. 376 is a blank parchment leaf.f. 377

• White vine initial 'Q'(uaecumque) with a portrait of Pope Pius II (Aeneas Sylvius Piccolomini) in profile., Cosmographia

White vine initial 'Q'(uaecumque) with a portrait of Pope Pius II (Aeneas Sylvius Piccolomini) in profile. Horizontal catchwords.The manuscript was written in the 3rd quarter of the 15th century, possibly in Rome, according to unpublished notes of A. C.

• Large gold initial with white vine decoration extending in the margin and small gold initial on a coloured ground with contrasting tracery., De differentiis rerum, book 2

Large gold initial with white vine decoration extending in the margin and small gold initial on a coloured ground with contrasting tracery. Index of contents (ff. 1-2v).Contemporary glosses and notabilia in cursive hand. White vine initial in colours and

• Full border and initial with foliate decoration., The Fall of Princes, Books 1-9, imperfect (ff. 1-182v), preceded by a table of contents (f. 1* verso), and followed by Lydgate's 'Defence of Holy Church', imperfect (ff. 182v-183)

of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Illuminated border and initial Giovanni Boccaccio, translation by John Lydgate based on a translation by Laurent de Premierfait England

• White vine initial 'F'(ortitudo) at the beginning of the text and wreath in the lower margin enclosing a blank space originally intended for a heraldic motif., Vita S. Bernardi (index Life of St Bernard)

White vine initial 'F'(ortitudo) at the beginning of the text and wreath in the lower margin enclosing a blank space originally intended for a heraldic motif. Rubrics were probably originally in red ink but the pigment has oxidised. Catchwords.

• Initial and headpiece with foliate and geometric decoration., Miscellany of Byzantine liturgical music, including 'Kekragaria' (ff. 9-115v), Glykys's settings for 11 Morning Hymns (index Eothina anastasima) of the Emperor Leo the Wise (ff. 115v-130v), and Chrysaphes's 'Cheroubikon' and 'Koinonikon' (ff. 131v-133v), with late music notation

their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated headpiece and initial John Glykys (index Ioannes Glykys), Manuel Chrysaphes Eastern Mediterranean

• Decorated headpiece and initial, and marginal diagram., Commentary on Plato's Alcibiades

Decorated headpiece and initial, and marginal diagram. Sparse marginal readers's annotations. Headpiece with geometric decoration, title, decorated initial and marginal diagram in red (f. 2). Small decorated initials (ff. 116v, 117v). Commentary on Plato's Alcibiades Scribe erroneously identified as

• Pen-flourished initial 'D'(eus) at the beginning of the Penitential Psalms., Book of Hours, Use of Sarum

a different hand (ff. 4-9v).'Oratio valde bona ad dicendum in mane' with a reading from John and a prayer 'Deprecor te, domina mea' omitted after readings from Luke, Matthew and Mark (ff. 64v-68) and added by the same hand at

• Historiated initial 'Q'(uoniam) with Augustine in a bishop's mitre holding a bishop's staff and a heart at the beginning of the Pseudo-Augustine Manuale, with the arms or the Urswick family and the motto 'Misericordia' in the lower border., Manuale (ff. 2-46v), Retractiones (extract), De beata vita (ff. 47-86v); and Psalms, Prayers, Litanies

Historiated initial 'Q'(uoniam) with Augustine in a bishop's mitre holding a bishop's staff and a heart at the beginning of the Pseudo-Augustine Manuale, with the arms or the Urswick family and the motto 'Misericordia' in the lower border. The

• White vine initial 'S'(i) and partial border with the arms of the Maffei family of Volterra, at the beginning of Cicero's In verrem, with the ownership mark of the Duke of Grafton in the upper right-hand corner., Orationes in C. Verrem (index Orationes in Verrem; Oratio in Caecilium)

with the ownership mark of the Duke of Grafton in the upper right-hand corner. The Grafton price-code decoded, perhaps by John Holmes, of the British Museum library: inscribed 'cost the Duke of Grafton £4.4s. / JH.' (f. 1v). 1 large

• Illuminated white vine initial ''O'(mnes), at the beginning of Cicero's In verrum speech 5., Orationes in C. Verrem (index Orationes in Verrem; Oratio in Caecilium)

In verrum speech 5. The Grafton price-code decoded, perhaps by John Holmes, of the British Museum library: inscribed 'cost the Duke of Grafton £4.4s. / JH.' (f. 1v). 1 large and 6 small white vine initials, in colours and gold,

• The left-hand page has a drawing in the form of a hand holding a placard bearing the catchword; the right-hand page has a foliate initial 'P'(rima) at the beginning of Horace's Epistles., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

by Edwards for £1 2s.; inscribed '1.2.0' (f. 1, top right).James Edwards (b. 1756, d. 1816), book collector and bookseller.? John Haddon Hindley (b. 1765, d. 1827), orientalist: perhaps his sale, 4 March 1793, lot 1193, bought by Walker for

• Marginal drawing of a seated old man holding a round red object in his left hand, adjacent to Horace's account of the Seven Ages of Man., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

by Edwards for £1 2s.; inscribed '1.2.0' (f. 1, top right).James Edwards (b. 1756, d. 1816), book collector and bookseller.? John Haddon Hindley (b. 1765, d. 1827), orientalist: perhaps his sale, 4 March 1793, lot 1193, bought by Walker for

• Decorated initial 'H'(umano)at the beginning of Horace's Ars poetica., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

by Edwards for £1 2s.; inscribed '1.2.0' (f. 1, top right).James Edwards (b. 1756, d. 1816), book collector and bookseller.? John Haddon Hindley (b. 1765, d. 1827), orientalist: perhaps his sale, 4 March 1793, lot 1193, bought by Walker for

• Marginal marks similar to notaries' marks on a former flyleaf., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

by Edwards for £1 2s.; inscribed '1.2.0' (f. 1, top right).James Edwards (b. 1756, d. 1816), book collector and bookseller.? John Haddon Hindley (b. 1765, d. 1827), orientalist: perhaps his sale, 4 March 1793, lot 1193, bought by Walker for