• Illuminated white vine-stem initial 'V'(ellem), and square capitals in a three-colour sequence; at the beginning of Cicero's ninth Philippic oration., 14 Philippic orations (ff. 1-168); Somnium scipionis (ff. 168v-178v)

and 22; A. C. de la Mare also attributed Add. 16983 and Burney 292 to the same scribe; see also John W. Bradley, ~A Dictionary of Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 248; II, 11-2.Unidentified

• null, 14 Philippic orations (ff. 1-168); Somnium scipionis (ff. 168v-178v)

and 22; A. C. de la Mare also attributed Add. 16983 and Burney 292 to the same scribe; see also John W. Bradley, ~A Dictionary of Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 248; II, 11-2.Unidentified

• null, 14 Philippic orations (ff. 1-168); Somnium scipionis (ff. 168v-178v)

and 22; A. C. de la Mare also attributed Add. 16983 and Burney 292 to the same scribe; see also John W. Bradley, ~A Dictionary of Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 248; II, 11-2.Unidentified

• null, 14 Philippic orations (ff. 1-168); Somnium scipionis (ff. 168v-178v)

and 22; A. C. de la Mare also attributed Add. 16983 and Burney 292 to the same scribe; see also John W. Bradley, ~A Dictionary of Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 248; II, 11-2.Unidentified

• Single column miniature of Daniel being placed into the lion's den., Chronique of Baudouin d'Avennes (L'histoire tripartite, Le trésor de sapience)

Master of the Soane Josephus (ff. 21, 54v, 80, 111, 137v, 158v, 199, 232, 263, 330v, 355v, 365v), named after John Soane's Museum 1, and the small miniatures attributed to the follower of Loyset Liedet who was also responsible for

• Detail of a single column miniature of Daniel being placed into the lion's den., Chronique of Baudouin d'Avennes (L'histoire tripartite, Le trésor de sapience)

Master of the Soane Josephus (ff. 21, 54v, 80, 111, 137v, 158v, 199, 232, 263, 330v, 355v, 365v), named after John Soane's Museum 1, and the small miniatures attributed to the follower of Loyset Liedet who was also responsible for

• White vine initial 'Q'(uintus) with decoration extending into the margins; unidentified coat of arms in a wreath in the lower margin., De amicitia (ff. 44-61); Paradoxa stoicorum (ff. 62-70); De senectute (ff. 71-87)' De officiis (ff. 90-163v)

White vine initial 'Q'(uintus) with decoration extending into the margins; unidentified coat of arms in a wreath in the lower margin. A composite volume: ff. 40 and 41 are the former end flyleaves of the first manuscript; ff. 42

• Illuminated initial 'I'(n) in gold and colours with foliate feathering, including acanthus leaves extending in the margins to form 2-3-sided partial borders., Various religious and moral treatises including The Clensing of Man's Soul (ff. 1-68v), a Passion poem (ff. 106-108v), Life of Catherine (ff. 115-123v), Life of Margaret (ff. 124-130), Life of Anne in verse (ff. 130v-139v), an excerpt from St Patrick's Purgatory (ff. 140-151v).

1500), daughter and heiress of Sir Robert Harling and Jane Gonvile, East Anglian resident, with connections to, among others, Sir John Fastolf and the Pastons: inscribed, 15th century, 'Thys ys the boke of dame Anne Wyngefeld of Har[l]yng' (f. 153,

• Miniature of Benedictine monks chanting at a lectern; another takes holy water on entering, and an initial 'K'. On the reverse one and a half four-line red staves, musical notation and partial text 'Kyrie /... leison'., Cuttings from a Gradual

Room order Add. 39636. An initial 'E' of Paul, introducing the Gradual to the Mass for the feast of Saints John and Paul Martyrs (26 June) ‘Ecce quam bonum et quam iucundum habitare fratres in unum’, formerly in the collection

• Historiated and zoomorphic initial 'B' of Benedict seated and holding a crozier, the body of the initial composed of horns sprouting foliage and a hedgehog. One the reverse two four-line red staves, musical notation and text 'co[mmunio] / …te om[n]es a[n]'., Cuttings from a Gradual

Room order Add. 39636. An initial 'E' of Paul, introducing the Gradual to the Mass for the feast of Saints John and Paul Martyrs (26 June) ‘Ecce quam bonum et quam iucundum habitare fratres in unum’, formerly in the collection

• Historiated and zoomorphic initial 'S' of Pentecost, the body of the initial composed of two intertwining dragons. On the reverse two four-line red staves, musical notation and text '...lleluia alle / …luia. Ps(almus)'., Cuttings from a Gradual

Room order Add. 39636. An initial 'E' of Paul, introducing the Gradual to the Mass for the feast of Saints John and Paul Martyrs (26 June) ‘Ecce quam bonum et quam iucundum habitare fratres in unum’, formerly in the collection

• Historiated initial 'S' of the Apostles praying. One the reverse one four-line red stave, musical notation and partial text '…eus all'., Cuttings from a Gradual

Room order Add. 39636. An initial 'E' of Paul, introducing the Gradual to the Mass for the feast of Saints John and Paul Martyrs (26 June) ‘Ecce quam bonum et quam iucundum habitare fratres in unum’, formerly in the collection

• Historiated initial 'S'(ororem) with a man reading (Terence?), and full border of acanthus and flowers on unpainted ground, with a bird, and an angel holding unidentified arms., Comoediae (index comedies), preceded by arguments and prologues: Andria (ff. 1-23v), Eunuchus (ff. 23v-47), Heauton tirorumenos (ff. 47-68v), Adelphoe (ff. 68v-88v), Hecyra (ff. 88v-106), Phormio (ff. 106v-128)

Historiated initial 'S'(ororem) with a man reading (Terence?), and full border of acanthus and flowers on unpainted ground, with a bird, and an angel holding unidentified arms. f. 1* is a parchment flyleaf. Historiated initial in colours and gold

• Decorated initials and ink drawing of Christ on the cross at the beginning of a Passion poem., Various religious and moral treatises including The Clensing of Man's Soul (ff. 1-68v), a Passion poem (ff. 106-108v), Life of Catherine (ff. 115-123v), Life of Margaret (ff. 124-130), Life of Anne in verse (ff. 130v-139v), an excerpt from St Patrick's Purgatory (ff. 140-151v).

1500), daughter and heiress of Sir Robert Harling and Jane Gonvile, East Anglian resident, with connections to, among others, Sir John Fastolf and the Pastons: inscribed, 15th century, 'Thys ys the boke of dame Anne Wyngefeld of Har[l]yng' (f. 153,

• White vine initial 'Q'(uanquam) combined with a three-sided border including putti holding a wreath originally designed to contain a heraldic motif, at the beginning of Cicero' De officiis., De amicitia (ff. 44-61); Paradoxa stoicorum (ff. 62-70); De senectute (ff. 71-87)' De officiis (ff. 90-163v)

White vine initial 'Q'(uanquam) combined with a three-sided border including putti holding a wreath originally designed to contain a heraldic motif, at the beginning of Cicero' De officiis. A composite volume: ff. 40 and 41 are the former end

• The decorated initial 'B'(eatus vir) of the opening words of the Psalter is composed of pairs of shafts, which transform from regular letter-forms into foliage and animal heads. The rest of the text on the page is in large angular coloured display capitals, with added Latin commentary., Psalter, in the Roman version (ff. 4-95), with canticles (ff. 96-104), a short litany (f. 104), a hymnal (ff. 105-128) and monastic canticles (ff. 129-135); added calendar (ff. 2,3) (the 'Bosworth Psalter')

earl of Arundel (b. 1512, d. 1580): inscribed 'Arundel' (f. 2); the Arundel collection bequeathed to Lord Lumley, his son-in-law. John Lumley, 1st baron Lumley (b. c.1533, d. 1609), collector and conspirator: inscribed with his name (f. 2). ? Perhaps

• Initial 'G'(audete) at the beginning of Psalm 32 with a human head terminal and a hybrid creature. Display script., Psalter, in the Roman version (ff. 4-95), with canticles (ff. 96-104), a short litany (f. 104), a hymnal (ff. 105-128) and monastic canticles (ff. 129-135); added calendar (ff. 2,3) (the 'Bosworth Psalter')

earl of Arundel (b. 1512, d. 1580): inscribed 'Arundel' (f. 2); the Arundel collection bequeathed to Lord Lumley, his son-in-law. John Lumley, 1st baron Lumley (b. c.1533, d. 1609), collector and conspirator: inscribed with his name (f. 2). ? Perhaps

• Decorated initial 'Q'(uid) at the beginning of Psalm 5, composed of pairs of shafts in angular and interlace patterns with animal-head terminals. The text is in large angular coloured display capitals., Psalter, in the Roman version (ff. 4-95), with canticles (ff. 96-104), a short litany (f. 104), a hymnal (ff. 105-128) and monastic canticles (ff. 129-135); added calendar (ff. 2,3) (the 'Bosworth Psalter')

earl of Arundel (b. 1512, d. 1580): inscribed 'Arundel' (f. 2); the Arundel collection bequeathed to Lord Lumley, his son-in-law. John Lumley, 1st baron Lumley (b. c.1533, d. 1609), collector and conspirator: inscribed with his name (f. 2). ? Perhaps