• Coloured print with Christ as the Man of Sorrows surrounded by instruments of the Passion pasted to a page painted in red covered with streaming blood, with an indulgence (later defaced): ‘To all them that devoutly say five Pater nosters, five Aves, and a Creed afore such a figure are granted 32,755 years of pardon.’, Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Coloured print with Christ as the Man of Sorrows surrounded by instruments of the Passion pasted to a page painted in red covered with streaming blood, with an indulgence (later defaced): ‘To all them that devoutly say five Pater

• Miniature of the king of France being presented with the attributes of his function (the crown, the helm, the cloak, the sword, the fleur de lis, etc.) by bishops and dignitaries.

the French throne receiving his crown, robe, helm, sword and shield, with mounted knights in the lower border (f. 2). John Tyson, 15th century: inscribed with his name (f. 141).John Dee (b. 1527, d. 1609), mathematician, astrologer, and antiquary: a

• Full-page drawing in brown ink of God the father and, below, Ptolemy, Aristotle, Sibilla, Brigida, and Reynhardus., Praenosticatio Latina or Prefagium

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Decorated initial 'D'(omini) at Psalm 23 (24)., Psalter (fragment) with a calendar page for November/December (f. 148)

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Full-page architectural border in colours and gold with a large historiated initial 'D'(ominus) with Pope Gregory the Great, putti, Jerome and another Church father, and the arms of Ferdinand I of Aragon, king of Naples., Sermons (index Homiliae)

of the Theatines, founded in Rome in 1524]: late-16th century book stamp (entirely effaced): 'BIBLIOTECAE S. ANDREAE ROMAE' (f. 2). John Wright, librarian to George Henry Hay, 7th earl of Kinnoull and husband of Abigail, youngest daughter of Robert Harley:

• Text page with decorated line and initial 'A', rubric, marginal Psalm number and running title., Psalter, imperfect, including Odes (ff. 153-169).

initials, rubrics, marginal numbers of psalms and running titles in light brown. Psalter, imperfect, including Odes (ff. 153-169). Written by John Rhosos of Crete (d. 1498): signed and dated Rome, 16 July 1478 (f. 170).? Alexander Farnese (b. 1468, d.

• Miniature of the Tree of Jesse at the beginning of Psalm 1, with a decorated border including flowers, a bird, and a butterfly., Various prayers including indulgenced prayers, and Gospel Lessons

of John writing (f. 19)). 6 historiated initials in ochre with gold acanthus leaves of Christ appearing to the Mary Magdalene, the Virgin and Child in bust as the Apocalyptic Woman (f. 3v), Christ (f. 4v), the Virgin and John

• Miniature of John the Baptist and a scatter border., Book of Hours, Use of Sarum

of John the Baptist and a scatter border. For another Tudor Book of Hours with royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth of York, Henry VIII, and Catherine of Aragon. 24 scatter borders in

• Miniature of John the Evangelist and a scatter border., Book of Hours, Use of Sarum

of John the Evangelist and a scatter border. For another Tudor Book of Hours with royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth of York, Henry VIII, and Catherine of Aragon. 24 scatter borders in

• Historiated initial 'N' with John the Baptist, measuring 160 x 165 mm. On the reverse, two four-line staves, musical notation and partial text '...ni um p[er]hi /...e lumi nep'., Cuttings from a choir book

'N' with John the Baptist, measuring 160 x 165 mm. On the reverse, two four-line staves, musical notation and partial text '...ni um p[er]hi /...e lumi nep'. Italian cuttings.The present cuttings are bound in an album with other cuttings as

• Initial 'A'(s) with full bar border and partial floral border. Arms of William le Neve in the margin., Orygynale Cronykil of Scotland (f. 1) with two prose Scottish chronicles

Prester John to the Emperor Frederick (ff. 310-311v).Andrew of Wyntoun was a canon regular at St Andrews Augustinian priory and prior of St Serf's Inch, Lochleven, Fife (c. 1393-1422). He wrote his ~Orygynale Cronykil~ at the suggestion of Sir John

• Miniature of the Nativity of Christ, and below, Mary and Joseph approaching the inn, with an illuminated initial 'D'(eus)., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Detail of a miniature of Luke., Book of Hours, Use of Rome ('The Tilliot Hours')

(using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and of the

• Detail of a miniature of Matthew the Evangelist as a scribe, with his symbol, the winged man, nearby., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Miniature with Dives, feasting with his wife and approached by Lazarus, in a cityscape, followed in the lower border by Dives tormented by demons and watched by the soul of Lazarus, which is held by God in heaven, and decorated initial 'D'(ilexi), at the beginning of the Office of the Dead., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Miniature of the Betrayal of Christ, followed in the lower border by Christ before Pilate, and decorated initial 'E'(gressus), at the beginning of the Passion of Christ., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Miniature of Mark reading a book and holding spectacles to his eyes, his evangelist symbol, the lion, observes, decorated initial 'I'(n), and three-sided border with empty scrolls/ribbons, at the beginning of Mark's Gospel., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Detail of a miniature of Mark reading a book and holding spectacles to his eyes, his evangelist symbol, the lion, observes, at the beginning of Mark's Gospel., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Detail of a miniature of the Betrayal of Christ, at the beginning of the Passion of Christ., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Lower border with Christ before Pilate, and decorated initial 'E'(gressus), at the beginning of the Passion of Christ., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and