• Decorated initials 'P'(ostea) and 'I'(n)., Sermones in evangelium S. Johannis (Sermons on the Gospel of John)

red or blue. Rubrics in red. Capitals marked in red. Sermones in evangelium S. Johannis (Sermons on the Gospel of John) Colophon: inscribed, 'Explicit Liber Tractatuum Beati Augustini Episcopi in Evangelium Sancti Iohannis Evangeliste, 1477' (f. 226).Nathaniel Noel (fl. 1681,

• Historiated initial 'Q'(ui) of Christ carrying the cross., De imitatione Christi

Historiated initial 'Q'(ui) of Christ carrying the cross. Horizontal catchwords.Ruled in hard point. 1 historiated initial in gold and colours of Christ carrying the cross at the beginning of the first book (f. 3v). 3 large initials in red

• Detail of a miniature of the royal arms of England with a crest of a lion, supported by a red dragon and a white greyhound, with a motto reading 'Dieu ets mon droit', and two Beaufort badges of portcullises., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Detail of a bas-de-page scene of two grotesque hybrids heading into battle (one with an ape sitting on his back), at the beginning of the prologue addressed to Henry VII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Miniature of Artaxerxes enthroned, with his courtiers; the arrest of Cyrus; Darius ill in bed, and a physician with a flask, with grotesque hybrids, flowers, and plants in the full foliate border., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Detail of a miniature of Artaxerxes enthroned, with his courtiers; the arrest of Cyrus; Darius ill in bed, and a physician with a flask., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Miniature of the Greek army with Xenophon, and piles of the dead, with grotesque hybrids, flowers, and plants in the full foliate border., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Detail of a miniature of the Greek army with Xenophon, and piles of the dead., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Detail of a miniature of Louis XII enthroned receiving the book from the translator, Claude de Seyssel, at the beginning of the prologue of the translator addressed to Louis XII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Decorated initial 'F'(ata) at the beginning of the text., Laurentias carmen

Decorated initial 'F'(ata) at the beginning of the text. ff. 244v-245 are written in Filelfo's hand, the rest of the manuscript was written in a different hand, but annotated by Filelfo.Catchwords. Leaf signatures.For another autograph manuscript by Filelfo, see

• An astrological diagram of the phases of the sun and moon, with vovelles., Miscellany with various astronomical, calendrical, medical, and philosophical texts

in red with blue pen-flourishing. Rubrics, paraphs, and underlining in red. Miscellany with various astronomical, calendrical, medical, and philosophical texts John...: inscribed with his name in the 16th century (f. 229). Samuel Knott (d. 1687), rector of Combe Raleigh, Devon

• Detail of a miniature of a bloodletting man with one foot in a bleeding pan and a spindle in his hand., Miscellany with various astronomical, calendrical, medical, and philosophical texts

in red with blue pen-flourishing. Rubrics, paraphs, and underlining in red. Miscellany with various astronomical, calendrical, medical, and philosophical texts John...: inscribed with his name in the 16th century (f. 229). Samuel Knott (d. 1687), rector of Combe Raleigh, Devon

• A diagram of the sphere of life and death used in prognostication., Miscellany with various astronomical, calendrical, medical, and philosophical texts

in red with blue pen-flourishing. Rubrics, paraphs, and underlining in red. Miscellany with various astronomical, calendrical, medical, and philosophical texts John...: inscribed with his name in the 16th century (f. 229). Samuel Knott (d. 1687), rector of Combe Raleigh, Devon

• Miniature of the royal arms of England with a crest of a lion, supported by a red dragon and a white greyhound, with a motto reading 'Dieu ets mon droit', and two Beaufort badges of portcullises, with a full border containing the arms of Claude de Seyssel, preceding the prologue of the translator addressed to Henry VII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Miniature of Henry VII sitting on a throne decorated with the royal arms of England and inscribed with the motto 'Dieu est mon droit', and receiving the book from the translator, Claude de Seyssel, with an illuminated initial 'C'(ombien), and a full border including grotesque hybrids, at the beginning of the prologue addressed to Henry VII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Detail of a miniature of Henry VII sitting on a throne decorated with the royal arms of England and inscribed with the motto 'Dieu est mon droit', and receiving the book from the translator, Claude de Seyssel, at the beginning of the prologue addressed to Henry VII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Miniature of Louis XII enthroned receiving the book from the translator, Claude de Seyssel, with a full border including grotesque hybrids, flowers, and plants, at the beginning of the prologue of the translator addressed to Louis XII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Architectural frontispiece with an historiated initial, a portrait of Josephus, and the coat of arms and mottos of Aragon., De Antiquitates Judaicae and Vetustate Judaica

Architectural frontispiece with an historiated initial, a portrait of Josephus, and the coat of arms and mottos of Aragon. The manuscript was copied in Florence and illuminated in Rome. The miniaturist, Gaspare da Padova, also known as the Master

• Detail of the arms of Aragon and the mottos: BIEN ELIR (with the tassel of pearls) and POR BIEN FINIR (with bundle of maces)., De Antiquitates Judaicae and Vetustate Judaica

Detail of the arms of Aragon and the mottos: BIEN ELIR (with the tassel of pearls) and POR BIEN FINIR (with bundle of maces). The manuscript was copied in Florence and illuminated in Rome. The miniaturist, Gaspare da Padova,

• Detail of faceted initial 'H'(ebreos) with a putto reading from a book., De Antiquitates Judaicae and Vetustate Judaica

Detail of faceted initial 'H'(ebreos) with a putto reading from a book. The manuscript was copied in Florence and illuminated in Rome. The miniaturist, Gaspare da Padova, also known as the Master of the Vatican Homer, worked for various