• An engraved historiated full-page border of medallions containing the four Evangelists and scenes from the life of the Virgin and the life and Passion of Christ: (anti-clockwise from top left) of the Annunciation, Luke, the Nativity, the Flight into Egypt, Christ's Dispute with the Doctors, the Baptism of Christ, Matthew, the Feeding of the Five Thousand, the Last Supper, John, the Agony in the Garden, Christ before Caiaphas, Christ before Pontius Pilate, the Crucifixion, Mark, and the Resurrection., Cuttings from a printed Missal, containing text from the Masses for the feasts of Pentecost and Augustus

Egypt, Christ's Dispute with the Doctors, the Baptism of Christ, Matthew, the Feeding of the Five Thousand, the Last Supper, John, the Agony in the Garden, Christ before Caiaphas, Christ before Pontius Pilate, the Crucifixion, Mark, and the Resurrection. Italian

• Miniature of Catherine, with border, at the beginning of her suffrage., Book of Hours, Use of Sarum

her suffrage. Includes a calender (ff. 1-6v); a prayer to Jesus Christ (ff. 7-13v); suffrages to the Trinity, John the Baptist, John the Evangelist, Thomas, George, Christopher, Anne, Catherine, Barbara, Mary Magdalene, and Margaret (ff. 14-33v); the Hours of the

• Miniature of Catherine, with border, at the beginning of her suffrage., Book of Hours, Use of Sarum

her suffrage. Includes a calender (ff. 1-6v); a prayer to Jesus Christ (ff. 7-13v); suffrages to the Trinity, John the Baptist, John the Evangelist, Thomas, George, Christopher, Anne, Catherine, Barbara, Mary Magdalene, and Margaret (ff. 14-33v); the Hours of the

• Miniatures of a bust of Christ and of his hand., Book of Hours, Use of Sarum

his hand. Includes a calender (ff. 1-6v); a prayer to Jesus Christ (ff. 7-13v); suffrages to the Trinity, John the Baptist, John the Evangelist, Thomas, George, Christopher, Anne, Catherine, Barbara, Mary Magdalene, and Margaret (ff. 14-33v); the Hours of the

• Miniature of Abraham holding a soul, with a praying soul and angel and devil below., Book of Hours, Use of Sarum

devil below. Includes a calender (ff. 1-6v); a prayer to Jesus Christ (ff. 7-13v); suffrages to the Trinity, John the Baptist, John the Evangelist, Thomas, George, Christopher, Anne, Catherine, Barbara, Mary Magdalene, and Margaret (ff. 14-33v); the Hours of the

• Detail of an historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual., Leaf from a Gradual

Detail of an historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual. The leaf was taken out of Arundel 71 in 1947. 1 historiated initial, accompanied by a full trompe l'oeil border, in colours and

• Page of music on the verso of the folio., Leaf from a Gradual

Page of music on the verso of the folio. The leaf was taken out of Arundel 71 in 1947. 1 historiated initial, accompanied by a full trompe l'oeil border, in colours and gold (recto). Small initials in blue with

• Puzzle initial., Leaf of a Psalter, in the Gallican version, including Psalms 26-32, imperfect, and bound with the recto as the verso

Leaf of a Psalter, in the Gallican version, including Psalms 26-32, imperfect, and bound with the recto as the verso John Bagford: inscribed, probably by Frederic Madden, that this is 'A portion of Bagford's collection F. M.' (f. [iii]).Sir Hans

• Decorated initial 'V'(ide) with pen-flourishing at the beginning of the list of capitula to Augustine's De civitate dei (index City of God)., List of capitula to Augustine's De civitate dei (index City of God)

red pen-flourishing (f. 1). Capitals marked in yellow. List of capitula to Augustine's De civitate dei (index City of God) John Gibson (fl. 1720-1726), dealer; sold to Harley on 17 June 1721 (see ~Diary~ 1966; Wright 1972).The Harley Collection, formed

• Historiated initial 'D' in colours and gold, of a young male martyr saint holding a sword, a palm frond and an arrow., Leaf of a Hymnal, containing portions of the hymns beginning 'Exultet celum laudibus' for the Vespers of the Commune Apostolorum, and 'Deus tuorum militum' for the Vespers of the Commune Unius Martyris.

tuorum militum' for the Vespers of the Commune Unius Martyris. Foliated (?) lower right '25' (struck out) and '154'.Presented by John E. Leary, violin and pianoforte instructor, of 59 Hazelville Road, Hornsey Lane, [London] N, 1930: his business card attached

• Initial 'S'(alve me) with acanthus leaf decoration, at the beginning of Psalm 68., Commentary on the Psalms (imperfect, starting in the middle of the commentary on Psalm 9 and ending in the middle of the commentary on Psalm 146)

Reynolds' , f. 116, and 'Anthony Harris of Cheston in the county of Suff', f. 92v, in the same hand). John Reynolds, 17th century: (inscription, f. 282v). ? Price: 'ei/r', f. i verso. Charles Burney (b. 1757, d. 1817), D.

• Illuminated initial 'N'(ec) at the beginning of Persius's Satires., Satires

Illuminated initial 'N'(ec) at the beginning of Persius's Satires. 1 full foliate border, heraldic arms, putti, unicorn, and profile heads (f. 2). 2 large initials, in colours and gold (ff. 2, 79). Small initials in plain blue (or absent).

• null, Satires

1 full foliate border, heraldic arms, putti, unicorn, and profile heads (f. 2). 2 large initials, in colours and gold (ff. 2, 79). Small initials in plain blue (or absent). Satires A member of the Tedaldi family of Florence:

• Historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual., Leaf from a Gradual

Historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual. The leaf was taken out of Arundel 71 in 1947. 1 historiated initial, accompanied by a full trompe l'oeil border, in colours and gold (recto). Small

• Detail of the last 4 staves of music and an inscription., Leaf from a Gradual

Detail of the last 4 staves of music and an inscription. The leaf was taken out of Arundel 71 in 1947. 1 historiated initial, accompanied by a full trompe l'oeil border, in colours and gold (recto). Small initials in

• First page of the text, with the inscription of Thomas Cranmer (text bound with Royal 2 E. iii)., Breviarium on the Psalms

First page of the text, with the inscription of Thomas Cranmer (text bound with Royal 2 E. iii). Originally in 3 volumes, each containing the commentary to 50 Psalms, now in 2 volumes, Royal 2 E XIII and Royal

• Miniature of Pope Gregory handing his book to a messenger, while three cardinals stand by, within ivy leaf border with three grotesques, birds and butterflies., Les omelies Saint Grégoire pape

(d. 1544), 'Ce liure apartient au noble conte henri arundel mylle vc xlvii [1547]'.On f. 176 is 16th century inscription, 'John Bourdin'.John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: inscribed with his name (f. 1);

• Miniature of Pope Gregory handing his book to a messenger, while three cardinals stand by, within ivy leaf border with three grotesques, birds and butterflies., Les omelies Saint Grégoire pape

(d. 1544), 'Ce liure apartient au noble conte henri arundel mylle vc xlvii [1547]'.On f. 176 is 16th century inscription, 'John Bourdin'.John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: inscribed with his name (f. 1);

• Coloured print with Christ as Man of Sorrows being adored by a Carthsian, pasted to a page painted in red covered with streaming blood. A Carthusian kneels before a bloody Christ, who stands beside his cross. They converse by means of scrolls with texts in latin. The Carthusian petitions Christ: ‘O Lord I beseech, send me salvation’ (Domine obsecro dirige ad me salutem). He replies: ‘Son, shun (temptation, understood), subdue (it), say nothing, keep quiet (Fili fuge, vince, tace, quiesce). The formulation is found in Abelard’s Epistle VII on the foundation of a women’s convent, and the context is how to avoid the temptation to sin. Below is a caption in English: ‘The greatest comfort in al temptacyon Is the remembraunce of Crystes passyon.’, Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Coloured print with Christ as Man of Sorrows being adored by a Carthsian, pasted to a page painted in red covered with streaming blood. A Carthusian kneels before a bloody Christ, who stands beside his cross. They converse by

• Coloured print with Christ as the Man of Sorrows surrounded by instruments of the Passion pasted to a page painted in red covered with streaming blood, with an indulgence (later defaced): ‘To all them that devoutly say five Pater nosters, five Aves, and a Creed afore such a figure are granted 32,755 years of pardon.’, Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Coloured print with Christ as the Man of Sorrows surrounded by instruments of the Passion pasted to a page painted in red covered with streaming blood, with an indulgence (later defaced): ‘To all them that devoutly say five Pater