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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

1041 results from this resource . Displaying 381 to 400

Historiated initial 'Q'(ui) of Christ carrying the cross. Horizontal catchwords.Ruled in hard point. 1 historiated initial in gold and colours of Christ carrying the cross at the beginning of the first book (f. 3v). 3 large initials in red

Historiated initial 'E'(x) of Petrarch at the preface of the second book. f. [iv] is a former pastedown.There are 3 unfoliated ruled folios after f. 6*.The table of contents (ff. 1*-6*) is in a different hand from the rest

Text page with decorated initial 'F'(ratres) and three initials smaller with penwork decoration: 'C'(onditor), 'E'(xcita), 'V'(erbum). Horizontal catchwords, some with simple penwork frames.f. [278] is a ruled parchment leaf. 2 large illuminated intials in colours and gold with acanthus

for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Puzzle initial John Chrysostom (index Johannes Chrysostomus) England

including: 'Johan Holland ownethe this book god make her a good woman' and 'The 15th of February 1590 payd to John his nurse' (f. 44).Excerpt from 'Seneca ad Lucilium', 18th century (f. 1*v).The Harley Collection, formed by Robert Harley (b.

signature probably once appeared in the top right corner of f. 1, which has been cut off (see Wright 1972). John Warburton (b. 1682, d. 1759), of Bury, county Lancashire, antiquary and herald, Somerset Herald in 1720: sold to Edward

Large white vine initials 'E'(phigeniam) and 'V'(ere), and an effaced coat of arms of a gold shield with three red stars (?) on a blue ground, encircled by a wreath. f. 1* is a paper leaf.Ruled in ink.Horizontal catchwords.

initials with grey penwork decoration, some with faces in the bowls. Rubrics in red. Capitals marked in red. Latin Poems John Somers (b. 1651, d. 1716), baron Somers, lawyer and politician: inscribed by Edward Harley, 'Janu: 6. 1738/9 from Ld

with a partial border containing the arms of John Donne, at the beginning of the list of contents. Contains books of the second volume of the Chroniques of Froissart; the other volumes are Royal 14 D II, 14 D IV-VI.Catchwords

117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer

117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer

117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer

117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer

117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer

117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer

117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer

117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer

117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer

117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer

Florence: rubric 'Incipit psalterium componitum secundum morem et ordinem Vallis Umbrose' (p. 1); the litany includes Salvius, ‘Sancte pater Benedicte’, John (Gualbert?), and Reparata; Benedict and Salvius are emphasised in the Sanctorale (pp. 269, 407); inscribed, 17th century, ‘De s(an)c(t)o

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 12 May 2024), https://www.manuscriptsonline.org/search/results?ac=f&ct=lm&kw=john&sdf=1475&sr=ci&st=380