• Detail of the last 4 staves of music and an inscription., Leaf from a Gradual

Detail of the last 4 staves of music and an inscription. The leaf was taken out of Arundel 71 in 1947. 1 historiated initial, accompanied by a full trompe l'oeil border, in colours and gold (recto). Small initials in

• First page of the text, with the inscription of Thomas Cranmer (text bound with Royal 2 E. iii)., Breviarium on the Psalms

First page of the text, with the inscription of Thomas Cranmer (text bound with Royal 2 E. iii). Originally in 3 volumes, each containing the commentary to 50 Psalms, now in 2 volumes, Royal 2 E XIII and Royal

• Coloured print with Christ as Man of Sorrows being adored by a Carthsian, pasted to a page painted in red covered with streaming blood. A Carthusian kneels before a bloody Christ, who stands beside his cross. They converse by means of scrolls with texts in latin. The Carthusian petitions Christ: ‘O Lord I beseech, send me salvation’ (Domine obsecro dirige ad me salutem). He replies: ‘Son, shun (temptation, understood), subdue (it), say nothing, keep quiet (Fili fuge, vince, tace, quiesce). The formulation is found in Abelard’s Epistle VII on the foundation of a women’s convent, and the context is how to avoid the temptation to sin. Below is a caption in English: ‘The greatest comfort in al temptacyon Is the remembraunce of Crystes passyon.’, Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Coloured print with Christ as Man of Sorrows being adored by a Carthsian, pasted to a page painted in red covered with streaming blood. A Carthusian kneels before a bloody Christ, who stands beside his cross. They converse by

• Coloured print with Christ as the Man of Sorrows surrounded by instruments of the Passion pasted to a page painted in red covered with streaming blood, with an indulgence (later defaced): ‘To all them that devoutly say five Pater nosters, five Aves, and a Creed afore such a figure are granted 32,755 years of pardon.’, Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Coloured print with Christ as the Man of Sorrows surrounded by instruments of the Passion pasted to a page painted in red covered with streaming blood, with an indulgence (later defaced): ‘To all them that devoutly say five Pater

• Miniature of the marriage of John, king of Portugal to Philippa of Lancaster, with a full border, at the beginning of chapter 34 of book 5., Recueil des croniques d’Engleterre

the marriage of John, king of Portugal to Philippa of Lancaster, with a full border, at the beginning of chapter 34 of book 5. Includes the third volume of the Recueil des croniques d’Engleterre of Jean of Wavrin, preceded by

• Detail of a miniature of the marriage of John, king of Portugal to Philippa of Lancaster, at the beginning of chapter 34 of book 5., Recueil des croniques d’Engleterre

of the marriage of John, king of Portugal to Philippa of Lancaster, at the beginning of chapter 34 of book 5. Includes the third volume of the Recueil des croniques d’Engleterre of Jean of Wavrin, preceded by a list of

• Miniature of the council of King John of Castile., Recueil des croniques d’Engleterre

council of King John of Castile. Includes the third volume of the Recueil des croniques d’Engleterre of Jean of Wavrin, preceded by a list of contents (ff. 1-9v). According to McKendrick (see McKendrick and Lowden 2011), copied by Jean Du

• Detail of a miniature of the council of King John of Castile., Recueil des croniques d’Engleterre

of the council of King John of Castile. Includes the third volume of the Recueil des croniques d’Engleterre of Jean of Wavrin, preceded by a list of contents (ff. 1-9v). According to McKendrick (see McKendrick and Lowden 2011), copied by

• Miniature of John., Book of Hours, unidentified use

of John. 'Linguistic and hagiographical indications in the Harley Hours suggest that the manuscript was made somewhere along the Netherlandish-German border area of the Lower Rhine.' (Marrow 1978, p. 592).Calendar with saints related to the dioceses of Utrecht, Liège and

• Portolan chart of the Black Sea., Atlas with seven double-page Portolan charts (index Portolano, maps, Lord Lumley's Atlas)

circuit of wall in a lake) (ff. 7v-8). Atlas with seven double-page Portolan charts (index Portolano, maps, Lord Lumley's Atlas) John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: his name inscribed (f. 1); listed in

• Portolan chart of the Adriatic., Atlas with seven double-page Portolan charts (index Portolano, maps, Lord Lumley's Atlas)

circuit of wall in a lake) (ff. 7v-8). Atlas with seven double-page Portolan charts (index Portolano, maps, Lord Lumley's Atlas) John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: his name inscribed (f. 1); listed in

• Circular diagram of the division of the world between Shem, Ham and Japhet., Agricultural almanac containing an astronomical calendar (1420), miscellaneous tables, mnemonic verses and charms

Circular diagram of the division of the world between Shem, Ham and Japhet. Contents very similar to Harley 2332.Prologue to a letter from St Louis to King Charles in Middle English (f. 22v). 12 calendar pages with tinted drawings

• Calendar page for February with tinted drawings of a man with a shovel (the labour of the month: digging) and saints: Brigida, a fleur-de-lis (for the feast of the purification), a brasier (Blaise), a sword (Agatha), a bird (Valentine), Peter in Cathedra and Matthew., Agricultural almanac containing an astronomical calendar (1420), miscellaneous tables, mnemonic verses and charms

Calendar page for February with tinted drawings of a man with a shovel (the labour of the month: digging) and saints: Brigida, a fleur-de-lis (for the feast of the purification), a brasier (Blaise), a sword (Agatha), a bird (Valentine),

• Calendar page for March with a man trimming vines (the labour of the month), a ram (Aries), David's harp, saints Gregory, Edward, Cuthbert, Benedict, and a fleur-de-lis (for the Annunciation)., Agricultural almanac containing an astronomical calendar (1420), miscellaneous tables, mnemonic verses and charms

Calendar page for March with a man trimming vines (the labour of the month), a ram (Aries), David's harp, saints Gregory, Edward, Cuthbert, Benedict, and a fleur-de-lis (for the Annunciation). Contents very similar to Harley 2332.Prologue to a letter

• Decorated initial., Office and Mass of the Dead (vol. 2)

Decorated initial. Musical notation.For vol. 1, see Egerton 3311. For a third volume in the set, formerly in the possession of Major J. R. Abbey, see E. Ph. Goldschmidt, ~Gothic and Renaissance Bookbindings: Exemplified and Illustrated from the Author's

• Miniature of Urbs Roma, in military dress, seated upon a pile of armour, holding a broken sword and a figure of winged Victory, flanked by the letters 'S' and 'C', and enclosed within an architectural roundel and frame., Cutting possibly from the Notitia Dignitatum

19th-century hand on verso, 'J. M. W. 1856 / I. Lwe / "School of Leonardo da Vinci/ Very fine miniature"'. John Malcolm of Poltalloch (b. 1805, d. 1893), art collector and landowner: ink stamp on verso 'Malcolm Collection / B.M'.;

• Verse by Francesco Petrarca, signed with 'Franciscus .p.'; below his signature the word 'Macrobius' has been erased., Verse

Harley (b. 1689, d. 1741), 2nd earl of Oxford and Mortimer, book collector and patron of the arts; purchased through John Gibson (fl. 1720-26); the manuscript probably arrived at the library in June 1726 (see Wright 1976, p. 468). Edward

• Decorated initial 'D'(icto), and a full foliate border with a rebus of a bird perching on a tun inscribed 'MOK' (sic), at the beginning of the second part of Johannes de Giglis's Libellus de Canonizatione sanctorum., Libellus de Canonizatione sanctorum

44v). Large initials in gold on blue and red grounds, with foliate extensions into the margins. Libellus de Canonizatione sanctorum John Morton (d. 1500), administrator and archbishop of Canterbury: owned by him while bishop of Ely (1478-1486), perhaps when he

• Decorated initial 'M'(ulta), at the beginning of Johannes de Giglis's Libellus de Canonizatione sanctorum., Libellus de Canonizatione sanctorum

44v). Large initials in gold on blue and red grounds, with foliate extensions into the margins. Libellus de Canonizatione sanctorum John Morton (d. 1500), administrator and archbishop of Canterbury: owned by him while bishop of Ely (1478-1486), perhaps when he

• Decorated initial 'D'(icto), at the beginning of the second part of Johannes de Giglis's Libellus de Canonizatione sanctorum., Libellus de Canonizatione sanctorum

44v). Large initials in gold on blue and red grounds, with foliate extensions into the margins. Libellus de Canonizatione sanctorum John Morton (d. 1500), administrator and archbishop of Canterbury: owned by him while bishop of Ely (1478-1486), perhaps when he