• Foliate border with four portraits of philosophers in roundels, putti, the coat of arms of Aragon, and a large historiated initial 'D'(ivina) of Plato in his study., Opera

Foliate border with four portraits of philosophers in roundels, putti, the coat of arms of Aragon, and a large historiated initial 'D'(ivina) of Plato in his study. This is the first of two volumes; the second volume is Harley

• Miniature of the royal arms of England with a crest of a lion, supported by a red dragon and a white greyhound, with a motto reading 'Dieu ets mon droit', and two Beaufort badges of portcullises, with a full border containing the arms of Claude de Seyssel, preceding the prologue of the translator addressed to Henry VII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Miniature of Henry VII sitting on a throne decorated with the royal arms of England and inscribed with the motto 'Dieu est mon droit', and receiving the book from the translator, Claude de Seyssel, with an illuminated initial 'C'(ombien), and a full border including grotesque hybrids, at the beginning of the prologue addressed to Henry VII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Detail of a miniature of Henry VII sitting on a throne decorated with the royal arms of England and inscribed with the motto 'Dieu est mon droit', and receiving the book from the translator, Claude de Seyssel, at the beginning of the prologue addressed to Henry VII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Miniature of Louis XII enthroned receiving the book from the translator, Claude de Seyssel, with a full border including grotesque hybrids, flowers, and plants, at the beginning of the prologue of the translator addressed to Louis XII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Full-page border and section of border pasted at its centre in colours and gold with a bar of burnished gold decorated with leaves, floral forms, and bezants., Cuttings from a manuscript of Innocent VIII

Full-page border and section of border pasted at its centre in colours and gold with a bar of burnished gold decorated with leaves, floral forms, and bezants. Italian cutting.The present cutting is kept in a box with Add. 35254I-O.

• Detail of a coat of arms with a mermaid holding a mirror., Various heraldic treatises, including 'the Gaige of Battail' (ff. 1-5), heraldic treatise by Adam Loutfut (ff. 5-44), 'The Book of the Ordre of Chyvalry', translation of the French version of Ramon Lull's 'Le libre del ordre de cavayleria' (ff. 83-109), a poem on heraldry (ff. 151-155), Tractatus de nobilitate (ff. 155-164v), De duellis (ff. 164v-173v), imperfect

Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.

• Text page with heraldry from a heraldic treatise by Adam Loutfut; coats of arms., Various heraldic treatises, including 'the Gaige of Battail' (ff. 1-5), heraldic treatise by Adam Loutfut (ff. 5-44), 'The Book of the Ordre of Chyvalry', translation of the French version of Ramon Lull's 'Le libre del ordre de cavayleria' (ff. 83-109), a poem on heraldry (ff. 151-155), Tractatus de nobilitate (ff. 155-164v), De duellis (ff. 164v-173v), imperfect

Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.

• Text page with heraldry from a heraldic treatise by Adam Loutfut; coats of arms., Various heraldic treatises, including 'the Gaige of Battail' (ff. 1-5), heraldic treatise by Adam Loutfut (ff. 5-44), 'The Book of the Ordre of Chyvalry', translation of the French version of Ramon Lull's 'Le libre del ordre de cavayleria' (ff. 83-109), a poem on heraldry (ff. 151-155), Tractatus de nobilitate (ff. 155-164v), De duellis (ff. 164v-173v), imperfect

Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.

• Text page with heraldry from a heraldic treatise by Adam Loutfut; coats of arms., Various heraldic treatises, including 'the Gaige of Battail' (ff. 1-5), heraldic treatise by Adam Loutfut (ff. 5-44), 'The Book of the Ordre of Chyvalry', translation of the French version of Ramon Lull's 'Le libre del ordre de cavayleria' (ff. 83-109), a poem on heraldry (ff. 151-155), Tractatus de nobilitate (ff. 155-164v), De duellis (ff. 164v-173v), imperfect

Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.

• Text page with heraldry from a heraldic treatise by Adam Loutfut; coats of arms., Various heraldic treatises, including 'the Gaige of Battail' (ff. 1-5), heraldic treatise by Adam Loutfut (ff. 5-44), 'The Book of the Ordre of Chyvalry', translation of the French version of Ramon Lull's 'Le libre del ordre de cavayleria' (ff. 83-109), a poem on heraldry (ff. 151-155), Tractatus de nobilitate (ff. 155-164v), De duellis (ff. 164v-173v), imperfect

Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.

• Decorated panels, the upper with a standing figure., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Decorated panels, the upper with a standing figure. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form

• Detail of plaque, with standing figure., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Detail of plaque, with standing figure. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of headstones

• Panel with the Latin inscription ('Vale Tiberi')., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Panel with the Latin inscription ('Vale Tiberi'). Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of

• Detail of panel with Latin inscription., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Detail of panel with Latin inscription. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of headstones

• Drawing of a epithet with putti., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Drawing of a epithet with putti. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of headstones

• Detail of drawing of a epithet with putti., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Detail of drawing of a epithet with putti. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form

• Drawing of a panel with a snake., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Drawing of a panel with a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of

• Detail of a panel with a snake., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Detail of a panel with a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of

• Text pages with drawing of a snake., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Text pages with drawing of a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of