• Detail of display script by Petruccio Ubaldini, Psalm 1., Psalter and Canticles (the 'Psalter of the Earl of Arundel')

Detail of display script by Petruccio Ubaldini, Psalm 1. Illuminated by a French artist, another manuscript decorated by him is Vatican Library, Vat. Lat. 14936, the 'Hours of Catherine de Medici'. Includes the preface 'Psalterium Romae dudum' (f. 2v)

• Miniature of the Annunciation, with a foliate border including John on Patmos, at the beginning of the Hours of the Virgin., Prayer book

with a foliate border including John on Patmos, at the beginning of the Hours of the Virgin. 6 full-page miniatures with full foliate borders including human figures and/or animals, in colours and gold, for major divisions (ff. 17v, 49v, 68v,

• An astrological diagram of the phases of the sun and moon, with vovelles., Miscellany with various astronomical, calendrical, medical, and philosophical texts

in red with blue pen-flourishing. Rubrics, paraphs, and underlining in red. Miscellany with various astronomical, calendrical, medical, and philosophical texts John...: inscribed with his name in the 16th century (f. 229). Samuel Knott (d. 1687), rector of Combe Raleigh, Devon

• Detail of a miniature of a bloodletting man with one foot in a bleeding pan and a spindle in his hand., Miscellany with various astronomical, calendrical, medical, and philosophical texts

in red with blue pen-flourishing. Rubrics, paraphs, and underlining in red. Miscellany with various astronomical, calendrical, medical, and philosophical texts John...: inscribed with his name in the 16th century (f. 229). Samuel Knott (d. 1687), rector of Combe Raleigh, Devon

• A diagram of the sphere of life and death used in prognostication., Miscellany with various astronomical, calendrical, medical, and philosophical texts

in red with blue pen-flourishing. Rubrics, paraphs, and underlining in red. Miscellany with various astronomical, calendrical, medical, and philosophical texts John...: inscribed with his name in the 16th century (f. 229). Samuel Knott (d. 1687), rector of Combe Raleigh, Devon

• Miniature of the Annunciation; historiated initial 'H'(ere) with Virgin and Child shown as the woman of the Apocalypse and foliate borders including John on Patmos and Augustus with the Tiburtine Sibyl, at the beginning of the Hours of the Virgin; Spierinck's signature and date in the lower margin of f. 18., Prayer book

shown as the woman of the Apocalypse and foliate borders including John on Patmos and Augustus with the Tiburtine Sibyl, at the beginning of the Hours of the Virgin; Spierinck's signature and date in the lower margin of f. 18.

• Miniature of the Annunciation, historiated initial 'H'(ere) with Virgin and Child shown as the woman of the Apocalypse and foliate borders including John on Patmos and Augustus with the Tiburtine Sibyl, at the beginning of the Hours of the Virgin; Spierinck's signature and date in the lower margin of f. 18., Prayer book

shown as the woman of the Apocalypse and foliate borders including John on Patmos and Augustus with the Tiburtine Sibyl, at the beginning of the Hours of the Virgin; Spierinck's signature and date in the lower margin of f. 18.

• Miniature of the royal arms of England with a crest of a lion, supported by a red dragon and a white greyhound, with a motto reading 'Dieu ets mon droit', and two Beaufort badges of portcullises, with a full border containing the arms of Claude de Seyssel, preceding the prologue of the translator addressed to Henry VII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Miniature of Henry VII sitting on a throne decorated with the royal arms of England and inscribed with the motto 'Dieu est mon droit', and receiving the book from the translator, Claude de Seyssel, with an illuminated initial 'C'(ombien), and a full border including grotesque hybrids, at the beginning of the prologue addressed to Henry VII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Detail of a miniature of Henry VII sitting on a throne decorated with the royal arms of England and inscribed with the motto 'Dieu est mon droit', and receiving the book from the translator, Claude de Seyssel, at the beginning of the prologue addressed to Henry VII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Miniature of Louis XII enthroned receiving the book from the translator, Claude de Seyssel, with a full border including grotesque hybrids, flowers, and plants, at the beginning of the prologue of the translator addressed to Louis XII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Decorated panels, the upper with a standing figure., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Decorated panels, the upper with a standing figure. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form

• Detail of plaque, with standing figure., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Detail of plaque, with standing figure. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of headstones

• Panel with the Latin inscription ('Vale Tiberi')., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Panel with the Latin inscription ('Vale Tiberi'). Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of

• Detail of panel with Latin inscription., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Detail of panel with Latin inscription. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of headstones

• Drawing of a epithet with putti., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Drawing of a epithet with putti. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of headstones

• Detail of drawing of a epithet with putti., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Detail of drawing of a epithet with putti. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form

• Drawing of a panel with a snake., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Drawing of a panel with a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of

• Detail of a panel with a snake., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Detail of a panel with a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of

• Text pages with drawing of a snake., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Text pages with drawing of a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of