• Decorated initial., Commentary on the Ethics of Aristotle

inscribed, 16th/17th century: 'Philemon Holland / John Barone(?), and 'RB'.f. 125: inscribed, 16th century: 'Thomas baulle'(?) and John Dean'.f. 137: inscribed, 16th century: 'James Collard'.f. 149: inscribed, 16th century: 'Statutes April 1581' and 'John Wallsall'.f. 175: inscribed, 17th century: 'Edmund(?)

• Flourished initial., Psalter, a metrical version (the Surtees Psalter version)

version (the Surtees Psalter version) Inscription 'Will (?) Bonnell' (f. 1v).John Fauntleroy: inscription in calligraphy (f. 1*); inscription (f. 1); 'John Fauntlero' (f. [101v].Bought by the British Museum in 1836, using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis

• Detail of a miniature of Jocasta's embassy to Adrastus., Troy Book, Siege of Thebes, Testament and The reignes of the kyngis of England; A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

two works by John Lydgate, the Troy Book, a translation from Historia destructionis Troiae of Guido delle Colonne, originally presented by Lydgate to Henry V in 1420, and the Siege of Thebes of 1421-1422.Part 3 includes: John Lydgate, Testament (ff.

• Penwork initial 'P' in green and red, at the beginning of the Epistles of Paul., Glossed Pauline Epistles; treatise on prayer, Donatio Constantini, excerpta from Augustine and Jerome

but 1698?), II, no. 6513 or 6523.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no .

• Detail of an illuminated initial 'H'(ere) with the arms of Anne Neville, wife of Richard III, at the beginning of book 3., De re militari (the Book of Vegecye of Dedes of Knyghthode)

English translation of 'De re militari' of Flavius Vegetius Renatus made in 1408 for Thomas, Lord Berkeley and attributed to John Walton: see Sutton and Visser-Fuchs 1997 p. 79. The colophon is 'Here endeth the boke that clerkes / clepeth

• Illuminated initial 'H'(ere) with the royal arms of England supported by boars and surmounted by a crown, with a full border containing the griffin of Salisbury in the lower margin, at the beginning of book 1., De re militari (the Book of Vegecye of Dedes of Knyghthode)

English translation of 'De re militari' of Flavius Vegetius Renatus made in 1408 for Thomas, Lord Berkeley and attributed to John Walton: see Sutton and Visser-Fuchs 1997 p. 79. The colophon is 'Here endeth the boke that clerkes / clepeth

• Illuminated initial 'H'(ere) with the arms of Anne Neville, wife of Richard III, with a full border, at the beginning of book 3., De re militari (the Book of Vegecye of Dedes of Knyghthode)

English translation of 'De re militari' of Flavius Vegetius Renatus made in 1408 for Thomas, Lord Berkeley and attributed to John Walton: see Sutton and Visser-Fuchs 1997 p. 79. The colophon is 'Here endeth the boke that clerkes / clepeth

• Detail of an illuminated initial 'H'(ere) with the royal arms of England supported by boars and surmounted by a crown., De re militari (the Book of Vegecye of Dedes of Knyghthode)

English translation of 'De re militari' of Flavius Vegetius Renatus made in 1408 for Thomas, Lord Berkeley and attributed to John Walton: see Sutton and Visser-Fuchs 1997 p. 79. The colophon is 'Here endeth the boke that clerkes / clepeth

• Detail of a miniature of the griffin of Salisbury in the lower margin of the folio, at the beginning of book 1., De re militari (the Book of Vegecye of Dedes of Knyghthode)

English translation of 'De re militari' of Flavius Vegetius Renatus made in 1408 for Thomas, Lord Berkeley and attributed to John Walton: see Sutton and Visser-Fuchs 1997 p. 79. The colophon is 'Here endeth the boke that clerkes / clepeth

• Coloured print with Christ as the Man of Sorrows surrounded by symbols of the Passion pasted to a page painted in red covered with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Coloured print with Christ as the Man of Sorrows surrounded by symbols of the Passion pasted to a page painted in red covered with streaming blood. The most remarkable example of a book of devotion that may show signs

• Coloured print with the symbols of the Passion pasted to a page painted in red covered with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Coloured print with the symbols of the Passion pasted to a page painted in red covered with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a

• Miniature of John on Patmos, at the beginning of his Gospel., Miniatures added to a Book of Hours

of John on Patmos, at the beginning of his Gospel. 1 full-page miniature (f. 16v) and 5 full-page miniatures surrounding three or four lines of text (ff. 185v, 216v, 233v, 254v, 260v). Miniatures added to a Book of Hours Unidentified

• Miniature of John on Patmos with his eagle flying away with the pencase and the inkwell, decorated initial 'I'(n) and foliate borders, at the beginning of the Gospel Lessons., Book of Hours, Use of Bourges

of John on Patmos with his eagle flying away with the pencase and the inkwell, decorated initial 'I'(n) and foliate borders, at the beginning of the Gospel Lessons. 13 full-page miniatures mostly with large decorated initials and full foliate borders,

• Pages painted black with red drops of blood, representing the wounds of Christ, worn, perhaps as the result of kissing., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Pages painted black with red drops of blood, representing the wounds of Christ, worn, perhaps as the result of kissing. The most remarkable example of a book of devotion that may show signs of having received that devotion in

• Print with the Virgin nursing the Child., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Print with the Virgin nursing the Child. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490.

• Pages painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Pages painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Page painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Page painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Page painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It

• Decorated initial 'M'(ulta), and a full foliate border with John Morton's arms, at the beginning of Johannes de Giglis's Libellus de Canonizatione sanctorum., Libellus de Canonizatione sanctorum

a full foliate border with John Morton's arms, at the beginning of Johannes de Giglis's Libellus de Canonizatione sanctorum. For other manuscripts owned by Morton see Arundel 435 and 454. 2 large initials in gold on blue and red grounds,