• Pages painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Pages painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Page painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Page painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Page painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It

• Detail of an historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual., Leaf from a Gradual

Detail of an historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual. The leaf was taken out of Arundel 71 in 1947. 1 historiated initial, accompanied by a full trompe l'oeil border, in colours and

• Page of music on the verso of the folio., Leaf from a Gradual

Page of music on the verso of the folio. The leaf was taken out of Arundel 71 in 1947. 1 historiated initial, accompanied by a full trompe l'oeil border, in colours and gold (recto). Small initials in blue with

• Puzzle initial., Leaf of a Psalter, in the Gallican version, including Psalms 26-32, imperfect, and bound with the recto as the verso

Leaf of a Psalter, in the Gallican version, including Psalms 26-32, imperfect, and bound with the recto as the verso John Bagford: inscribed, probably by Frederic Madden, that this is 'A portion of Bagford's collection F. M.' (f. [iii]).Sir Hans

• Decorated initial 'V'(ide) with pen-flourishing at the beginning of the list of capitula to Augustine's De civitate dei (index City of God)., List of capitula to Augustine's De civitate dei (index City of God)

red pen-flourishing (f. 1). Capitals marked in yellow. List of capitula to Augustine's De civitate dei (index City of God) John Gibson (fl. 1720-1726), dealer; sold to Harley on 17 June 1721 (see ~Diary~ 1966; Wright 1972).The Harley Collection, formed

• Historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual., Leaf from a Gradual

Historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual. The leaf was taken out of Arundel 71 in 1947. 1 historiated initial, accompanied by a full trompe l'oeil border, in colours and gold (recto). Small

• Detail of the last 4 staves of music and an inscription., Leaf from a Gradual

Detail of the last 4 staves of music and an inscription. The leaf was taken out of Arundel 71 in 1947. 1 historiated initial, accompanied by a full trompe l'oeil border, in colours and gold (recto). Small initials in

• First page of the text, with the inscription of Thomas Cranmer (text bound with Royal 2 E. iii)., Breviarium on the Psalms

First page of the text, with the inscription of Thomas Cranmer (text bound with Royal 2 E. iii). Originally in 3 volumes, each containing the commentary to 50 Psalms, now in 2 volumes, Royal 2 E XIII and Royal

• Coloured print with Christ as Man of Sorrows being adored by a Carthsian, pasted to a page painted in red covered with streaming blood. A Carthusian kneels before a bloody Christ, who stands beside his cross. They converse by means of scrolls with texts in latin. The Carthusian petitions Christ: ‘O Lord I beseech, send me salvation’ (Domine obsecro dirige ad me salutem). He replies: ‘Son, shun (temptation, understood), subdue (it), say nothing, keep quiet (Fili fuge, vince, tace, quiesce). The formulation is found in Abelard’s Epistle VII on the foundation of a women’s convent, and the context is how to avoid the temptation to sin. Below is a caption in English: ‘The greatest comfort in al temptacyon Is the remembraunce of Crystes passyon.’, Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Coloured print with Christ as Man of Sorrows being adored by a Carthsian, pasted to a page painted in red covered with streaming blood. A Carthusian kneels before a bloody Christ, who stands beside his cross. They converse by

• Coloured print with Christ as the Man of Sorrows surrounded by instruments of the Passion pasted to a page painted in red covered with streaming blood, with an indulgence (later defaced): ‘To all them that devoutly say five Pater nosters, five Aves, and a Creed afore such a figure are granted 32,755 years of pardon.’, Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Coloured print with Christ as the Man of Sorrows surrounded by instruments of the Passion pasted to a page painted in red covered with streaming blood, with an indulgence (later defaced): ‘To all them that devoutly say five Pater

• Miniature of the marriage of John, king of Portugal to Philippa of Lancaster, with a full border, at the beginning of chapter 34 of book 5., Recueil des croniques d’Engleterre

the marriage of John, king of Portugal to Philippa of Lancaster, with a full border, at the beginning of chapter 34 of book 5. Includes the third volume of the Recueil des croniques d’Engleterre of Jean of Wavrin, preceded by

• Detail of a miniature of the marriage of John, king of Portugal to Philippa of Lancaster, at the beginning of chapter 34 of book 5., Recueil des croniques d’Engleterre

of the marriage of John, king of Portugal to Philippa of Lancaster, at the beginning of chapter 34 of book 5. Includes the third volume of the Recueil des croniques d’Engleterre of Jean of Wavrin, preceded by a list of

• Miniature of the council of King John of Castile., Recueil des croniques d’Engleterre

council of King John of Castile. Includes the third volume of the Recueil des croniques d’Engleterre of Jean of Wavrin, preceded by a list of contents (ff. 1-9v). According to McKendrick (see McKendrick and Lowden 2011), copied by Jean Du

• Detail of a miniature of the council of King John of Castile., Recueil des croniques d’Engleterre

of the council of King John of Castile. Includes the third volume of the Recueil des croniques d’Engleterre of Jean of Wavrin, preceded by a list of contents (ff. 1-9v). According to McKendrick (see McKendrick and Lowden 2011), copied by

• Portolan chart of the Black Sea., Atlas with seven double-page Portolan charts (index Portolano, maps, Lord Lumley's Atlas)

circuit of wall in a lake) (ff. 7v-8). Atlas with seven double-page Portolan charts (index Portolano, maps, Lord Lumley's Atlas) John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: his name inscribed (f. 1); listed in

• Portolan chart of the Adriatic., Atlas with seven double-page Portolan charts (index Portolano, maps, Lord Lumley's Atlas)

circuit of wall in a lake) (ff. 7v-8). Atlas with seven double-page Portolan charts (index Portolano, maps, Lord Lumley's Atlas) John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: his name inscribed (f. 1); listed in

• Decorated initial., Office and Mass of the Dead (vol. 2)

Decorated initial. Musical notation.For vol. 1, see Egerton 3311. For a third volume in the set, formerly in the possession of Major J. R. Abbey, see E. Ph. Goldschmidt, ~Gothic and Renaissance Bookbindings: Exemplified and Illustrated from the Author's