• Miniature of David in Prayer, and a full trompe l'oeil border, at the beginning of the Penitential Psalms., Book of Hours, Use of Rome

the Virgin (ff. 32-37); the Gospel Lessons (ff. 37-41v); prayers to the Virgin (ff. 42-47v); suffrages to the Trinity, Michael, John the Baptist, Peter and Paul, Nicholas, Mary Magdalene, Catherine, and Barbara (ff. 48-51v); the Hours of the Virgin (ff.

• Miniature of David in Prayer, at the beginning of the Penitential Psalms., Book of Hours, Use of Rome

the Virgin (ff. 32-37); the Gospel Lessons (ff. 37-41v); prayers to the Virgin (ff. 42-47v); suffrages to the Trinity, Michael, John the Baptist, Peter and Paul, Nicholas, Mary Magdalene, Catherine, and Barbara (ff. 48-51v); the Hours of the Virgin (ff.

• Miniature of the royal arms of England with a crest of a lion, supported by a red dragon and a white greyhound, with a motto reading 'Dieu ets mon droit', and two Beaufort badges of portcullises, with a full border containing the arms of Claude de Seyssel, preceding the prologue of the translator addressed to Henry VII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Miniature of Henry VII sitting on a throne decorated with the royal arms of England and inscribed with the motto 'Dieu est mon droit', and receiving the book from the translator, Claude de Seyssel, with an illuminated initial 'C'(ombien), and a full border including grotesque hybrids, at the beginning of the prologue addressed to Henry VII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Detail of a miniature of Henry VII sitting on a throne decorated with the royal arms of England and inscribed with the motto 'Dieu est mon droit', and receiving the book from the translator, Claude de Seyssel, at the beginning of the prologue addressed to Henry VII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Miniature of Louis XII enthroned receiving the book from the translator, Claude de Seyssel, with a full border including grotesque hybrids, flowers, and plants, at the beginning of the prologue of the translator addressed to Louis XII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Decorated panels, the upper with a standing figure., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Decorated panels, the upper with a standing figure. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form

• Detail of plaque, with standing figure., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Detail of plaque, with standing figure. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of headstones

• Panel with the Latin inscription ('Vale Tiberi')., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Panel with the Latin inscription ('Vale Tiberi'). Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of

• Detail of panel with Latin inscription., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Detail of panel with Latin inscription. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of headstones

• Drawing of a epithet with putti., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Drawing of a epithet with putti. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of headstones

• Detail of drawing of a epithet with putti., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Detail of drawing of a epithet with putti. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form

• Drawing of a panel with a snake., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Drawing of a panel with a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of

• Detail of a panel with a snake., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Detail of a panel with a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of

• Text pages with drawing of a snake., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Text pages with drawing of a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of

• Detail of a drawiing of a snake., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Detail of a drawiing of a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of

• Historiated border., Missal, Use of Rome

Missal, Use of Rome Executed at Lisbon for the rectification of the services of the Portuguese Church, by order of John III King of Portugal (1521-1557), and completed after his death under the patronage of his wife, Queen Catherine, and

• Miniature of the Massacre of the Innocents., Missal, Use of Rome

Missal, Use of Rome Executed at Lisbon for the rectification of the services of the Portuguese Church, by order of John III King of Portugal (1521-1557), and completed after his death under the patronage of his wife, Queen Catherine, and

• Miniature of the Virgin with the Christ Child, adored by an angel, and a full trompe l'oeil border, at the beginning of the Mass of the Virgin., Book of Hours, Use of Rome

the Virgin (ff. 32-37); the Gospel Lessons (ff. 37-41v); prayers to the Virgin (ff. 42-47v); suffrages to the Trinity, Michael, John the Baptist, Peter and Paul, Nicholas, Mary Magdalene, Catherine, and Barbara (ff. 48-51v); the Hours of the Virgin (ff.

• Miniature of the Virgin with the Christ Child, adored by an angel, at the beginning of the Mass of the Virgin., Book of Hours, Use of Rome

the Virgin (ff. 32-37); the Gospel Lessons (ff. 37-41v); prayers to the Virgin (ff. 42-47v); suffrages to the Trinity, Michael, John the Baptist, Peter and Paul, Nicholas, Mary Magdalene, Catherine, and Barbara (ff. 48-51v); the Hours of the Virgin (ff.