• Detail of a portrait of Plato sitting at his writing desk., Opera

Detail of a portrait of Plato sitting at his writing desk. This is the second of two volumes. Vol. I: Harl 3481.Horizonal catchwords.Matteo Felice was active in Naples in the 2nd half of the 15th century, and is documented

• Detail of an illuminated initial 'Q'(uum) on a panel ornamented with white vine decoration., Opera

Detail of an illuminated initial 'Q'(uum) on a panel ornamented with white vine decoration. This is the second of two volumes. Vol. I: Harl 3481.Horizonal catchwords.Matteo Felice was active in Naples in the 2nd half of the 15th century,

• Detail of a miniature of the royal arms of England with a crest of a lion, supported by a red dragon and a white greyhound, with a motto reading 'Dieu ets mon droit', and two Beaufort badges of portcullises., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Detail of a bas-de-page scene of two grotesque hybrids heading into battle (one with an ape sitting on his back), at the beginning of the prologue addressed to Henry VII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Miniature of Artaxerxes enthroned, with his courtiers; the arrest of Cyrus; Darius ill in bed, and a physician with a flask, with grotesque hybrids, flowers, and plants in the full foliate border., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Detail of a miniature of Artaxerxes enthroned, with his courtiers; the arrest of Cyrus; Darius ill in bed, and a physician with a flask., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Miniature of the Greek army with Xenophon, and piles of the dead, with grotesque hybrids, flowers, and plants in the full foliate border., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Detail of a miniature of the Greek army with Xenophon, and piles of the dead., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Detail of a miniature of Louis XII enthroned receiving the book from the translator, Claude de Seyssel, at the beginning of the prologue of the translator addressed to Louis XII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Display script by Petruccio Ubaldini, Prologue., Psalter and Canticles (the 'Psalter of the Earl of Arundel')

Display script by Petruccio Ubaldini, Prologue. Illuminated by a French artist, another manuscript decorated by him is Vatican Library, Vat. Lat. 14936, the 'Hours of Catherine de Medici'. Includes the preface 'Psalterium Romae dudum' (f. 2v) and an index

• Prefatory miniature of David praying with an angel holding a sword, scourge, and skull, in an oval frame., Psalter and Canticles (the 'Psalter of the Earl of Arundel')

Prefatory miniature of David praying with an angel holding a sword, scourge, and skull, in an oval frame. Illuminated by a French artist, another manuscript decorated by him is Vatican Library, Vat. Lat. 14936, the 'Hours of Catherine de

• Display script by Petruccio Ubaldini, Psalm 1., Psalter and Canticles (the 'Psalter of the Earl of Arundel')

Display script by Petruccio Ubaldini, Psalm 1. Illuminated by a French artist, another manuscript decorated by him is Vatican Library, Vat. Lat. 14936, the 'Hours of Catherine de Medici'. Includes the preface 'Psalterium Romae dudum' (f. 2v) and an

• Detail of the prefatory miniature of David praying with an angel holding a sword, scourge, and skull, in an oval frame., Psalter and Canticles (the 'Psalter of the Earl of Arundel')

Detail of the prefatory miniature of David praying with an angel holding a sword, scourge, and skull, in an oval frame. Illuminated by a French artist, another manuscript decorated by him is Vatican Library, Vat. Lat. 14936, the 'Hours

• Prefatory miniature of the arms of Henry Fitzalan, earl of Arundel, with his motto, 'Virtutis laus actio', and his monogram., Psalter and Canticles (the 'Psalter of the Earl of Arundel')

Prefatory miniature of the arms of Henry Fitzalan, earl of Arundel, with his motto, 'Virtutis laus actio', and his monogram. Illuminated by a French artist, another manuscript decorated by him is Vatican Library, Vat. Lat. 14936, the 'Hours of

• Detail of display script by Petruccio Ubaldini, Psalm 1., Psalter and Canticles (the 'Psalter of the Earl of Arundel')

Detail of display script by Petruccio Ubaldini, Psalm 1. Illuminated by a French artist, another manuscript decorated by him is Vatican Library, Vat. Lat. 14936, the 'Hours of Catherine de Medici'. Includes the preface 'Psalterium Romae dudum' (f. 2v)

• Miniature of the Annunciation, with a foliate border including John on Patmos, at the beginning of the Hours of the Virgin., Prayer book

with a foliate border including John on Patmos, at the beginning of the Hours of the Virgin. 6 full-page miniatures with full foliate borders including human figures and/or animals, in colours and gold, for major divisions (ff. 17v, 49v, 68v,

• The beginning of the table of contents with illuminated initials on panels ornamented with white vine decoration., Opera

The beginning of the table of contents with illuminated initials on panels ornamented with white vine decoration. This is the second of two volumes. Vol. I: Harl 3481.Horizonal catchwords.Matteo Felice was active in Naples in the 2nd half of

• Illuminated initial 'T'(ribus) on a panel ornamented with white vine decoration, inhabited by putti., Opera

Illuminated initial 'T'(ribus) on a panel ornamented with white vine decoration, inhabited by putti. This is the second of two volumes. Vol. I: Harl 3481.Horizonal catchwords.Matteo Felice was active in Naples in the 2nd half of the 15th century,

• Illuminated initial 'A'(scendimus) on a panel ornamented with white vine decoration, inhabited by putti., Opera

Illuminated initial 'A'(scendimus) on a panel ornamented with white vine decoration, inhabited by putti. This is the second of two volumes. Vol. I: Harl 3481.Horizonal catchwords.Matteo Felice was active in Naples in the 2nd half of the 15th century,

• Illuminated initial 'P'(rincipio) on a panel ornamented with white vine decoration, inhabited by putti, a lion, a hare, and a butterfly., Opera

Illuminated initial 'P'(rincipio) on a panel ornamented with white vine decoration, inhabited by putti, a lion, a hare, and a butterfly. This is the second of two volumes. Vol. I: Harl 3481.Horizonal catchwords.Matteo Felice was active in Naples in