• Detail of plaque, with standing figure., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Detail of plaque, with standing figure. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of headstones

• Panel with the Latin inscription ('Vale Tiberi')., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Panel with the Latin inscription ('Vale Tiberi'). Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of

• Detail of panel with Latin inscription., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Detail of panel with Latin inscription. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of headstones

• Drawing of a epithet with putti., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Drawing of a epithet with putti. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of headstones

• Detail of drawing of a epithet with putti., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Detail of drawing of a epithet with putti. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form

• Drawing of a panel with a snake., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Drawing of a panel with a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of

• Detail of a panel with a snake., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Detail of a panel with a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of

• Text pages with drawing of a snake., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Text pages with drawing of a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of

• Detail of a drawiing of a snake., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Detail of a drawiing of a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of

• Miniature of the Virgin with the Christ Child, adored by an angel, and a full trompe l'oeil border, at the beginning of the Mass of the Virgin., Book of Hours, Use of Rome

the Virgin (ff. 32-37); the Gospel Lessons (ff. 37-41v); prayers to the Virgin (ff. 42-47v); suffrages to the Trinity, Michael, John the Baptist, Peter and Paul, Nicholas, Mary Magdalene, Catherine, and Barbara (ff. 48-51v); the Hours of the Virgin (ff.

• Miniature of the Virgin with the Christ Child, adored by an angel, at the beginning of the Mass of the Virgin., Book of Hours, Use of Rome

the Virgin (ff. 32-37); the Gospel Lessons (ff. 37-41v); prayers to the Virgin (ff. 42-47v); suffrages to the Trinity, Michael, John the Baptist, Peter and Paul, Nicholas, Mary Magdalene, Catherine, and Barbara (ff. 48-51v); the Hours of the Virgin (ff.

• Miniature in grisaille of an army camped outside a city., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

a bend dancetty azure charged in chief with a six-pointed star argent erased, but visible under ultraviolet light (f. 219).Sir John Donne (d. 1503), soldier and administrator: his arms of a wolf rampant erased (f. 219); includes autograph greetings to

• Detail of a miniature in grisaille of an army camped outside a city., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

a bend dancetty azure charged in chief with a six-pointed star argent erased, but visible under ultraviolet light (f. 219).Sir John Donne (d. 1503), soldier and administrator: his arms of a wolf rampant erased (f. 219); includes autograph greetings to

• Detail of a man doing a handstand amongst the foliage in the lower border of the folio., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

a bend dancetty azure charged in chief with a six-pointed star argent erased, but visible under ultraviolet light (f. 219).Sir John Donne (d. 1503), soldier and administrator: his arms of a wolf rampant erased (f. 219); includes autograph greetings to

• Detail of the miniature of the Martyrdom of Blaise., Cuttings from a Missal of Clement VII

skill. At the centre is an initial T of extreme b[?eauty...style wherein is represented the Cardinal; the rest illeg. cropped]"'. John Malcolm of Poltalloch (b. 1805, d. 1893), art collector and landowner: acquired between the first publication of the catalogue

• Montage composed of a miniature of the Assumption of the Virgin above the inscription 'Assumpta Est Maria' (centre); a three-sided historiated border of the arms of Clement VII, the Medici devices of a diamond ring with three feathers and motto 'Semper' and a yoke with motto 'Suave', two prophets in medallions and anthropomorphic and zoomorphic grotesques (left); and a single historiated border of the Medici device of the motto 'Candor Illesus' inscribed on a banner curling round a tree and a trunk supporting a crystal ball through which pass sun rays, one of which hits the tree causing it to burst into flames and the other striking the banner but with no effect, two prophets in medallions and anthropomorphic and zoomorphic grotesques (right)., Cuttings from a Missal of Clement VII

skill. At the centre is an initial T of extreme b[?eauty...style wherein is represented the Cardinal; the rest illeg. cropped]"'. John Malcolm of Poltalloch (b. 1805, d. 1893), art collector and landowner: acquired between the first publication of the catalogue

• Montage composed of a miniature of the Martyrdom of Blaise surmounted by two Medici devices of a yoke with motto 'Suave' (centre); a three-sided historiated border of the arms of Clement VII, the Medici devices of a diamond ring with three feathers and motto 'Semper' and the motto 'Candor Illesus' inscribed on a banner curling round a tree and a trunk supporting a crystal ball through which pass sun rays, one of which hits the tree causing it to burst into flames and the other striking the banner but with no effect, and two sibyls in medallions and anthropomorphic and zoomorphic grotesques (left); and a single historiated border of the Medici 'Candor Illesus' device, two prophets in medallions and anthropomorphic and zoomorphic grotesques (right)., Cuttings from a Missal of Clement VII

skill. At the centre is an initial T of extreme b[?eauty...style wherein is represented the Cardinal; the rest illeg. cropped]"'. John Malcolm of Poltalloch (b. 1805, d. 1893), art collector and landowner: acquired between the first publication of the catalogue

• null, Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

de Pordenone, Merveilles de la terre d'outremer, written in 1330 and translated by Jean de Vignay in 1331 (ff. 136v-148); John of Plano Carpini, Travels to the East in the abridgement of Vincent de Beauvais, Speculum Historiale 32, 2-66, in

• Historiated full-page border with the text excised, of the arms (flanked by two hybrid creatures) of Cardinal Giulio de' Medici, the Medici device of a diamond ring with three feathers and motto 'Semper', a half-length figure of Peter in a roundel, a cameo of the Flagellation of Christ, flowers, strawberries, birds, pearls, snail shells, and medallions inscribed in capital letters 'Christus Deus Omniptens' and 'Deus in nomine tuo salvus me fac' on a gold-flecked black background. Historiated initial 'T' of the Elevation of the Host before an altar table with an image of Anthony Abbot, introducing the ~Te igitur~ of the Canon of the Mass. A cartouche inscribed 'Julius de Medicis, Cardin. Electus Sum. Pontif. (Clemens VII.) Anno Dom. MDXXIII'., Cuttings from a Missal of Cardinal Giulio de' Medici

skill. At the centre is an initial T of extreme b[?eauty...style wherein is represented the Cardinal; the rest illeg. cropped]"'. John Malcolm of Poltalloch (b. 1805, d. 1893), art collector and landowner: acquired between the first publication of the catalogue